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Qu Yuan's works, with indulgent writing, express strong and stirring emotions. Han Confucianism once said that "Lisao" and "Xiaoya" in the "Book of Songs" are both "sudden but not harmful" works, and the Ming Dynasty poet Yuan Hongdao refuted in "Xuxiao Xiu Poems": "Lisao" is "extremely angry", and "clearly scolded" to the "party people" and the king of Chu.
He also pointed out: "strong and multi-sudden, sharp and dewy", which is the characteristic of "Chu Feng". He was clearly right.
Not only that, Qu Yuan's self-praising personality is reckless and capricious, and it is truly exposed; The love of the gods is passionate and incisive; Celebrating the sacrifices of the martyrs is a ...... of passion, generosity, sorrow and heroism. In short, compared with the overall restraint and gentle emotional expression of the Book of Songs, Qu Yuan's creation shows the liberation of emotions to a considerable extent, thus creating a new, vibrant and powerful poetic style. Due to the need for this emotional expression, Qu Yuan could not be satisfied with plain writing techniques, but borrowed a lot of mythological materials from Chu and used strange fantasies to greatly expand the realm of poetry and show magnificent and magnificent characteristics.
This opened up a new path for the creation of classical Chinese poetry. Later generations of poets with strong personalities and emotions, such as Li Bai and Li He, were greatly inspired by it. Qu Yuan is a poet who loves beauty.
He does not deny the beauty of all kinds of art with a narrow utilitarian view. In "Nine Songs" and "The Conjuring", the warm scenes of singing and dancing are rendered everywhere and the touches aroused.
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Qu Yuan's works are full of strong romanticism and local color, "writing Chu language, writing Chu sound, Ji Chu place, famous Chu things", absorbing myths and legends, emotional agitation, enthusiastic and unrestrained, writing more personal feelings and imagination, rich imagination, good use of comparison and exaggeration.
In terms of language use, Qu Yuan's works break through the format of the Book of Poetry, using virtual particles such as "Xi", "some", and "only" to strengthen the sense of rhythm and **, and common double-tone rhymes, battles and overlapping words.
Qu Yuan's works are full of loyalty and patriotism, reprimanding villains for harming the country, resenting the mediocrity of the monarch, having the ambition of revitalizing the Chu State, eagerly pursuing ideals, and being willing to die for the country. Qu Yuan's works show a noble personality, not going along with the world, persisting in ideals, being self-conscious, unyielding, and uncompromising.
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Qu Yuan's works include "Lisao".
Tianwen", "Nine Songs".
Among them, "Lisao" is Qu Yuan's masterpiece and the history of ancient Chinese literature.
On the longest song of romanticism.
political lyric poetry. "Tianwen" is a rare and peculiar poem in ancient and modern times, which asks 172 questions to the sky in a row, involving astronomy, geography, literature, philosophy and many other fields, showing the poet's bold skepticism of traditional concepts and the scientific spirit of pursuing truth.
"Nine Songs" is a group of sacred music songs processed on the basis of folk sacrifice songs, and a large number of images of gods are created in the poems, most of which are love songs of people and gods.
It's that the more you look at it, the more beautiful it becomes.
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