Problems in the study of painting, problems in painting

Also, look at the works more, analyze them carefully, age is not a problem, but older people have a deeper understanding of objects. You can start to draw geometric plaster, if you are more talented, you can directly draw still lifes, but there are not too many shortcuts to this, the most important thing is to be diligent, practice can not be too little, but understanding is very important, to observe the object more, deepen your understanding of it. In terms of theoretical knowledge, you can take a proper look, but it doesn't have much effect.

16 years old now? If you want to take the exam, you should practice it quickly, and painting mainly depends on personal understanding

At the beginning of the drawing should be from the most basic geometric shapes

Finding a good teacher is also crucial

If you want to lay the foundation, the first thing is, of course, to start with the geometric plaster.

If you're going to take a surprise exam, start drawing directly from the subject you're going to take, which is usually a human head.

There are a lot of sketch instructional CDs that you can buy and learn! ~

Think more, practice more, watch more! ~！

Copy a lot and see what others are doing. Very important.

Yesterday I painted two paintings with Lao Liang. I realized that I had a lot of problems with my paintings.

The first is the lack of observation before painting.

I always draw as I please, pick up the pen and draw. Lao Liang asked me to observe the layout of the picture first, determine the position of each object on the picture, and set the point before painting.

For the first time, under the guidance of Lao Liang, I looked at the position of each chrysanthemum in a painting, and the careful Lao Liang set me the center of the chrysanthemum and clicked it. It seems to be a lot better.

My second problem is that I don't know how to press and how heavy the strokes are.

All flowers are painted in a kind of ink color to the end, so the chrysanthemum lacks a sense of hierarchy before and after, and there is no color change.

In addition, when I was drawing orchid leaves, I couldn't keep track of the changes in my orchid leaves, and the ink color and thickness were not good. And it makes me very distressed.

Lao Liang's orchid is like this.

My orchid looks like this. Get the job done in less than 20 minutes. Oops, Mom, it's scared to death!

I watched the replay again tonight, and there was this again.

It's still ugly! My experience is how much you give, how much you get!

Third, I don't pay attention to the practice, and the attitude is very improper.

When I went to Lao Liang's house, the walls of her house were covered with paintings. A picture of an orchid, she can practice it three times, or even turn in her homework after five times, I just ask for it once.

With such an attitude, it is natural that there will be no good results. Therefore, after spending the same money and signing up for classes, the learning effect between me and Lao Liang is very different.

This is the same as a student attending a tutorial class, the master leads the door, and the practice is in the individual! If you don't practice by yourself, you will naturally not succeed.

It is efficient to follow Lao Liang because she always puts her homework first. My love for painting comes from the bottom of my heart. So I finished two works in one day.

Impatient, incomprehensible, inaccurate.

1. The main points of painting:

1. Start with decorative paintings. Picture segmentation, point, line and surface composition, visual balance, and rhythmic arrangement of picture elements. Color matching, color distribution, and more, color psychology.

Starting from the most basic rules of learning visual beauty, it will be of great help to any stage of art learning in the future.

2. Then start to learn sketching. First, learn to sketch structure, and use lines to express structural relationships and spatial perspective relationships. From simple geometric sketches to complex geometric shapes, to plaster heads and still life sketches.

Learn how to move the pen and how to draw smooth lines. The aim is to learn to express the spatial structure of objects.

3. Learn color composition and the use of colors through still life and landscape sketching, which echoes the color matching and distribution in plane composition. How to use the contrast of colors to shape the volume of light and shadow, the performance of different objects and materials under different light sources, color psychology.

2. Precautions for painting:

1. For beginners, on the one hand, it is to strengthen the understanding of the overall consciousness, and on the other hand, to pay attention to the overall relationship in observation and performance, and overcome the bad habit of confined attention to a certain point. For example, when drawing an avatar, it is necessary to observe the object as a whole, for example, when drawing the eyes, it is necessary to consider the relationship between the eyes and the ears or the nose, and not to draw the eyes in isolation and get stuck in parts.

2. Grasping the shape, expressing the sense of volume and space, is another important factor in basic sketching, not only to clarify the shape, proportion, size of the object, but also to overcome the plane depiction, to have the most basic understanding and mastery of modeling.

Children who are admitted to CAFA High School usually have 2 characteristics:

1: The art major is very solid, and the children who can be admitted to the CAFA High School can basically pass the art joint examination, and among the students who graduated from the Art High School, there are a large number of leaders in the art industry and the art industry.

What CAFA High School wants is not a tool-type talent, but an elite or future leader talent. This kind of talent must have his own thinking, Zaona has his own insight, and has excellent management ability and expression ability. And this kind of talent can only be cultivated from the way of knowledge transfer of thousands of people.

2: The cultural class is very good.

Misunderstandings to overcome when learning to draw.

Learning to draw, whether you know the technique or not, you can be bold and experimental, and you must know what I want to draw. As Mr. Xu Beihong said, it is better to be dirty than clean. It is to encourage people to be bolder, more relaxed, less afraid of mistakes when drawing, and pay more attention to the overall state to express what they think is right and valuable.

Painting, like language, requires materials for life scenes. Through continuous painting scenes, you will master some painting techniques, such as near reality and far void, or the color in the front pure and gray, warm in the front and cold in the back, and so on.

This concept is called "Nature" in our Academy of Fine Arts. It is from the stool ode that you have learned a lot of ways to express language from the process of interacting and contacting nature in Sakura's eyes. Express what you understand, what you know, what you know, what you know, what you think, and even what I think.