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In general, there are two types of piano practice: "fine playing" and "pan playing". The so-called fine play refers to the requirement that students learn how to play well, and slowly ponder the connotation and stage performance of the work, so that the best work can finally become a masterpiece and display on the stage; Through pan-playing, I will cultivate and evaluate students' sight-reading ability according to the difficulty of the work and the accuracy of playing.
For example, if a student has a good sense of musicality, but the accuracy of reading music is relatively poor, then I will require him to recognize the notes with an accuracy of 90 to be able to pass, and to recognize the new score basically from the beginning of playing the score, if there is basically no wrong note 3 times, he can pass the test; If the student's rhythm is not very good, I will pick some beats from easy to difficult to train the child's correct sense of rhythm, because the beat is the most basic and important basic requirement of the score, so I will ask him to achieve a correct rate of 95, and you can pass the test after three times. Then, after this kind of targeted training, students' ability to read music can gradually have a sense of self-awareness, know what their goals and the process of achieving their goals are, and make faster progress with goals and methods.
There is basically no shortcut to fast music reading, that is, to read more music, we all know that the staff has five lines, four between, according to the law of one-to-one correspondence, first train students to be familiar with the line, a single note on the interval, based on this from a single note to the interval, chords one by one, until familiar enough to be able to do conditioning on any note on the score, and finally be able to reach a handful, a string of notation.
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We all know that learning musical instruments is to learn staves, is to learn music theory, piano is no exception, you may really see this piano headache at first, but if there is a suitable method for yourself, the ability to understand the score will be greatly improved.
The first step is to be able to understand the score. First of all, some basic ** symbols can be understood, which is equivalent to us knowing this thing, then according to the normal procedure is the first step has begun to go, the next is to continue to deepen their memory, so that the time of this memory continues to become permanent, we can decide the time and method of memory according to our ability to accept.
According to research, most people's memories can be remembered by saying them out loud, and they remember for a longer period of time and more deeply. Treble, treble spectrum, bass, these are when learning, find your own way, be clear about your receptivity, know what kind of memory you are suitable for, remember the formula, remember the essentials.
When identifying memories, you can also find the relationship between them, the mantra is on the one hand, there must be some connection between these scores, which requires you to seriously study and experience love in the process, and find it is your own harvest.
In addition, when memorizing, you should not only look at one side, but also look up and down, and see the points where the two sounds intersect with each other, and cooperate with each other to complete the memory. At this time, the memory is doubled, and the concentration may also be improved. When reading the staves, we should also pay attention to the upper and lower scores and then look at the horizontal direction, so that they can be compared to each other, and I also know that memory cannot be directly reflected in the hands, so we have to practice more, and the hands and brains cooperate with each other when memorizing.
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Don't look at the sheet music as much as possible, first recognize the notes that are long like ants, what are the half notes and what are the quarter notes, it is best to buy a more complete basic ** score, the piano score can also be exercised, inside you will find a symbol similar to a "well" character, this is the rising note, on a certain note of the black key. <>
You also have to distinguish whether the tone is in **c, some tones are an octave higher, and you may be confused. Use a ** Bendo to practice notes, when you sing those notes, you have to recognize how many notes it is, the beat of each note is also different, the beat is very important, and the bass notes should also be recognized so as not to be confused. In some notations, you will find a small black dot behind each note, like this, that is, the whole score is skipping, and you can't drag the note.
When playing the piano, the hand should be raised slightly as if something had been popped, and it should not stay on the keys.
Many things are not something that can be learned in one fell swoop, and even if you recognize and understand it during this time, you may forget it after a while. This is the same as memorizing, but also to memorize, the piano practice at least four hours a day, even if the time is used very little, at least to keep every day to get practice, I personally learn before school, a week of lessons in the ** piano dance, although not from a professional point of view, but the most basic I still have to learn. Usually in school, in fact, as long as you have the conditions, you can take a little time to practice, like dance, if I don't practice for a day, the teacher can see at a glance when I am in class, ** class, the teacher will make up a beat for us to listen to, and write it, and we have to sing this score beat.
It is not only a test of our hearing, but also a clear distinction between how many beats the notes are, and what to learn can only be learned well when the foundation is laid.
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<>1.Read the music carefully
For beginners, the first thing to do is to read music correctly. The correct reading of the music is the prerequisite for the smooth practice and performance of the music. In the score, the composer marks every note, the time value of the rest, and every ** term contains a deep meaning, and the composer also strives to accurately convey ** information to the performer through notation.
For beginners, their cognitive ability is limited, which will inevitably lead to some omissions in reading notation, which requires the patient guidance of the piano teacher to let them understand the various marks on the shop: where the time value of the note is on the key; what fingering should be used to play; with what speed and dynamics; What are the facial expressions on the shop; where there is a rest, and how long to rest; What are the requirements in sound and syntax, etc. Only put the pavement provided.
Information such as clef, time signature, notes, rests, tempo marks, various emojis, and other illustrative symbols can be read correctly in order to enter into orderly in-depth analysis and actual sight-reading.
It can be said that for beginners who are just starting out, learning to read music is more important than learning to memorize music! Therefore, it is necessary to develop the habit of reading music strictly and accurately from the beginning.
2.Beatmap shape memory
Beatmap shape memory is the primary basis for using musical scores as memory. In the process of repeatedly reading and reading, you will subtly remember the distribution of each paragraph of the music, the order of printing and typesetting, the basic structure of the music, the mood in the paragraphs and even some ** details, which is the basic part of visual memory mentioned in this article. This kind of piano score that is memorized through repeated visual practice is a method of memorizing music by the brain directly reflecting the notes, which is a profound method of memorizing scores.
Many pianists can memorize everything recorded in the score, can "silently" write the score, and can "see" everything on the score during the performance. Therefore, we should strive to have a deep memory of the position of the notes and various ** marks in the score.
3.Inner visual memory
In the process of learning staves, the ups and downs of the stave are like a map, and the corresponding notes can be found on the keyboard, and then the corresponding feeling can be turned into an inner visual memory in the mind when you leave the piano. In the process of training, it is necessary to pay attention to breaking the orderly arrangement of the high and low staves, and to pay attention to the two-way corresponding memory, that is, for the stave, you can see the corresponding sound of the keyboard in your heart, and you can see the position of the corresponding tone on the stave for the sound on the keyboard, and this kind of learning and understanding of the stave is relatively solid.
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<><1.Composition of the piano.
The piano consists of a total of 88 keys.
It contains 36 black keys and 52 white keys.
2.Musical notes. Half note in two beats.
Eighth note 1 2 beats.
Whole note 4 beats.
Quarter notes in one beat.
Sixteenth note 1 4 beats.
3.Stave.
It is composed of five parallel lines and clefs, and four intervals are formed between the five lines.
4.Recognize spectrum.
G clef. Bass clef.
5.** The seven tones in it.
Roll call: Do re mi fa sol la si Pronounced as CFF Gab
Brief score: 1234567
6.Time value. Concept: The length of time for a note or rest.
The relationship between time and value.
Calculation of the value of the hour.
1 quarter note = 2 eighth notes 4 sixteenth notes.
7.Grouping in the piano keyboard.
The piano keys are divided into 9 tones.
Large character group: cdefgab with a capital letter without a number
Small Letters: Lowercase letters without numbers cdefgab
The rule of the lower corner mark: what is the Chinese is with the corresponding teaching word (eg: one group of standard 1, two groups of standard 2......)
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To learn piano, you must learn to recognize the staves, compared with the simple notation, the advantage of the stave is that the pitch of the note is clearly displayed visually. For example, those complex harmonies (several notes in one position at the same time) are easy to identify and very clear visually; In terms of the melody of the socks town, especially the form of the many notes of high and low, it is clear at a glance, so it is basically a stave that is widely used in the world.
It can be said that the stave is the "Esperanto" in **. However, in addition to the five lines of the basic staff, there are often complicated temporary lines at the top and bottom, behind the clef and in the score, there are dense key signatures or temporary ascending marks, and the same tone of different groups is in different positions, lacking regularity, and it is very difficult for beginners to use, and it takes a long time to repeat the practice between the limbs.
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