Characteristics of symphonic music in the Romantic period, representative works of Romantic music

There is nothing but the distance away.

The spring breeze is not as fierce as in summer, and not as stiff as autumn.

The Romantic period is characterized by the expression of personal feelings and fantasies, with great emphasis on individualistic physical and mental experience, with a strong, free and unrestrained style of ** and the rigorous and elegant classicism ** at that time. The ** of the Romantic period was usually created by some melancholy and loners who were dissatisfied with the status quo, and these people were keen to reflect the theme of love and family affection in their hearts, with a strong imprint of emphasizing subjectivity, and had obvious autobiographical characteristics.

Romantic music was born in the early nineteenth century, is a new genre after the Vienna classical music school, this period of art in the creation of ** with strong subjective feelings, full of love for nature and fantasy of the future world, the work is full of fantasy.

In the early days of the birth of the Romantic school, there were also some classical ** traditions, which reached their peak in the middle of the nineteenth century, and Beethoven's late Chongcha works had a strong romantic color, and many of the sullen ** works born in this period are still loved and welcomed by people today.

Analysis: Romanticism**.

Focus on lyricism, autobiography and the form of psychological portrayal of individual and shouting poor people, so as to highlight the infiltration of personal feelings. **The works promote national characteristics and form distinctive national music schools.

Schubert, Chopin, Liszt, Brahms, Weber, Berlioz, Schumann, Bizet, Verdi, Wagner, Tchaikovsky, Mendelssohn.

The period from about 1820 to 1910 is known as the period of Romanticism in the history of the West, represented by Schubert, Chopin, Berlioz, and Liszt.

Schubert, Brahms, Weber, Berlioz, Mendelssohn, Schumann, Chopin, Liszt, Bizet, Verdi Puccini.

Chopin, Schumann, Liszt, Wagner, Tchaikovsky, etc.

Summary. The development of the symphony in the Romantic period can be discussed from the following aspects: **Formal change:

Romantic symphonies are more formally free, no longer limited by the strict symmetry and proportions of the Classicist period. The number of movements of the symphony increases to four or five, often including one or more interludes in the Romantic style. In addition, the forms of symphonies in the Romantic period are also more diverse, such as the use of poetic symphonies, tone poetry symphonies and other forms, which makes the symphony richer in connotation.

Improved expressiveness: The symphonies of the Romantic period are more expressive and have a more personal character. Composers express their emotions and thoughts by using more colorful harmonies, melodies, rhythms and other techniques, making the language of the symphony more vivid and moving.

Thematic changes: The themes in the Romantic period symphonies are more national and classical Romantic. The composers adopted more local elements, such as folk songs, dance music, etc., to make the form of the symphony more diverse.

Good. The development of the symphony in the Romantic period can be discussed from the following aspects: **Formal change:

The symphonies of the Romantic period were more free in form, no longer limited by the strict symmetry and sense of bibliophy of the Classical period. The number of movements of the symphony increases to four or five, often including one or more interludes in the Romantic style. In addition, the first form of the symphony in the Romantic period is also more diverse, such as the use of poetic symphony, tone poem symphony and other forms, which makes the symphony more rich in connotation.

Improved expressiveness: The symphonies of the Romantic period are more expressive and have a more personal character. Composers express their emotions and thoughts by using more colorful harmonies, melodies, rhythms and other techniques, making the language of the symphony more vivid and moving.

Thematic changes: The themes in the Romantic period symphonies are more national and classical Romantic. The composers adopted more local elements, such as folk songs, dance music, etc., to make the form of the symphony more diverse.