What to draw in the first step of sketching, the five steps of sketching

The first step is to contact the line, the line is arranged so that you can accurately affirm the relationship between light and dark in the picture in the future, and then practice the drawing of geometric shapes, geometric shapes are the basis of all sketch shapes, you can try to draw still life and avatars after having a solid foundation, such a process you will draw very well after careful experience, come on!

Observe, locate the highest point and lowest point on the drawing paper, position the object in space, front and back, left and right, draw the outline and structural line with the dotted line, and modify it to accuracy.

Draw a large outline first, and then express the large relationship between light and dark.

Sketch The first step is to look at the structure of the object, and then according to the structure of the line, the tone is paved to lay the relationship between light and dark.

Start with the most basic plaster geometric drawing, so that you can exercise your modeling ability, and be sure to draw the shape well at the beginning of the drawing.

Observe the composition, determine the highest point of the object, and outline the general outline.

Practice the line first, then a single geometric painting, and then multiple, and at the same time have the training of forming such as: sketching figure drawing, and then still life after these are completed...

Pay attention to the composition of the picture and the basic perspective relationship.

Learn to elongate straight lines, then line up, and then draw geometry in the first step.

The first step in composition is to define a frame for the object to be drawn on the sketch paper, usually in a triangle.

Anyway, my teacher first told me a lot, and then gave me a few dots on the paper and let me practice the ...... of the line

Plaster I now draw the plaster cast.

The five steps of sketching are:1Positioning. 2.Out of the third line. 3.Paving. 4.Rub. 5.Mold.

Let me elaborate below:

1.Positioning: The position, size, and height ratio of the object are listed. Note: Determine the main object first, and then determine the position, size, and height of other objects through the main object.

2.Out of the three lines: the three lines are: the outline line, the light and dark junction line, and the projection line.

3.Paving: Start by unifying the light and dark sides of all objects, from left to right, from top to bottom. Then spread black, white and gray on the object, paying attention to the strong front and the weak back, the upper strong and the lower weak, the main strong and the second weak. Then go to the background color, the background plays a role as a foil, pay attention to black, white and gray.

4.Rubbing: first rub the main object, heavy color object, the dark part of the unified rub, and collect the contour type of the object. After wiping, use a hard eraser to wipe the highlights and reflections.

5.Shaping: Is black, white and gray clear? Is the thread kneaded into the dough? Is the priority relationship clear? It is a process of checking the drawing and making corrections.

Step 1: Arrange the structure.

Composition is the key to a painting, and the most important thing in arranging a composition is observation, first observing the physical characteristics of the painted object and analyzing the structure. In the sketch exam, you can draw the basic structure on the draft now, in which the composition should pay attention to the size scale, the proportion of the structure.

Structural sketching is the understanding of three-dimensional space. In the structure sketch painting, the object is imagined as a transparent object, and the structure, decency, and perspective relationship of the length, width, and height of the object are drawn only in the form of line drawing. Structural sketching is the ability to present the volume of objects without tonality, so that the painter can visually recognize their inner image.

Quoted from Sketch Self-Study.com.

Step 2: Draw three lines.

The three lines of the sketch are: the boundary line between light and dark, the outline line, and the projection line. The color of the boundary between light and dark is darker, giving the picture a three-dimensional feeling; The combination of virtual and real contour lines draws the general outline of the object; The projection line is in a uniform direction, the color is the darkest, and the boundary with the object is obvious.

Step 3: Unify the dark side.

The dark side is to set off the bright side, and the unifying of the dark side is also to unify the picture, starting from the boundary between light and dark.

Step 4: Rub and rub.

Wipe can be excessive light and dark, but also make the dark part more unified, with moral tools are: tissues, pens, you can also use your fingers to rub directly. Pay attention when wiping, not rubbing, combine the three lines and the overall structure, pay attention to details, so as to achieve the best effect.

Step 5: Re-emphasize the relationship between light and dark and shape it deeply.

To put it bluntly, in-depth shaping is to perfect the details, highlight the characteristics of the object, and highlight the relationship between light and dark. In the art exam, the same work looks the same, but some people can get high scores, relying on the details. This step is crucial to give a piece of texture, and at the end remember to clean the paper as a whole.

The study of sketching is also a step-by-step process, to follow the steps, step by step to learn solidly, the work will be perfect, so what are the steps of sketch learning, let's take a look.

1. The practice line has been regular, and the length and thickness and tilt angle can be controlled by hand.

2. Then to a single geometric gypsum body, know the basic light source, projection, light and dark junction line, dark side, reflective side, bright side and other knowledge points.

3. Combine geometric gypsum body, mainly practice the proportional positioning of composition, as well as the knowledge points of near real and far virtual, near large and far small.

4. Single still life, practice apples, bananas, various fruits and vegetables, understand the modeling characteristics and structural transitions of objects in life.

5. Combining still life, mainly practicing the proportional positioning of composition, as well as the knowledge points of near real and far virtual, near large and far small.

6. Gypsum facial features.

7. Burriman, plaster statue, human head.

8. Bust, human body.

Step 1: Draw the general outline of the eyebrows and eyes according to our analysis, just have a rough idea, and draw the line with an HB pencil.

But the proportions must be correct, and pay attention to the position of the eyebrows and eyes.

Step 2: Refine the eyes, draw the internal structure of the pupil, and draw the position of the dark part of the eye. Then gently outline the lines of the eyelashes.

Step 3: Draw the dark part of the eye, distinguish between light and dark, leave the highlight part, and pay attention to the lines of the pupil. Draw the shadows at the corners of the eyes, the tails of the eyes, and the sockets to create a three-dimensional effect.

Draw the hair of the eyebrows, pay attention to the direction of the eyebrows, some eyebrows are growing upwards, some are growing downwards, and distinguish them yourself.

Step 4: Use a 2B pencil to deepen the dark part of the eye to make the pupil more textured and realistic. Refine the upper lashes and eyebrows, paying attention to the well-defined feel. The corners of the eyes, the tails of the eyes, and the dark parts of the orbits should also be depicted.

By the way, deepen the shadow of the eyebrow bone to make the three-dimensional sense of the picture more prominent.

Step 5: Continue to dive into the details. The pupils of the eyes deepen again, adjusting the relationship between light and dark.

The creases of the double eyelids are depicted, and the sunken parts are deepened. Refine the upper eyelashes, make the roots of the eyelashes appear dense and heavy, draw the curl of the eyelashes, and pay attention to the direction of the line.

The lower lashes are shorter, sparser, and lighter in color than the upper ones. The eyebrows are strengthened again, and the feeling of thick eyebrows and big eyes is drawn.

Step 6: Replenish the capillaries in the white part of the eye and gently draw some thin lines to make the eyes look more realistic. Finally, adjust the whole picture, and the sketch eye is drawn.