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Ancient Chinese poetry has a long history, and in the process of development, a variety of genres have been formed, such as the four-word style of the Book of Poetry, the free body of Chu Ci, the five or seven words of Yuefu and so on. In the period of the Northern and Southern Dynasties, the literati discovered the "four tones" of Chinese characters, and knew that if the words of different tones were arranged according to a certain law in the poems, they would have a special charm when recited. Therefore, he consciously applied this law, thus forming the form of "rhythmic poetry".
Rhythmic poems are usually divided into two types: "rhythmic poems" and "quatrains". One poem with eight verses and one quatrain with four quatrains. In fact, there is also a kind of "arrangement", that is, according to the rules of the flat format of the poem, it is extended without limit, more than eight sentences.
The system of metrical poetry was basically perfected in the early Tang Dynasty. Later, new forms of poetry were produced, such as Song Ci, Yuan Qu, etc., and in modern times, "free bodies" appeared. The above is an overview of the evolution of Chinese poetry.
Knowing this, we know that there are more than one or two kinds of "ancient poems", and that rhythmic poems and quatrains are just one of them.
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A type of Chinese near-style poetry Each poem is five, six, and seven sentences, referred to as five rules, six rules, and seven rules, of which six rules are rare. The usual lyric verses stipulate 8 verses per poem. If there are only 6 lines, it is called a minor or tri-rhyme poem; If there are more than 8 sentences, that is, more than 10 sentences, it is called a row or a long law.
Usually with 8 sentences of the end of the poem, every 2 sentences into a couplet, counting four couplets, it is customary to call the first couplet as the breaking of the topic, the second couplet as the jaw couplet, the third couplet as the neck couplet, and the fourth couplet as the final sentence. Every song.
The upper and lower sentences of the second and third couplets (i.e., jaw couplets and neck couplets) must be dual sentences. In addition to the first and last two couplets, the middle couplets must be dual. The dual requirements of the minor law are wider. Lyric poetry requires a rhyme throughout the poem, and the rhyme is limited to flat sound; Clause.
Two, four, six, and eight sentences rhyme, the first sentence can be rhymed or not, and the words used in each sentence of the poem are evenly matched. The level in the upper and lower sentences is opposite, and there are two forms: "仄起" and "平起". In addition, the metrical requirements of the lyric poems also apply to quatrains.
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The lyric poem has 8 verses, which is long. The quatrain has four sentences and is shorter.
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The differences between lyric poems and quatrains are as follows: 1. Lyric poems originated from the new style poems of the Southern Qi Dynasty, and quatrains originated from the Yuefu short chapters of the Han and Wei dynasties. 2. The quatrain is composed of four sentences, and each sentence has a few words that are a few quatrains; Lyric poems usually have eight lines each, with five or seven words per line.
3. Rhythmic poems have strict rules on words, rhymes, evenness, and battles, and quatrains do not have to be dual.
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Lyric poetry is a kind of Han poetry genre popular in the Tang Dynasty, which belongs to a kind of near-style poetry, and is named because of the very strict requirements of the rhythm. [1] The common types are the Five Laws and the Seven Laws, which generally have a few words to say a few words.
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Lyric poetry is a genre of traditional Chinese poetry, which belongs to the category of near-style poetry, and is named because of the very strict requirements of the metrical style. Lyric poetry has strict rules in terms of words, rhymes, evenness, and antiphons. Quatrains, also known as truncated sentences, broken sentences, short sentences, and quatrains, belong to a form of near-body poetry.
1. The origin is different. Lyric poetry began in the Northern and Southern Dynasties and took shape in the early Tang Dynasty, and was famous for its strict rhythm of ancient poetry; Ancient poetry quatrains began in the Han Dynasty and the Northern and Southern Dynasties.
2. The number of sentences is different. Ancient poetry quatrains are usually four sentences, five-character quatrains are twenty words, and seven-character quatrains are twenty-eight words; Lyric poems are usually eight sentences, five-character poems have a total of forty words, and seven-character poems have a total of fifty-six words. If there are only six verses, it is called a minor or tri-rhyme poem; If it exceeds eight sentences, it is called a row or long law.
3. The pressure rhyme is different. Lyric poetry requires a rhyme throughout the poem, and the rhyme is limited to flat sound; Clause.
Two, four, six, eight sentences rhyme, the first sentence can be rhymed or not. Ancient poetry quatrains only.
Two or four sentences rhyme, the first sentence can be rhymed or not.
1. In terms of syntax, the number of words in each sentence of ancient style poems is different, and the number of sentences in each poem can also be different. There are only two kinds of rhythmic poems, five words and seven words, and rhythmic poems generally have eight sentences, and those with more than eight sentences are arranged or called long rhythms.
2. In terms of rhyme, each ancient style poem can use one rhyme, or two or more rhymes, that is to say, the rhyme can be changed in one poem. Each poem can only use one rhyme, and no matter how long the rhythm is, it cannot change the rhyme. Ancient poems can rhyme in even-numbered sentences, or they can rhyme in odd-numbered sentences and even-numbered sentences.
Lyric poems only rhyme on even-numbered sentences (except for the first sentence which can be rhymed or not), ancient style poems can be rhymed with flat sound or rhyme, while rhythmic poems can generally only rhyme with flat sound.
3. In terms of leveling, ancient style poetry is not exquisite. And the lyric poetry is very exquisite. In the lyric poem, the first.
The first and second sentences are the first couplet, the third and fourth sentences are the jaw couplet, the fifth and sixth sentences are the neck couplet, and the seventh and eighth sentences are the tail couplet. The jaw couplet and the neck couplet must have the same sentence shape, the parts of speech are opposite, and the flat is opposite. Very neat. As a matter of fact.
Three, four, five, and six are two excellent couplets.
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The difference between a lyric and a quatrain is as follows:
1. The origin is different.
Lyric poetry sprouted in the Southern Dynasty Qi Yongming and Shen Yue and other new style poems that paid attention to sound rhythm and duality, which were stereotyped in the early Tang Dynasty and matured in the middle and late Tang Dynasty. The quatrain originated from the Yuefu short chapter of the Han and Wei dynasties, and its name may come from the "couplet" of the literati of the six dynasties.
2. The number of words and sentences is different.
Each quatrain has four sentences, and according to the number of words in each sentence, it can be divided into five-character quatrains, six-character quatrains, and seven-character quatrains. There are many five-character quatrains and seven-character quatrains, and very few six-character quatrains. According to the strictness of the requirements of the discipline, it can be divided into the law and the ancient law.
Rhythmic poems usually have eight lines per poem, and if they exceed eight lines, they are called rows or long rhythms. The number of words in the sentences of the poem is uniform, and each sentence is five or seven words, which is called a five-word poem and a seven-word poem. The five laws stipulate five words per sentence, and the whole head has a total of four crosses; The Seven Laws stipulate that each sentence is seven characters, and the whole poem has a total of 56 characters.
There are also six characters per sentence, and the whole poem is forty-eight words, which is called a six-character poem, and there are very few works handed down.
3. The rhyme is different.
Lyric poems usually rhyme flat, and must rhyme with the words in the rhyme book. In principle, only the original rhyme can be used, and the adjacent rhyme cannot be used; Even if it is a little looser, only the first sentence that rhymes can be used in adjacent rhymes, which is called "borrowing rhyme".
The poem also requires that the whole poem rhyme with one rhyme, that is, one rhyme to the end, and no rhyme can be changed in the middle. Clause.
Two, four, six, and eight sentences rhyme, and the first sentence can be rhymed or not. The five rules take the first sentence without rhyme as a positive example, and rhyme as a variation; The first sentence of the seven laws rhymes as a positive example, and does not rhyme as a variation.
In the quatrain, the requirements of the ancient and the law are different, and the law is the same as the poem, according to the characteristics of the rhythm, pay attention to the plain and strict rhyme. Although the ancient jue rhymes, it is relatively free to be plain, or it is the ancient jue that some poets do not want to be constrained by the rhythm and create.
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