What are the characteristics of Zhou Zuoren s prose, what are the characteristics of Zhou Zuoren s p

As a thinker-type writer, his works of art often contain a variety of values such as culture, social history, and aesthetics. The decisive factor in the formation of Zhou Zuoren's prose art is his aesthetics. As an important representative of the Beijing School, he pursued the aesthetic ideal of the Beijing School of literature, which was to advocate harmony and moderation.

All of his prose creations embody a distinct and contradictory aesthetic consciousness and aesthetic ideal pursuit. He yearns for dilution and leisure, loves nature, advocates simplicity, does not like strong feelings, does not like exaggeration, especially hates posture, likes to be easy and broad, and does not like to be difficult and narrow. There are many things in these tastes, such as elegant, astringent, heavy, clear, witty, euphemistic, moist, etc.

However, it is his idea of moderation, and it is this thought that unites his two seemingly contradictory characteristics. And he has repeatedly stated that his moderation is not the Chinese Confucian moderation. The highest beauty in his mind is the beauty of balance and moderation in ancient Greece, which he considers to be the art of reconciling wisdom and beauty.

He expressed it in terms of the Chinese philosophical category of "moderation". In the art of prose, he pursued this beauty of the mean. And when he really chooses the path of life, he is not pursuing this kind of beauty of moderation.

He had a strong indignation in his chest, but he never expressed it in a radical way. When it was really necessary to pick up the **-for-tat and point it at the enemy, he seemed to retreat again and returned to the pastoral life. He himself believes that "literature is not a record, but a dream".

It is with this philosophy of life that Buddhism and Confucianism penetrate each other that Zhou Zuoren completes his dream of seclusion. At the same time, the sense of form and beauty embodied in the pastoral scenery he depicts is close to more new writers who have no name and morale and escape reality. The various artistic characteristics and various artistic practices in Zhou Zuoren's prose listed above can all be unified in this extremely complex and profound pursuit of the beauty of the mean.

All his successes are the success of the beauty of the mean, and have always had a huge impact on the development of new Chinese literature.

Zhou Zuoren was once a brilliant name in the minds of China's new youth during the "May Fourth" period. Even the gradual dimming of the later period did not drown out his great exploits in the creation of modern prose. Through his and Lu Xun's bold attempts and hard work in the "essay sketches", this ancient style of writing radiates youthful vitality; The advocacy and creation of American literature has opened up a new land pattern for Xinzhen closed literature.

His writing is simple and smooth, with a slight sense of humor and lightness, and it gives people a sense of intimacy and naturalness after reading.

Many scholars have evaluated Zhou Zuoren with a scientific attitude, talking about his attitude towards life, literary attainments and historical achievements. No one can deny his many contributions to the New Culture Movement, and what is even more worthy of praise is his outstanding achievements in prose writing. He has written nearly 1,000 essays, which is rare among modern prose writers in China.

This makes people mention his name, and it is associated with "essays" and is deeply rooted in the hearts of readers.

One. Zhou Zuoren's prose creation generally includes two categories: "personnel commentary" and "beautiful writing" based on lyricism and narrative. Correspondingly, there are two different artistic styles: "impetuous and aggressive" and "peaceful and diluted".

Each style has its own characteristics, which shows his profound artistic attainments.

1) Impetuous and aggressive.

The so-called impetuous and aggressive style characteristics are obvious in Zhou Zuoren's "Comments on Personnel". This kind of attention is paid to the miscellaneous feelings of discussion and criticism, touching on reality, pinpointing current affairs, and fighting edges.