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First of all, the foundation of Chinese painting should be calligraphy, not sketching, remember. Secondly, the charm of Chinese painting comes from the atmosphere of classical books, not the atmosphere of modern fashion, and all those who put forward the modernization of Chinese painting are not pure Chinese paintings, which are a group of people who started Xu Beihong, and only appeared after the introduction of Western art teaching methods, and the purpose of the time was to correct and assist the traditional teaching of Chinese painting, the so-called "middle school for the body, Western learning for use" thought. In addition, in the former Soviet Union-Russia, the high-level school of drawing, sketching is not painted like this, and I went once, and I started again from the most basic things and innovated once.
Never consider Chinese painting in terms of perspective and chiaroscuro. Copying paintings must be persistent, don't practice this today and tomorrow to study that home, so it's useless, which famous artist, have beyond ordinary people, carefully experience, carefully copy the painting, the choice of the object is also very important, first of all, don't start with the style of copying too domineering, strange, to start with peace, and then, according to their own interests, choose a specific style of practice. Don't stop at the beginning, no matter which one you study, you have to study it, and wait until you really understand it, or when you really no longer be interested, then change to another one.
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Vary. Everyone is good at something different.
The main expressive techniques of Chinese painting:
White Drawing: The White Painting Method (Fig. 1) is a type of Gongbi painting technique. Purely using ink lines to shape objects, the requirements for lines are naturally very strict, and its brushwork has eighteen methods since ancient times.
The white drawing of flowers and birds requires the lines to be strong and vivid, and the ink color is bright and moist. In terms of modeling, the structure is rigorous, and the lines are sparse and the blank space of the picture must also be very exquisite.
White Drawing Halo Method: The white drawing halo method (Fig. 2) is generally used for white flowers and light-toned pictures. On the basis of the white drawing, the image is haloned with cyan, ochre or light ink.
Pay attention to the gradual change of this halo method from thick to light, to master the water, do not leave water stains and brushstrokes, there is a feeling of baking clouds and supporting the moon.
Gongbi Heavy Color Method: The Gongbi Heavy Color Method (Figure 1) is mainly based on color as a means of expression. On the basis of the ink line, it uses the rendering method of "three alum and nine dyeing" to produce a rich picture effect with a variety of pigments and multi-layered dyeing.
Its artistic characteristics are gorgeous and elegant, with a magnificent effect.
Gongbi light color method: Gongbi light color method (Figure 2) is basically dyed with pigments of plant matter, such as cyan, garcinia cambogia, magenta, rouge, etc., without mineral pigments such as stone blue, stone green, cinnabar (but there are also cases of partial use in actual creation). Its basic characteristics are that the tone is beautiful and elegant, fresh and bright, and the artistic charm of the line itself is emphasized, giving people the artistic taste of natural carving of clear water out of hibiscus.
Dotted dyeing: The dot dyeing method (Fig. 1) is actually a combination of the gongbi rendering method and the boneless method. This method is rich and flexible with pen changes, which can not only achieve the delicate effect of the pen, but also avoid the problem of repeated dyeing and easy to stereotype.
This method has the advantages of rich brushwork and natural colors, and is better used to express waterside plants. Sketching method: This is the line extracted from the sketch, the outline of the image is outlined with clear ink, and then colored, and then the original outline is repeated with heavy color or heavy ink line after painting.
This line is not only to represent the outline, but also to the table.
Achieve the texture of flowers, leaves, feathers, etc., making the image more vivid and bright. This technique was mostly used in the Tang, Five and Song dynasties, and later folk painters still used this method.
Flushing and color flushing: The flushing and color flushing method (Fig. 2) is carried out on the basis of white ink line drawing, and its strength lies in the vivid changes and occasional unexpected effects. It is especially effective when showing flowers with obvious veins like cotton and viburnum.
Cotton and hibiscus can be dyed with red to the root of the petal at the tip of the petal, and the juice green is dyed from the root of the petal to the tip of the petal, and the veins are hooked with white powder when the color is not dry, so that the white powder and the original background color can naturally seep, and then slightly modified after the flower is dry. At this time, the veins of the flowers are hidden from time to time (the white powder melts into the background color) and from time to time (the white powder is still maintained), and the changes are rich and natural. Painting leaves is also the same, with green, dark green to paint the leaves, and then use stone green, gypsum according to the needs of the picture into the original background color, so that it can naturally permeate, especially when painting grass and small chrysanthemums and other subjects, this method is better.
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The good-looking Chinese paintings are as follows:
1, Wang Yongliang - Xiangrui Jufu.
The gurgling water and clouds are entangled, a leaf is quiet and peaceful, the majestic panoramic landscape, the peaks and peaks are stacked, the vegetation is abundant, there are plants and trees slightly dyed in autumn, and the scholars who travel during the trip have the clear steam of the mountains and rivers, and spend a leisurely disturbance of the royal life. It shows the unique artistic conception of spring, the lines are flexible and changeable, the ink color is smudged, the ink color is elegant, the layout is rigorous, the mountains and rocks in the picture are steep, the grass and trees are stuffy, and the streams are clear.
2, Chen Shengjie - the cornucopia of wealth returning to the sect.
This cornucopia landscape painting in the composition of the embrace of the posture of the world of peace, the "mountains and rivers embrace, Tibetan wind gathering" of the geographical elements of organic integration, its prospect is open to welcome auspicious blessings, there is a fortune tree on the left, there is a disaster tree on the right, the whole work between the green mountains and green waters to show the far-reaching artistic conception of peace and happiness, wealth and wealth.
3, Tang Jinyan - Liuyang May flowers are like brocade.
Art is higher than life. Observe in life, experience in life, and then create your own works through your own artistic processing and conception. In the work, the peony flowers are colored exquisitely, and different color techniques show the front, side and half-open front of the peony.
Peony Wu bends to compete for beauty, bright and fragrant, dark red and light red, light yellow and purple.
4. Rockeyon-Xiajiang autumn color.
The painting is fresh and timeless, ancient and strange, exuding the spirit of flowing water, and has a unique and fascinating scene when viewed from a close distance, with an otherworldly aesthetic taste. The pen is free and easy, and the pen is beautiful and elegant, presenting the long-lost mountain atmosphere, the accumulation of life, and the landscape imagery and symbol space under the blending of pen and ink.
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The best Chinese paintings in the world include Li Kuchan Eagle, Wu Zuoren Goldfish, Xu Beihong Ma, Lou Shibai Duck, Huang Binhong Landscape and so on.
1, Li Kuchan Eagle.
Li Kuchan applied the flat and lofty method of landscape painting to the painting of flowers and birds, which can reach three or four levels. Li Kuchan uses the shades of ink, the warmth and coldness of the colors, and the alternation of black and white to increase the sense of imitation of the layers of the picture, pushing the viewer's sight and feeling into the distance.
2, Wu Zuoren Goldfish.
Wu Lao painted the fish and emphasized that the tail root is continuous, from the abdomen to the left tail wing to the end, only a foolish stroke. The dorsal fin and eyeballs of the goldfish are also unique, so that the goldfish not only has dynamic beauty, but also more concrete shape beauty, like movement and stillness, leisurely.
3, Xu Beihong Ma.
The galloping horses he painted, dripping with pen and ink, galloped on the painting world with the wind and thunder of the times, bringing a fresh, powerful and vigorous atmosphere to the Chinese painting world at that time. The horses he painted, such as galloping horses, horses, walking horses, drinking horses, and group horses, are all endowed with abundant vitality.
4, Lou Shibai Duck.
Painting ducklings is Lou Shibai's specialty, and the ducklings in his pen are lively elves, well-behaved and cute.
5, Huang Binhong, landscape.
As a generation of masters in landscape painting, Huang Binhong's position and significance in landscape painting are particularly important, and he has played a role in connecting the past and the future in Chinese landscape painting, and can be called a generation of grandmasters. His landscape paintings are often imposing and profound, and under the influence of Li Liufang, Cheng Zhenghua and Zhu Zhu, as well as the painting styles of the Song and Yuan dynasties, he has developed a unique style of painting.
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The beautiful and simple Chinese painting method is as follows:
Side-by-side materials: pencil, white paper 2, toilet paper.
Step 1: Tear a piece of white paper into a mountain.
<>Step 3: Take out the toilet paper, wipe the pencil lead evenly along the edges of the pieces, remove the pieces, and trim the edges slightly with an eraser. Repeat the above steps for the first half. (Note: The more up the refill, the less it is, the near big and far small, the near real and far virtual).
Step 4: Sharpen some more refills and place them on the bottom two sides of the paper. Apply inward gradually.
Step 5: Draw a boat on the water. Draw some small trees on the mountain. (Write first.)"1. Draw upwards"Draw some birds in the air.
Precautions: Gongbi: generally first to draw a good manuscript, a complete manuscript needs to be repeatedly revised to finalize, and then on the rice paper or silk with alum, first with a wolf pen outline, and then with the same color, layer by layer rendering, so as to obtain both the form and spirit of the artistic effect of the vertical travel fruit, such as Chen Zhifo's "Autumn Yan Picture", simply put, is to outline the outline first, color over and over again, there are three alum and nine dyeing.
Chinese painting is referred to as Chinese painting.
It mainly refers to a kind of painting on rice paper and silk with a pen dipped in water, ink and color. The traditional Chinese national painting, which has a long history and fine tradition, embodies the wisdom, character, psychology and temperament of the Chinese nation, and has a unique system in the world painting garden with its distinctive characteristics and style.
Most paintings are named after "materials", for example, watercolors are used for watercolor paintings, oil paints are used for oil paintings, wood, copper plates are used for printmaking, etc., which are named after "tools and techniques".
Chinese painting is named after the "place name", Chinese painting is made of unique rice paper, unique brushes, and unique tools, some people say that Chinese painting is ink painting, so it is wrong to understand the oak, it is a form of expression of Chinese painting. In fact, Chinese painting is not the same as ink painting, it also has rich colors.
The three major themes of Chinese painting: landscapes, flowers and birds, and figures, are divided into several categories in terms of technique: gongbi, freehand, and gongbo.
Landscape painting is a painting that depicts the natural scenery of mountains and rivers as the main body, that is, there are mountains and rivers that are easy to understand.
Flower and bird painting is a kind of painting with the richest connotation in Chinese painting, which depicts the images of animals and plants such as "flowers, birds, insects, fish, birds and beasts". In fact, it is not only flowers and birds, but also refers to all kinds of animals and plants, including flowers, vegetables and fruits, feathers, grass insects, birds and animals.
Figure painting is a painting created with the theme of characters, and the landscape and flowers and birds can be used as the scenery to paint in the figure painting. In addition to figure painting and landscape painting, they all belong to flower and bird painting.
Gu Cheng's poems are the best.
Peony flowers are the most beautiful because they have many colors that are beautiful.
The esoteric taste of brush and ink and aesthetic theories of Chinese painting are not easy to understand, so it is okay within the scope of Sinology and in places where Chinese people live. People of other nationalities lack even the basic aesthetics of calligraphy, and it is even more difficult to understand and appreciate Chinese paintings, which are more varied in brush and ink. For example, landscapes, flowers, birds, and figures in Chinese painting are the most difficult to learn and create, and many people can't figure it out. >>>More
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Leonardo da Vinci, Van Gogh, Picasso, etc. Well, sometimes art can't be compared.