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There is a need to keep innovating and at the same time to break away from the old ways......
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1) Inheritance and innovation are important factors in promoting the development of art. The development of art has its own internal inheritance, which reflects the continuity of social ideology and people's aesthetic concepts. The art of the latter era will inevitably develop on the basis of the art of the previous era.
2) The historical inheritance of art is first manifested in the absorption and acceptance of the artistic traditions of one's own nation, as well as the absorption of the outstanding cultural achievements and artistic achievements of other nations and countries, especially in the inheritance of the form and technique, content, aesthetic concepts and creative methods of art.
3) The process of artistic development is a process of constantly removing the old and bringing forth the new. In order to innovate, it is necessary to adhere to the principle of criticism, remove the dross of the past cultural heritage, and extract its essence. At the same time, it is necessary to insist on the creation of artistic content, art forms, artistic language, artistic expression, etc., and constantly adapt to the needs of people for aesthetic culture and art in the new era.
4) Analyze with examples of artistic practice.
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Inheritance and innovation, absorption and reference in the development of art play an important role in the development of art.
1) The inheritance of the art of the later generations to the art of the previous generation is both direct and indirect, and the inheritance methods are diversified and multiplural.
2) Artistic innovation is an internal factor of artistic development, and it is the driving force and vitality of artistic development.
3) Inheritance and innovation are inseparable in the development of art, and they influence and promote each other. In addition, absorption and borrowing are also indispensable factors in the development of art, and the two complement each other and promote each other.
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Self-discipline in the development of the arts.
1) Historical inheritance is a universal law of artistic development.
The historical inheritance of the development of art is mainly manifested in the following three aspects:
First, the inheritance of the ideological content of the work of art.
Second, the inheritance of the form of a work of art.
Third, the inheritance of artistic types and methods of artistic creation.
2) The reason why the development of art has historical inheritance.
The first is determined by the continuity of the development of society's material life.
The second is determined by the nature of art itself, and the third is determined by the task of art to express life.
3) The principle of inheritance of artistic heritage.
The principle of inheriting the artistic heritage is to take the essence and discard the dross Adhere to the critical principle of inheriting the legacy, and oppose the "affirmation of everything" (manifested as retroism) and "denial of everything" (manifested as nihilism).
4) Conditions and Types of Artistic Inheritance The conditions of artistic inheritance determine the type of artistic inheritance. There are two types: 1. Inheritance in the gradual continuation of the same art style.
2. The inheritance of different artistic styles by leaps and bounds.
5) Innovation is an inevitable law of artistic development.
1. Innovation is determined by the task of art.
2. Innovation is determined by the nature of art.
3. Innovation is determined by the aesthetic needs of the appreciator.
4. Innovation is determined by the uniqueness of the artist's personality and thoughts and feelings.
6) The expression of innovation in the development of art.
1. From the perspective of a work of art, innovation can be expressed as the innovation of the content of the work of art and the innovation of the form of the work of art.
2. From the artist's point of view, innovation can be manifested as the transcendence of others and the transcendence of oneself.
3. In terms of the degree of innovation, innovation can be divided into innovation in the continuation of the same artistic style and innovation in the transformation of different artistic styles.
7) The relationship between inheritance and innovation in the process of artistic development.
1. Innovation is the purpose of inheritance 2. Inheritance is the foundation of innovation.
The inheritance of art must be absorbed in the original flavor.
Artistic innovation is to expand to a new level on the basis of inheritance.
Innovation is impossible without inheritance.
It is impossible to just innovate without learning from tradition. If a person is born without education. Survive until adulthood. Then he won't be much different from the primitives.
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Among the various factors of artistic development, inheritance and innovation are the important categories and basic laws of a pair of Zhaoling pants.
1) In the process of its development, the internal structure of art is inherited, and this inheritance reflects the continuity of social ideology and people's aesthetic concepts. The art of each era is an established existence and condition for the art of later generations. The art of the latter era is destined to develop on the basis of the previous era.
2) The historical inheritance of art, which is manifested in the absorption and acceptance of the artistic heritage of one's own nation, as well as the absorption of the outstanding cultural and artistic achievements of other nations and countries.
3) The historical inheritance of art, which has outstanding performance in the form and technique, content, aesthetic concept and creative method of art. The process of artistic development is a process of constantly removing the old and introducing the new, pushing through the old and simplifying the new, during which inheritance and innovation are closely linked, and without inheritance, there will be no innovation. In the development of art, inheritance is the means, and innovation is the goal.
4) Innovation is the innovation of Wang on the basis of inheritance. In order to innovate, it is necessary to adhere to the principle of criticism, and take the essence of the cultural heritage of the past and remove the dross. At the same time, we must insist on the creation of artistic content, art forms, artistic language, artistic expression, etc., and constantly adapt to the needs of people for aesthetic culture and art in the new era.
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It should serve the people and improve one's own cultural quality and personality quality.
The New Culture Movement was a revolutionary movement initiated by a group of Western-educated people in the Chinese cultural circle in the early 20th century. On the eve of May 4, 1919, Chen Duxiu published an article in the New Youth, edited by him, advocating democracy and science (Mr. De and Mr. Sai), criticizing traditional and pure Chinese culture, and disseminating Marxist thought. On the one hand, the moderates, represented by Hu Shih, opposed Marxism, supported the vernacular literary movement, and advocated pragmatism instead of Confucianism, that is, the New Culture Movement. During this period, Chen Duxiu, Hu Shi, Lu Xun and others became the core figures of the New Culture Movement, which also became the forerunner of the May Fourth Movement.