How did Mo Shang San shape the image of Rashiki

In 2010, the third question of reading comprehension in the self-study test "University Chinese" in the 7th month of the mountain vertical mill self-study exam.

The southeast corner of the sunrise, according to my Qin's building. The Qin family has a good daughter, and her name is Luo Fu. Luo Fu likes sericulture, the south corner of the city.

The green silk is the cage system, and the cinnamon branch is the cage hook. There is a bun on his head and a bright moon pearl in his ears. The silk is the lower skirt, and the purple qi is the upper skirt.

When the walker saw Luo Fu, he took his beard and beard. When the young man saw Luo Shi, he took off his hat and held his head. The ploughman forgets his plow, and the hoe forgets his hoe.

Come and return to resent, but sit and watch Luofu.

What are the characteristics of the utensils and costumes of the Rashiki mulberry picking in the poem? What does this do?

Proofreading Answers:Positive description, try to lay out the beauty of Luo Fu women's mulberry picking utensils and costumes. It has the effect of side accent.

The use of positive descriptions to portray the appearance of characters is generally to use vivid language to describe the characteristics of the characters' appearance, posture, expression, and clothing, so as to give readers a direct argument, real and specific feelings. The positive portrayal of Luo Fu's appearance in "Mo Shang Sang" is ingenious, and the beauty of Luo Fu is reflected with the exquisiteness of production equipment and the gorgeous decoration of model clothing. Luo Shichen was carrying a delicate mulberry basket, the rope of the basket was made of green silk, and the handle was made of fragrant laurel branches.

Her head is combed with a reclining "Wa Fallen Bun" (a fashionable hairstyle popular among women in the late Eastern Han Dynasty), and her ears are hung with sparkling and priceless bright moon beads; The lower body is wrapped in an apricot yellow Qiluo skirt, and the upper body wears a purple and red silk short jacket. Everything is precious, bright, bright, and moving. So, how perfect will Rashiki's eyebrows and body be?

Every reader is looking forward to it. Next, the technique of avoiding reality and avoiding fiction is adopted, focusing on the scenes where everyone is attracted by the beauty of Luo Fu, such as "Putting on a beard, taking off a hat and holding a mustache, the cultivator forgets his plow, the hoe forgets his hoe, and comes to resent, but sits and watches Luo Fu." So that Jun Wuma immediately hesitated.

etc., giving readers a great space for imagination, such a positive portrayal of Luo Fu's appearance that avoids reality and fiction meets the expectations of people of different ages, different classes, and different cultural qualities for Luo Fu's perfect appearance and image, which can be called a must.

A combination of frontal and side depictions.

The first paragraph of "Mo Shang Sang" highlights Luo Shi's beauty and moving from the side.

1. The environment in which Luo Fu appeared was beautiful.

2. The name of Luo Fu is beautiful.

3. Luo Shi's love of beauty.

4. The beauty of labor tools.

5. The beauty of Luo's jewelry.

6. The beauty of Luo Shi's clothing.

7. By describing the walkers, teenagers, cultivators and hoes, and describing the beauty of Luo Fu from the side, the first paragraph of "Mo Shang Sang" writes about Luo Fu's beauty: first write the beauty of her residence and the beauty of utensils to set off her beauty, then focus on the beauty of her clothing, and finally highlight her beauty through the side description, whether it is a walker or a teenager, whether it is a cultivator or a hoe, they all admire her beauty.