How can I practice words in a short time, and how can I practice words in the shortest time?

Updated on culture 2024-07-03
3 answers
  1. Anonymous users2024-02-12

    Practicing fountain pen writing is generally easier than adults for primary school students and some young people whose fonts have not yet been finalized. This is because they are receptive to new fonts, and once they have the right guidance, choose the right font, the right method, and have a consistent attitude, they can get good results in a short period of time. And for adults whose fonts have been finalized, it is not so easy to practice pen characters.

    Because they did not pay attention to the quality of the words before, some ugly or even wrong writing has become a bad habit and it is difficult to correct it. They want to practice calligraphy now, but they often only tinker with the existing font and choose a font similar to their own, so that they often do not learn the good and do not lose the bad, so that the more they practice, the more ugly it becomes.

    So how do you get these people to practice handwriting well? My experience is that first of all, they have to completely forget about the previous font and start from scratch, starting from the most basic dots.

    Then practice the structure. For fountain pen characters, the most important thing is the structural problem, and the quality of the knot directly affects the beauty of the word. Therefore, it is most important to write a good pen type.

    But now there is a very difficult problem to solve, that is, it is difficult to forget the previous font, and often bring the old habits into the new font in the process of posting. The best way to change this situation is to first choose a block block script that is different from your previous font. The purpose of practicing block letters is to correct the shape, and if you practice it for a week or two or more, you can be in shape.

    When the shape is correct, you should also choose a calligraphy that is completely different from my original font and is what I think is beautiful. If the previous font is restrained, choose an unrestrained copybook; If the font is loose, choose a rigorous copybook; If the font is rigid, choose a chic copybook; If the font is soft and smooth, choose a firm copybook, if the font is bloated, choose a delicate copybook. After practicing in this way for two to three months, you can learn new fonts.

    I often encounter such problems in learning, and it is normal to make rapid progress in the first few days, but after a period of time, I feel that the more I write, the worse I write. At this time, you must calm down, continue to practice, and after a period of hard work, you can get out of the predicament and get on the track. The purpose of copying is to forget the previous words, memorize the words on the copybook, and apply them.

    After that, it is necessary to arrange the relationship between words and lines, which is the so-called chapter cloth white. For people who generally just want to write beautifully, but don't want to achieve anything in this area, it is enough to be able to do the above. This is the experience I have gained from my studies, and I have also introduced these experiences to others, and the results have been good.

    If you want to achieve something in the art of pen calligraphy, it will not be achieved overnight. Not only must we learn from the brush calligraphy, such as the brush, knot, chapter, rhyme, etc., but also must give full play to the inherent characteristics of the pen. Only in this way can the art of pen calligraphy flourish and give her a strong and permanent vitality.

    Otherwise, pen calligraphy can only be a vassal of brush calligraphy, and cannot be developed and innovated, and there will be no strong and permanent vitality.

  2. Anonymous users2024-02-11

    Aiming at the book is the dumbest and most effective.

  3. Anonymous users2024-02-10

    1. Correct attitude.

    Whether you are a university professor or a national **, please put down the stinky shelf, lower your noble head, adjust your mentality, start from scratch, start from the first grade of primary school, draw one stroke at a time, learn to write from the new, and find the feeling. However, you must first get rid of the bad writing habits of the past in order to find a new sense of writing, otherwise, it will be difficult to achieve a word.

    Second, practice strokes first.

    There are eight basic strokes of Chinese characters - apostrophe, stroke, horizontal, vertical, point, lift, fold, and hook, which must be practiced first, because strokes are parts of Chinese characters, and Chinese characters are composed of strokes, so you must practice strokes first.

    To practice in accordance with the standard strokes, the pen, the pen, the pause, the pen and so on must be in accordance with the rules, a stroke practice for three days, from dawn to dark, first draw and then write, first slow and then fast, and repeatedly practice patiently. There is only one purpose, to get rid of the bad habits of using the pen in the past, to find a good feeling and skills of the pen from the new training, to realize the new truth, to practice the standard of each stroke and each stroke, to make each part qualified, and to make preliminary preparations for the combination of strokes into words.

    Third, the post-training structure.

    Practicing structure is to practice the position, size, angle, weight, direction and other frame structure of each stroke in the word. After the strokes are practiced, that is, the parts are qualified, and the rest is to assemble the qualified parts into a qualified machine. Each "character" is composed of eight different basic strokes: horizontal, vertical, apostrophe, pinch, point, lift, fold, and hook.

    There are long and short horizontal, vertical has long vertical, short vertical, hanging true vertical and vertical head, apostrophe, oblique apostrophe, horizontal apostrophe, oblique apostrophe, point oblique point, vertical point, apostrophe, mention point and so on. First of all, we must find out the characteristics of these strokes, and then we must understand the position, size, angle, weight, direction and other relationships of these strokes in each word, so that they can be combined and cannot be mechanically assembled.

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