From the Sui and Tang dynasties to the Ming and Qing dynasties, what great achievements have been ma

1. During the Spring and Autumn Period and the Warring States Period, painting has become an independent art, and the "Women and Phoenix Birds" and "Royal Dragon Pictures" unearthed from the Chu Tomb in Changsha are the oldest existing silk paintings, and the bronze decoration has developed into a complete picture.

2. Qin and Han dynasties: tomb murals; The colorful silk paintings unearthed from the Mawangdui Han Tomb in Changsha are artistic treasures of the Han Dynasty; Woodcut.

3. Wei, Jin, Southern and Northern Dynasties: with religious colors, mainly figure paintings. Three Kingdoms: Cao Buxing, the ancestor of Buddha painting. Eastern Jin Dynasty: Gu Kaizhi, good at painting characters, "Luo Shen Futu", "Female Shi Zhen Tu".

4. Sui and Tang Dynasties: The subject matter is wide, and landscapes, flowers and birds have become the themes of painting. Sui: Zhan Ziqian; Tang: Yan Liben, Wu Daozi, Dunhuang Mogao Grottoes murals.

5.Ming and Qing dynasties: secularization further developed. Representative: Zhang Zeduan, "Qingming Riverside Map".

It is relatively rough, just for reference, I hope it is useful.

Chinese painting, also known as "Chinese painting", is a traditional painting in China (different from "Western painting"). Tools and materials include brushes, ink, Chinese painting paints, rice paper, silk, etc., the subject matter can be divided into figures, landscapes, flowers and birds, etc., and the technique can be divided into pen and freehand, and its spiritual core is "pen and ink".

Chinese painting originated from ancient pictographs, and the text and painting were at the beginning, without ambiguity, and the original meaning was the same. Some people believe that Fuxi painting hexagram and Cangjie make characters are the precedent of calligraphy and painting. There is no difference between words and drawings at the beginning.

During the Sui and Tang dynasties, the socio-economic and cultural prosperity was high, and painting also showed a situation of comprehensive prosperity. Landscape painting, flower and bird painting have matured, religious painting has reached its peak, and there is a tendency to secularization; Figure painting mainly depicts the life of the aristocracy, and character modeling with the characteristics of the times has appeared. Representative figure Sui:

Zhan Ziqian; Tang: Yan Liben, Wu Daozi, Dunhuang Mogao Grottoes murals.

The Five Dynasties and the Two Song Dynasties further matured and became more prosperous, figure painting has turned to depict secular life, religious painting has gradually declined, and landscape painting and flower and bird painting have leapt into the mainstream of the painting world. The emergence of literati painting and its development in later generations greatly enriched the creative concepts and expression methods of Chinese painting.

In the Yuan, Ming and Qing dynasties, ink landscapes and freehand flowers and birds were prominently developed, and literati painting became the mainstream of Chinese painting. Representative Figure: Zhang Zeduan's "Riverside Scene at Qingming Festival".

There is also Zhao Mengfu, who is good at landscape painting and painting horses.

The general characteristics can be used as "splendid and prepared" evaluated by Zhang Yanyuan of the Tang Dynasty in "Records of Famous Paintings of the Past Dynasties".

The characteristics of this period you are talking about are too broad to say. Because the Tang Dynasty was the era of the construction mode of Chinese painting, all categories of traditional Chinese painting stood in the painting world with an independent posture during this period, and the subject matter and art form were expanded and improved.

Figure painting: In the early Tang Dynasty, there were two major painting styles: the Central Plains style represented by Yan Liben and the fine Western Regions style represented by Yu Chi Yiseng;

There are also outstanding painters such as Wu Daozi, Zhang Xuan, and Zhou Fang.

Landscape painting: In this period, green landscapes and ink landscapes were divided, so to speak, painting in this period created a fresh, distinctive, and distinctive national style, and to a certain extent, got rid of the fetters of religion, filled with a strong secular atmosphere.

You can also take a look at the painting theory of the Sui and Tang dynasties, I hope it will help you, hehe

The Sui and Tang dynasties were the mature period of landscape painting, which mainly expressed two aspects.

First, from Zhan Ziqian to Li Sixun, Li Zhaodao and his son's green landscapes; The second is the rise of ink landscapes represented by Wang Wei, Zhang, Wang Qia, etc. This marks the complete maturity of the two major landscape painting systems of China, green and ink.

Although the green and golden landscapes have been reaped by the luck of Er Li, this represents more of the aesthetic taste of the court nobles, and there is still a distance from the hidden spirit and aesthetic pursuit of metaphysics and Zhuangxue based on nature. Therefore, the landscape art expresses the logical pursuit of the original artistic spirit of the landscape, and in the background of the philosophy and aesthetics of Lao Zhuang incorporated by the Southern Sect of Zen, the ink landscape stands out under the pen of Wang Wei, who integrates poetry and Buddhist painting. By the end of the Tang Dynasty, the replacement of the mainstream status of green and golden landscapes by ink and wash landscapes showed that the spirit of Chinese landscape art had finally found its most suitable art form, thus marking the full maturity of landscape painting.

Summary. Hello dear! The Sui and Tang dynasties were an important period in the history of Chinese art, and there were also some new breakthroughs and developments in painting and calligraphy

1.Emphasis is placed on sketching and expressing authenticity. During the Sui and Tang dynasties, painters and calligraphers began to pay attention to the importance of authentic representation and sketching, paying attention to detail and precise depiction, especially in landscape painting and flower and bird painting.

2.The rise of independent portraiture and figure painting. During the Sui and Tang dynasties, portrait and figure painting began to become independent and became an independent art form.

Calligraphers also began to pay attention to the representation and form of the figures. 3.Improvement and development of techniques.

During the Sui and Tang dynasties, the techniques of painting and calligraphy were greatly improved and developed, such as the technique of moving the brush, the change of the brush, and the use of ink color. 4.Fusion of foreign cultures and art forms.

During the Sui and Tang dynasties, cultural exchanges between China and Central Asia, India, and other places became more frequent, and this cultural fusion was also reflected in painting and calligraphy, such as the influence of Indian Buddhist art and Central Asian styles. In short, painting and calligraphy in the Sui and Tang dynasties made new breakthroughs and developments in terms of techniques, expressions, and cultural integration, laying a solid foundation for the development of Chinese art history.

What were the new breakthroughs in painting and calligraphy in the Sui and Tang dynasties? 19:50 Hello dear!

The Sui and Tang dynasties were an important period in the history of Chinese art, and there were also some new breakthroughs and developments in painting and calligraphy: 1Emphasis is placed on sketching and expressing authenticity.

During the Sui and Tang dynasties, painters and calligraphers began to pay attention to the importance of authentic representation and sketching, paying attention to detail and precise depiction, especially in landscape painting and flower and bird painting. 2.The rise of independent portraiture and figure painting.

During the Sui and Tang dynasties, portrait and figure painting began to become independent and became an independent art form. Calligraphers also began to pay attention to the representation and form of the figures. 3.

Improvement and development of techniques. During the Sui and Tang dynasties, the techniques of painting and calligraphy were greatly improved and developed, such as the technique of moving the brush, the change of the brush, and the use of ink color. 4.

Fusion of foreign cultures and art forms. During the Sui and Tang dynasties, cultural exchanges between China and Central Asia, India, and other places became more frequent, and this cultural fusion was also reflected in painting and calligraphy, such as the influence of Indian Buddhist art and Central Asian styles. In short, painting and calligraphy in the Sui and Tang dynasties made new breakthroughs and developments in terms of techniques, expressions, and cultural integration, laying a solid foundation for the development of Chinese art history.

Qinqin, painting and calligraphy in the Sui and Tang dynasties have made many new breakthroughs and progress in artistic creation, and the following are some of the main aspects: Painting Fang Shou Answer Selling Noodles: 1

The background perspective often adopts the comb-style composition method, which expresses the sense of spatial depth and lays the foundation for the creation of future landscape paintings. 2.The character image is more plump and three-dimensional, focusing on the character's expression and demeanor, and conveying thoughts and feelings through the image.

3.The use of lines is more free, not sticking to the rules, and more prominent personal funny style, bringing novel effects to the vision. 4.

Pure painting gradually transformed into decorative arts, such as the addition of decorative elements such as beautiful flowers, birds, and animal heads to the murals. Calligraphy:1

The basic calligraphy style began to take shape, and there were masters in regular script, line script, and cursive script, and the development trend was more obvious. 2.The formation of calligraphy schools, such as Yan Zhenqing, Ouyang Xun, Wang Xizhi, Huaisu, etc., each advocated different calligraphy concepts and formed their own unique styles, providing positive reference and encouragement for future generations of calligraphers.

3.With the improvement of calligraphy tools, various calligraphy creation tools such as brushes, hard pens, and bamboo sticks began to appear, enriching the expression of calligraphy art. 4.

The art of calligraphy has also been widely used in arts and crafts, such as decorative texts on utensils, inscriptions and so on.

Hello! Painting and calligraphy in the Sui and Tang dynasties had a new breakthrough in technique, subject matter and style. In terms of technique, the painting and calligraphy of the Sui and Tang dynasties paid more attention to the use of brush and ink, especially the use of ink.

Painters and calligraphers in the Sui and Tang dynasties began to use techniques of intense ink and color to make their works fuller and more vivid. At the same time, they also pay attention to the change of the brush, and express different emotions and artistic conceptions through different strokes. In terms of subject matter, painting and calligraphy in the Sui and Tang dynasties began to involve a wider range of subjects, not only religious and mythological subjects, but also various subjects such as human figures, landscapes, flowers and birds.

The depictions of these subjects are more realistic and natural, reflecting the life and culture of the society at the time. In terms of style, a variety of different styles began to emerge in painting and calligraphy during the Sui and Tang dynasties, such as the "bone method" and "Yan Zhenqing style" of the Tang Dynasty. These styles have unique characteristics in terms of brushwork, composition, form, etc., reflecting the diversity of culture and the development of art at that time.

In addition, painting and calligraphy in the Sui and Tang dynasties were also influenced by different cultures such as Buddhism, Taoism, and Confucianism, forming a unique artistic style and expression. In short, painting and calligraphy in the Sui and Tang dynasties made new breakthroughs in techniques, subject matter, and style, reflecting the diversity and development of society and culture at that time. Hope it helps!

Famous painters of the Tang Dynasty are: Yan Liben, Wu Daozi. 1. Yan Liben's paintings have strong brushwork, lines like coiled wires, and characters and shapes.

Yan Liben's representative works: "Bu Yuan Map", "Ancient Emperor Map", "Gong Gong Map", "Xiao Yi Earning Lan Pavilion Map" and so on.

2. Wu Daozi's paintings, pay attention to line changes, have a strong sense of three-dimensionality, and have an unrestrained style, which is a precedent for freehand painting in later generations.

Wu Daozi's representative works: "Ming Emperor Professor Gong Tu", "Ten Finger Zhong Kui Tu", "Golden Bridge Tu", "Zhu Yun Analysis Threshold Tu" and so on.

Yan Liben Lady Picture.

Wu Daozi Heavenly King sent a picture.