From Du Fu s Spring Hope to Du Fu s Spring Hope expresses the author s thoughts and feelings

1. What is the core spirit of the poem? It is worried about the country and the people;

2. Why does the author worry about the country and the people? It is because of love, this kind of love is not the love of men and women, it is a spiritual belief of Confucian culture, a kind of great love and fraternity;

3. There is no country, ** home? To put it simply, if everyone is not patriotic, then it is equivalent to abandoning the homeland and the space for survival;

4. What kind of inspiration does the poet's noble belief give us? Only by fully understanding him can we recognize the responsibilities of our generation; Only by carrying forward this noble sentiment can we awaken the soul of our Chinese nation;

5. In light of the frequent occurrence of all kinds of unprincipled and unethical things in today's society, and the miasma of quick success and money worship, carefully think about how far the national morality will collapse if this development continues? Should righteousness be promoted? Promote noble moral sentiments?

6. (Choose to play) How to reverse this unhealthy trend?

PS: If you can listen to it, just listen to it, and let others do your homework for you is not only not good for you, but also a sign of cowardice. I hope that you will rise to the challenge, face the challenges bravely, and rely on your own ability to find ways to solve difficulties, so that you can learn real skills and live up to the expectations of your parents and teachers.

05 Du Fu]04Appreciation of Du Fu's "Spring Hope".

"Although the country has been devastated by war and fallen, the mountains and rivers still exist, and the grass and trees in the city will flourish in spring.

The country is broken by mountains and rivers, and the city is deep in spring. "At the beginning, I wrote what I saw in Chunwang: the capital of the country has fallen, the city is dilapidated, although the mountains and rivers are still the same, but the grass is everywhere, and the forests are green.

The word "broken" makes people frightened, and then the word "deep" makes people full of sadness. Sima Guang said: "'Mountains and rivers are there', and there is nothing left;'The grass and trees are deep', and there is no one to see it.

Wen Gong's Continued Poems) The poet is clearly writing the scene here, but it is actually lyrical, placing affection on things, and supporting feelings in the scene, creating an atmosphere for the whole poem. This couplet is skillful, mature and natural, and poetic and falling. "National Break" vs. "City Spring" has opposite meanings.

The decaying ruins of the "broken country" are in strong contrast with the business-rich "Chengchun". "The country is broken" is followed by "mountains and rivers are in", which means the opposite and is unexpected; "Chengchun" was originally a bright scene, and the suffix "deep grass and trees" described the barren state, which contradicted each other successively, and turned again. Hu Zhenheng of the Ming Dynasty praised this couplet and said:

The duality is not refined, but the vertical and horizontal changes, as much as the stereotype, the shade is shallow and deep, and the movement is ingenious. ”

The background of the poem: In June 756, the Anshi rebels captured Chang'an, the capital of the Tang Dynasty. In July, Du Fu heard the news that Tang Suzong had ascended the throne in Lingwu, so he settled his family in Qiang Village in Juzhou and went to Suzong.

On the way, he was captured by the rebels and taken to Chang'an. Because of his humble position, he was not imprisoned. "Spring Hope" was written in March of the following year.

The poet witnessed the scattered flute of Chang'an after the fall, and experienced adversity and homesickness, and couldn't help but feel emotional.

Feelings expressed:1It expresses the poet's feelings of worrying about the country, hurting the time, missing home, and feeling sorry for himself, as well as the wisdom and lack of affection for his relatives.

2.Calm and sincere, it reflects the poet's love for the motherland and his family. Today's Xu Yingpei, Zhou Rongquan and others commented on this poem and said:

The meaning is through but not straight, the scene is both scene and the dress is not free, the feelings are strong but not shallow, the content is rich but not complicated, and the discipline is rigorous but not sluggish. That's a good point. "Family letters are worth 10,000 dollars" is also a famous saying that has been passed down through the ages.

The content of the <> is: the country is broken by mountains and rivers, and the city is deep in spring. When I feel the tears, I hate the birds. The beacon fire lasted for three months, and the family letter reached the manuscript for ten thousand dollars. The whitehead scratching is shorter, and the hairpin is overwhelming.

Translation: Chang'an fell, Guoxiaoxiang's family was broken, only the mountains and rivers remained; Spring is coming, and the sparsely populated city of Chang'an is lush with vegetation. Sentimental about national affairs, I can't help but tear up, birdsong is frightening, and it only increases the sorrow and hatred.

The continuous war has lasted for more than half a year, and family letters are rare, and one letter is worth 10,000 taels**. Worried, scratching his head and thinking, the gray hair is getting shorter and shorter, and he can't even insert a hairpin.

This poem is from "Spring Hope" by Du Bangyuan Bofu in the Tang Dynasty.

Appreciation of "Spring Hope": The first four sentences of this poem describe the miserable and dilapidated scene of Chang'an in spring, full of feelings of rise and fall; The last four sentences write about the poet's feelings of missing his relatives and caring for national affairs, full of sad sorrow. This poem is strictly rhythmic, and the jaw couplet responds to the sigh of the first union with "feeling the time and splashes tears", and the tail couplet emphasizes that the depth of worry leads to whitish and sparse, the battle is exquisite, and the voice is tragic, showing the poet's patriotism.

Du Fu (712 770), whose name is Zimei, was a native of Gongxian County, Henan Province (now Gongyi City, Zhengzhou, Henan) in the Tang Dynasty, and called himself Shaoling Yelao, a great realist poet of the Tang Dynasty, and Li Bai was collectively called "Li Du". In order to distinguish it from the other two poets Li Shangyin and Du Mu, that is, "Little Li Du", Du Fu and Li Bai are also called "Big Li Du", and Du Fu is often called "Old Du". Du Fu's influence on classical Chinese poetry is very far-reaching, and he is called the "poet saint" by later generations, and his poems are called "poetry history".

Later generations called it Du Shiji, Du Gong Department, also known as Du Shaoling, Du Caotang. The core of Du Fu's thought is the Confucian idea of benevolence, and he has the grand ambition of "to the monarch and the gentleman, and then to make the customs pure". Although Du Fu was not famous during his lifetime, he later became famous and had a profound impact on both Chinese and Japanese literature.

A total of about 1,500 poems by Du Fu have been preserved, most of which are collected in the "Du Gongbu Collection".