The emotions and content of the poems have changed from ancient poets for various reasons, such as

Li Yu (937-978).

The last monarch of the Southern Tang Dynasty, reigned from 961 to 975, his first name was Congjia, the word was heavy, and he was called Zhongyin and Lianfeng layman. Han nationality, ancestral home Pengcheng (now Xuzhou, Jiangsu) people. According to legend, he was born on the seventh day of the seventh month of the seventh month of the third year of Tianzuo (937) [1], and was the sixth son of Li Jing of Yuanzong of the Southern Tang Dynasty.

He succeeded to the throne in the second year of Song Jianlong (961), known as Li Houzhu in history, and his father Li Jing was called "the two masters of the Southern Tang Dynasty", and they were all famous lyricists of five generations. In the eighth year of Kaibao, the Song army broke through Jinling, the capital of the Southern Tang Dynasty (now Nanjing, Jiangsu), Li Yu surrendered to the Song Dynasty, was captured to Bianjing, and was named the general of the right Qianniuwei and the marquis of disobedience. On July 8, 978, the third year of the Taiping Rejuvenation of the Kingdom (978), he died of illness in Jingshili [2], and was poisoned by Song Taizong because he was nostalgic for his hometown "Yu Beauty".

Although Li Yu is not good at politics, his artistic talent is extraordinary: calligraphy, painting, music, poetry, and literature have certain attainments, especially the highest achievements in words, such as "When is the Spring Flower and Autumn Moon" and "Meet Huan· Alone in the West Building" and so on. He is known as the "Emperor of Ancient Words".

The content of Li Yuci can be divided into two categories: the first type was written before the Song Dynasty, which mainly reflected court life and the love between men and women, and the subject matter was narrower; The second type is after the Song Dynasty, Li Yu wrote with his own feelings with the grief of the loss of the country, and the achievements of his works in this period greatly exceeded those of the previous period. Most of the later lyrics are sad and desolate, expressing infinite nostalgia for the past, such as "When is the Spring Flower and Autumn Moon of Poppy Beauty", "Seeing Joy and Going to the West Building Alone Without a Word" and so on were all completed at this time.

Du Fu, in his early years, also had a wandering atmosphere like Li Bai, and in his middle and later years, he turned into a depressed and frustrated strict and refined workman, needless to say, the difference in content before and after the Anshi Rebellion;

Yu Xin, Shi in the north and south dynasties, the early palace traces are obvious, fresh and bright, from the south to the north after the style turned to the old, writing the pain of the country and the sense of drifting.

So is Li Yu.

I also thought of him first, and Lu You

1.First of all, consider the issue of standards. That is, there are many male and female writers, why choose Li Qingzhao.

and Du Fu, I have a standard first, and there is a reason. Can Li Qingzhao represent women's literature? What does she stand for? Can Du Fu represent male literature?

2.In terms of style. Du Fu wrote poems about women, such as "Moonlit Night".

I think it's quite delicate, but after all, it's poetry, so it's difficult. In addition to some poems that express the feelings of young girls, Li Qingzhao's works that express the pain of losing the country are similar to Du Fu. I think you can see how they express the pain of losing their country.

Their circumstances are also generally similar - Du Fu experienced the prosperity of the Kaiyuan Dynasty.

It also experienced the Anshi Rebellion.

Li Qingzhao experienced the Northern Song Dynasty.

Southern song dynasty. The painful part of the poem. I think the landlord may be trying to dig out their similar feelings, one is more depressed and frustrated, and the other is more poignant. But the style is really hard to analyze.

Take Du Fu as an example, his depression and frustration are actually like a kind of brushwork, that is, there are emotional twists and turns. It's like recruiting a husband in a homeless house, first sad that he was going to be arrested again, and then he felt very relieved to think that he was close to home this time, and then he thought about it, and his home was far away, and there was no home anyway, and there was no prosperous country, so he was even more sad. Although Li Qingzhao's pain is a direct loss of the country, logically speaking, it should be more painful, but it does not show a sense of pain that is getting more and more painful step by step.

Du Fu did this even better.

Secondly, Du Fu's feelings are integrated with the people's nature. That is, it involves the question of whether a lyrical protagonist speaks for himself or for himself. Du Fu wrote about his own events and feelings, such as "Northern Expedition" and "Wen Guanjun Collects Henan and Hebei".

But the problem is that even in his works that write about his own affairs, he integrates the consideration of other people's emotions, the so-called "pushing himself and others". That is, the protagonist of his pen can be said not only to write about himself, but even if he writes about himself, he also says that he writes about himself with the feelings shared by most people. Li Qingzhao's works are obviously personal, and even if it is a matter of losing a country that many people have experienced together, I think it is more inclined to embody an emotion.

3.It's hard to prove that their style is related to whether they're male or female. I think it's enough to grasp the commonalities in their fates or in their works.

I still think that there is no standard for judging them when they are analyzed together. However, if we use the theory that the changes of the times affect the style of the work, there is something to be discussed.

4.The word was originally from Yan Le. After five generations, his sect is a graceful faction.

It's not that Li Qingzhao has to write a tactful contract, and it's probably just according to the old rules. From her to Su Shi.

The critique can be seen. I feel that after Su Shi, he really raised the words to the same level as poetry to express major themes. In the past, poems were more natural and solemn in expressing major themes, while words were more personal works. I feel like there should be a thing or two to consider here.

The difference between Li Qingzhao's words and Du Fu's poems is that Li Qingzhao focuses on her own emotional expression, and she wants to express her own emotional things, her words are very emotional, and the meaning expressed in Du Fu's poems is that she wants to be an official, but there is no way to become an official, and she has never met a talent, lamenting her own experience, this is the difference between Li Qingzhao's words and Du Fu's poems.

There is a big difference. Li Qingzhao's words often give people a very bleak and sad feeling, and they are also very euphemistic, and he is known as a poet of the graceful school. Du Fu's poems are very heroic, and they are also full of some feelings of family and country, which is a very magnificent way of expression.

Li Qingzhao's words are very literary and artistic, but at the same time they can express personal opinions, and they are very personal and sentimental, and sometimes they will also be acupuncture. And Du Fu's poems are generally about beautiful scenery, and at the same time, they will describe the beautiful scenery very well. will express his feelings with righteous indignation.

Most of Li Qingzhao's works are the pain of losing the country, mixed with the feelings of some young girls, while Du Fu's poems are really worried about the country.

In the early stage, he wrote more about his leisurely life, and in the later stage, he lamented his life experience and was sentimental.

Li Qingzhao was born in a scholarly family, and her father Li Gefei was a wealthy book collector, and she laid a literary foundation in a good family environment when she was a child.

After getting married, he and her husband Zhao Mingcheng worked together to collect and sort out calligraphy and paintings. When the Jin soldiers entered the Central Plains, they lived in the south and were lonely. The lyrics are mostly written about his leisurely life in the early stage, and lamenting his life experience in the later stage, and the mood is sentimental. In terms of form, he makes good use of white drawing techniques, finds his own way, and the language is clear and beautiful.

The Analects emphasize harmony, advocate elegance, put forward the theory of "not being a family", and oppose the method of composing poems and essays. Noh poems, not much remains, some of the chapters are time-sensitive, and the words are generous, which is different from its style of words. There are "Yi'an Jushi Anthology" and "Yi'an Ci", which have been dispersed.

Later generations have a compilation of "Shuyu Ci". Today, there is "Li Qingzhao's Collection of Proofnotes".

With the southward migration of the Song dynasty as the boundary, it is divided into two periods:

In the early stage, I wrote more about its leisurely life, the little girl's heart or something.

In the later period, he lamented his life experience, was sentimental, and mourned the country and himself.

In the early stage, the poems wrote more about the lovesickness with her husband (Mo Dao is not ecstatic, the curtain is swept by the west wind, and people are thinner than yellow flowers "Drunken Flower Yin"), and the leisure and elegance in life (know whether you know it or not, it should be green, fat, red and thin), and more love life, natural scenery, and beautiful rhyme.

In the later period, I wrote more about the life of wandering (looking for and seeking, cold and lonely, miserable and miserable relatives "Slow Voice"), missing her husband (her husband later passed away), sighing about her life experience, nostalgic for the past, and sad mood. Distinguish in this way.

The first stage: leisure, often sighing for missing her husband, or natural scenes, with a little bit of leisure and freshness.

The second stage: sorrow for the country, things and people, the country is ruined and people are dead, the words contain deep pathos and deep sorrow.

In the early stage, he wrote more about his leisurely life, and in the later stage, he lamented his life experience and was sentimental.

The early days were cheerful and sincere, full of girlish feelings. The later period is infinitely sad, sad and gentle.