Information about The Scream, About the Author of The Scream ?

The author of the cry is Lu Xun, and Lu Xun's profile is shown below.

Lu Xun (1881-1936), the founder of modern Chinese literature. Originally known as Zhou Shuren, the word Yushan, Yuting, later renamed Yucai, Shaoxing, Zhejiang. In May 1918, under the pseudonym "Lu Xun" for the first time, he published the first vernacular ** "Diary of a Madman" in the history of Chinese literature.

The author of "The Scream" is Lu Xun (1881) to (1936), formerly known as Zhou Shuren, a native of Shaoxing, Zhejiang, and his main works include the ** collection "The Scream", "Hesitation", "New Story", prose poetry collection "Weeds", prose collection "Morning Flowers and Sunset", and a large number of essays. He was a great writer, thinker, revolutionary, an important participant in the May Fourth New Culture Movement, and the founder of modern Chinese literature.

**The collection "The Scream" includes 14 articles, including "Diary of a Madman", "Kong Yiji", "Medicine", "The True Story of Ah Q", "Hometown", etc., reflecting the appearance of China's ancient villages and towns from before and after the Xinhai Revolution to the "May Fourth" period.

It depicts the social reality of China before and after the Xinhai Revolution to the "May Fourth" period, sums up the historical lessons of the Xinhai Revolution, profoundly exposes the nature and hypocrisy of the feudal patriarchal system and feudal etiquette and cannibalism, painfully dissects the silent soul of the Chinese people, and criticizes the inferior nature of the people.

The Scream is a collection of short stories by Lu Xun, which truly depicts the social life from the Xinhai Revolution to the May Fourth period, reveals all kinds of deep-seated social contradictions, and deeply analyzes and completely negates China's old system and outdated traditional concepts.

It reveals all kinds of deep-seated social contradictions, profoundly analyzes and completely negates the old Chinese system and some outdated traditional concepts, and shows a strong sense of anxiety about the survival of the nation and a strong hope for social change.

The Scream is a symbol of the beginning and maturity of modern China, and has created a precedent for modern realist literature.

Professor Yan Jiayan once said: "China's modern ** began in the hands of Lu Xun and matured in the hands of Lu Xun. The main basis is the status of "The Scream" and Lu Xun's other ** collection "Hesitation" in the history of Chinese literature.

In the top 100 Chinese in the 20th century selected by Hong Kong's "Asia Weekly", "The Scream" topped the list.

Background of creation. In the preface of "The Scream", Lu Xun mentioned that when he was young, he went to Japan to study medicine because of China's backward medical technology, but later found that it was not only medical technology that was backward, but also the people's ideology and national system were far behind those of Western countries. Lu Xun believed that "to save the country and the people, we must first save the mind," so he abandoned medicine and literature, hoping to use literature to transform the "national inferiority" of the Chinese.

As a young man, Lu Xun was full of ambition and hoped that China would be free from the old system and outdated traditional ideas. However, the setbacks he suffered gradually made him feel hopeless and lonely, and he once locked himself in a room where no one came.

Later, Qian Xuantong invited him to write an article in "New Youth", and "Diary of a Madman" was the first article that Qian Xuantong urged him to write in "New Youth", and used Lu Xun as his pen name for the first time. Subsequently, Lu Xun published a number of short stories**. Some ** collections were published, named "The Scream".

The Scream is a painting by Norwegian painter Edvard Munch in 1893.

There are four editions, namely: the first version, created in 1893, as an egg white wood panel; The second version, painted in 1893, is painted as a wax panel; The third version, painted in 1895, is on pastel wood; The fourth version is an oil on egg white panel.

Background of the creation of "The Scream":

The 90s of the 19th century was the era of the prevalence of new ideas in Europe, and it was also the most glorious period of Munch's creation, he devoted himself to the conception and creation of the "Life" group of paintings, and his works at this time were full of philosophy and a sense of the times, and his artistic ideas matured.

The fragility of life, the decline of the family, loneliness, fear, and despair have long plagued Munch's heart, and he has endured many hardships that others can hardly feel, and he wants to cry out.

The location in The Scream is the Oslo Fjord overlooking from Mount Urkeberry. One evening, Munch walked along the seaside promenade with two friends at a time. On one side of the road is the city, on the other side is the fjord.

The author, tired and sick, stopped and looked over the fjord. At sunset, the clouds were dyed red like blood.

Munch was perched on the railing, too tired to speak. As his friends walked on, he fell behind, and he felt a piercing scream pass through heaven and earth; The author could hear the scream. Munch stopped there, trembling with unease.

Such horror and despair finally erupted into a cry of lonely and terrible life.