Find the opposite couplet, indicating that the friend can no longer be reunited

It's not simple.,Add "矣" at the end of the upper link,Add "hu" at the end of the next link,The landlord himself reads it.,How about it?? Quite the opposite.

1.Thrush gives birth to the crescent moon and looks like Chanjuan 2, the water is clear and the fish reads the moon and the mountains and forests are muguang 3, there is no moon in the water, there is no moon after the clouds, there is no day in Japan 4, the building is high, the windows are small, the moon can be stored, the peak is long, and the flat path is long, and it is difficult to hide the scene.

5, the sound of the flute calls for the moon and the flute to break through the underwater sky.

6, the full moon shines on the square window, there are rules and rules to write short poems on long notes, no square and no circle 7, the tip of the oar breaks the river heart moon, the water is still round The coonyarn stirs up the waves on the lake surface, the waves are still flat 8, the moon lacks the full moon, the lack of a comb is round like a mirror The tide rises and falls, rises like a flower and rises like a town 9, the moon is bright and bright, and the moon is bright in August; The mountains and mountains are very beautiful.

10, the building is high, but Ren Yun flies over the small pond to send the moon.

Flowers, elegant and beautiful, but separated by a few petals.

The moon is round and lacking, but it looks at itself.

Friendship, far and near, but the banquet is scattered.

Friends, seeing and leaving, but the ends of the world are on both sides of the world.

Wild grasses, sparse or lush, always fall on the cape. The stars, bright or dark, are always far away. Warmth, light or thick, always dies in the wind. Friends, to stay or not to stay, are no longer in mind.

It's too long, add more points and then do it.

The green leaves, both withered and glorious, cannot last long: the reflection, which seems to be deep and shallow, is false; Resentment, inseparable, all leave traces; Men and women, it seems that they are no longer young!

Uplink: The cold winter wax moon is not afraid of the cold and the ground freezes Downlink: The warm spring year only sees the spring flowers.

Shanglian: natural and man-made disasters in the old society; Downlink: New Era Guotai Min'an.

Downlink: The houses in Taoyuan are like uplink: Send charcoal in the snow, poor children.

Features:

The upper and lower couplets must have an equal number of words; Pay attention to the neatness of the battle; Pay attention to meekness; The meaning is similar, related, or opposite. It is mainly divided into four aspects: one is symmetrical form, the second is related content, the third is concise text, and the fourth is distinct rhythm.

Some people also call it the four beauties of couplets, namely the beauty of architecture, the beauty of symmetry, the beauty of language and the beauty of rhythm.

1) Formal symmetry: Symmetry refers to the antithetical form of the upper and lower couplets, also known as the dual form. Confrontation is an important rhetorical method in classical Chinese literature, and it is the charm and life of couplets.

What is a battle? Antithesis, in other words, is the symmetry of dual sentences. The word "battle" is ** in the ranks of the ancient palace guards (honor guards), which are arranged in pairs and opposites, so they are called battles.

2) Content related: The reason why couplets are called couplets is not only that they need to fight in them, but also that the important thing is the word "couplet", and if the couplet is not linked, it cannot be called a couplet. If the upper and lower links are two unrelated things, and the two cannot be reflected, connected, or echoed, it will be a success or failure.

For example: eternal happiness once and for all; Vientiane rejuvenates the earth and is new.

3) Concise text: A very important reason why the couplet has endured for thousands of years from ancient times to the present is that it is concise, expressive, concise and short, easy to disseminate, and the battle is exquisite and catchy. For example, Yunnan Kunming Xishan Sanqing Pavilion Lian: listen to the birds; Ask who the flower laughs at.

4) Distinct Rhythm: The rhythm of the couplet will be discussed in detail in the relevant sections, but only some of the interrelationships between rhythm and structure and balance will be explained here. The difference between a couplet and a poem is in the external form.

That is, the number of words and length of the couplet are not limited, which is more flexible and free in comparison, but one thing must be noted, that is, the number of words in the upper and lower couplets of the couplet must be equal. That is, the total number of all couplets must be even.

To sum up, the couplet is characterized by two aspects: one is flexible in words, and the other is strict in combat.

As one of the styles of literature, couplets and poems have commonalities, but their individuality is also obvious.

Couplet, one of the traditional culture of the Han nationality, also known as couplet or pair, is a dual sentence written on paper, cloth or engraved on bamboo, wood and pillars. The couplets are neat and harmonious, and it is a unique art form of the Chinese language. The couplet is said to have originated five generations later, the lord of Shu, Meng Chang.

It is a treasure of traditional Chinese culture.

To sum up, the couplet is characterized by two aspects: one is flexible in words, and the other is strict in combat.

Let's start with flexible words. Each poem has 8 sentences, 40 words in five words, and 56 words in seven words; The quatrain is 4 sentences each, 20 words for five words, and 28 words for seven words.

Words are filled in according to the word card, each with a specified number of words and sentences, such as "Huanxi Sha" up and down 3 sentences, a total of 42 words, "Manjianghong" up and down 11 sentences, a total of 93 words.

This is not the case with couplets, the number of words and sentences is completely based on the content requirements, and can be more or less.

The shortest couplet, "The Victims of September 18":

Death is against "life" (note: the word "life" is written backwards).

There are only 2 words. Lushan Han Pokou Shifang" Lian:

The lake light on the "mountain color".

A total of 4 words. The name is right:

Sun Xingzhi to "Hu Shizhi".

A total of 6 words. Each expresses a complete meaning. As for the 4 characters in the upper and lower lines, they abound, and there is no need to list them.

There is no limit on the number of words and sentences in the long couplet, Liang Zhangju believes that 40 characters are long couplets, while Sun Fu's "Daguanlou" has a total of l80 words, and Zhong Yunfang's "Sichuan Jiangjin City Tower" is l612 words long.

Couplets have four characteristics:

1. Up and down.

The number of words is equal; 2. The upper and lower links are relatively flat;

3. The upper and lower parts of speech are the same;

4. The meaning of the upper and lower links should be closer.

The upper and lower couplets have the same number of words and the same structure. Unless a word is intentionally spaced to achieve a certain effect, the number of words must be the same. The corresponding position has the same part of speech.

Verb to verb, adjective to adjective, quantifier to quantifier, adverb to adverb, and the relative word must be in relative position.

Be in harmony with each other, and harmonious in tone. According to the rhyme foot, the upper rhyme foot should be the voice, and the lower rhyme foot should be the flat sound, which is called the flat end. The rhythm should be corresponding, that is, the place where the upper and lower couplets pause must be the same.

Couplets originated from classical poetry in China, and their origins can be traced back to the dual sentences in pre-Qin classics. The dual sentences of the Shang and Zhou dynasties and the puppet sentences in the dictionaries of the Wei, Jin, and Southern and Northern dynasties laid the foundation for the later generation of couplets. After the Tang Dynasty, the structure of the poems and the poems has been perfected, and the dual sentences have become an integral part of the poems, and their independence has gradually strengthened.

The couplet is developed from the dual sentences in the metrical poems and the lily sentences in the pun.

In the Ming and Qing dynasties, couplets have penetrated into all aspects of social life, and all kinds of couplets have been widely used. Since the Ming Dynasty, due to the emperor's favor, from the dignitaries to the common people, it has become a common practice to write poetry. Coupled with the admiration of the two emperors of Kangqian, the masters of the altar gathered for a while, splashing ink, and all kinds of famous couples were colorful.

(1) The upper and lower links are opposite.

Generally, it is not required that the words are opposite, but it should be noted that the upper and lower ending words (joint feet) should be opposite, and the upper link is 仄, and the lower link is flat; The words at the end of the phrase or at the rhythm point should be opposite; The last word (foot) of each clause in the long couplet should be reversed.

(2) The upper and lower couplets alternate in their respective sentences.

Contemporary Lianjia Yu Dequan and others have summarized a set of "horseshoe rhyme.""Rules. To put it simply"Peaceful, mediocre"And so on and on, like the rhythm of a horse's hooves.

1. The upper and lower couplets must have the same number of words.

Second, pay attention to the neatness of the battle;

3. Pay attention to fairness.

Fourth, the meaning is similar, related or opposite.