Gouache can make the picture rich in several colors

This question is not necessarily about how many colors you have to mix as you asked, because in a painting many colors are made with the colors you have already mixed up before (that is, the colors that are already on your palette) plus other colors, so that the colors you have mixed will be related to the colors you have painted before, so that the tone of the whole painting is uniform.

As for making the picture rich, it depends on your color sense to a certain extent, everyone's feeling is different, of course, the richer the better, but it must be under the premise of uniform tone, otherwise it will be spent. Also, don't make the color dirty, which means that each color should have its color tendency.

When painting white canvas, the dark part is seriously affected by the ambient color, which is generally close to the color of the surrounding objects, and the bright part is seriously affected by the color of the light source, and the cold and warm parts of the bright part are determined according to the situation of the picture. Projections should generally be cooler.

Gouache is a very flexible thing, and you usually need to read more books and think more. It is necessary to combine feelings with theory. Draw well!

It depends on the environmental color and inherent color, which cannot be absolute, and there will definitely be problems if you apply the method.

If you adjust too much, the color will be dirty. Flexible. A big part of color depends on feeling.

The premise is to know the most basic color knowledge and be familiar with the characteristics of water, and feel that everything is OK.

Painting gouache is generally 2 or 3 times when painting relatively new or bright colors, and it is easy to get dirty if you adjust too much, (like some vegetables, fruits, food, flowers, etc., you should adjust a few less). When painting still lifes with less obvious or bright colors, you can adjust several more, and when painting dark parts, you can also adjust several more.

Painting white interlining should be determined according to the tone of the whole picture, but the chiaroscuro of the white cloth should not be too strong, and the dark part should not be too dark, because the white cloth is very reflective, and the ambient color of the white cloth should not be too bright.

Mixing gouache is not to mix several colors, but to look at the color contrast between still lifes, the color wants to be rich, it requires a combination of cold and warm, it must be moderate, or the picture will turn gray and dirty.

The dark side of the white cloth can be slightly blued.

Kindness. I'm used to mixing three of them.

It doesn't feel good.

Generally, there should not be more than two or three kinds of clean conditions, and it is easy to get dirty and powdery if there are more.

Well, I'm used to mixing four of them.

It doesn't feel dirty.

If there is a contrast between warm and cold, it will appear rich.

I'm also Meite, although I don't have a good impression of color, but I can still answer your questions, the most common problem encountered by novices trying color painting is to use brightness to see the color, as well as the change of light, you can try not to rush to achieve, but to observe more things around you, such as the afternoon light is blue, so that the red is purple, and the morning is yellow, so that the red is orange, in fact, the color is not difficult, it is not so simple, he lies in your psychology and attitude.

First of all, make sure that you don't get fooled by the colors! Don't think too much about everything like colors and brushstrokes!! The key is to understand the sketch relationship, which can also be understood as drawing a sketch with color.

Sketch relationship, with painting, there is also a painting!! The characteristic of gouache painting is that it starts with the dark part and gradually goes deeper into the light part! The visual aspect of color grading is cultivated slowly!

Don't be in a hurry to draw too much, these problems will be solved naturally, but you should know which of the gouache colors are warm and which are cold! Cool and warm colors are easy to get dirty!

One of the easiest ways to practice color grading is to go to a random room or in your studio, see a certain color, try to adjust it until it comes out, and then change to another one, so that you can practice your intuitive reaction to color mixing (before that, you can ask the teacher to tell you what colors are commonly used, and then ask him to teach you to mix them).

Gouache is a transitional painting of watercolor and oil painting, so generally learn gouache first, gouache can generally see the strokes, and the thickness of the pen should also be considered, followed by gouache can cover many layers, if you are not satisfied, you can cover it (but you must wait for the color of the original place to dry), the color should not be too thin, and do not mix the extra four colors when mixing the color, otherwise it will turn gray and not good-looking.

In fact, the focus (the place that is emphatically depicted) is drawn in painting, there are virtual and real, and the light and shadow effects can be handled well, so that the object can have a three-dimensional sense. In a word, draw three-dimensionality, virtual reality, and focus, and you will basically succeed.

1. Start by preparing a palette, a gouache and three pigments, red, white and earthy.

2. Squeeze the red on the palette and blend with chalk.

3. Add white again. Pay attention to the amount of color used. Then, blend the two colors.

4. Bease with chalk.

5. Add earthy yellow, blend the three colors fully, and adjust to the desired flesh color.

6. Finally, mix to the desired flesh color.

Notes:

How to learn how to color grading:

1. To learn the correct method of color mixing, first of all, it is necessary to carefully interpret the theory of color composition, first lay a solid theoretical foundation for color composition, and then take some typical demonstrations for practice.

2. Color is not only a reflection of the objective world, but also a feeling of the subjective world. Some people will be a treasure trove of certain hues, while others may be regarded as garbage, which is entirely a matter of "turnip greens, each with his own love", but it also reflects the fact that color is both an objective existence and a subjective feeling.

3. Although the color mixing technology is complex and dazzling. But philosophically speaking, everything has a regularity, and the key is how we recognize and master this law.

1. Red + yellow = orange, orange + red = pink, that is, two parts red + one part yellow can be called pink;

2. Yellow, blue, green, and blue, the ratio of red, green, and blue is 5:2:3, and it is also pink when it comes out; Under normal circumstances, red, yellow and blue are the three primary colors, and it is difficult to adjust the standard other colors with gouache.

With the three primary colors (red, yellow, blue) you can also bring up other colors:

Blue + Yellow = Green, the component of the blue color gradually increases, which pushes from yellow to green;

Red + blue = purple, use the basic color of blue to gradually add red to transition to purple;

Red + yellow = orange, you can transition to orange with red and yellow;