Ask Ouyang Xiu Tasha Xing appreciation, Tasha Xing Ouyang Xiu s original text and translation

Ouyang Xiu's "Tasha Xing": "The plum remnants in the waiting hall, the willows on the creek and bridge, and the warm wind in the grass and the wind are warm. The sorrow is gradually moving away and endless, and the distance is constantly like spring water.

Inch by inch soft intestines, full of tears, the height of the building is not close to danger. At the end of Pingwu is Spring Mountain, and pedestrians are even outside Spring Mountain. Shang Yun is realistic, and the scene of early spring contrasts the sorrow and farewell of "pedestrians".

The "pedestrian" imagines his wife looking at the railing from afar, missing the sad scene of the "pedestrian", so as to express the sorrow and farewell to the fullest.

Upstairs is already in place, the original words, the author, the notes, will not be repeated. Appreciation: This is a poem that writes about parting feelings, the subject matter is common, but the technique is novel, the artistic conception is beautiful, and it is fascinating to read.

In the first part, the writer went to the plum residue in the east, and parted with his lover in the annex in the spring when the grass was smoky and warm. At first, he was inadvertent, believing in the reins, leisurely swimming, gradually drifting away, leaving the heart of sorrow, gradually moving away and becoming endless, like the river water that constantly beckons, naturally and truly depicting the process of the walker's parting feelings growing and growing. The next film is superb, using the traveler to imagine the four-year walker to portray the sorrow of the home.

The dwellers look at the plains, look at the broken spring mountain, and do not see the walkers; Pedestrians are still far away in the spring mountain, and the desperate and painful feelings of the residents looking forward to not seeing can be imagined. This poem writes about the sorrow of the spring scene, the better the scenery and the deeper the sorrow, the language is light and emotional.

Tasha line. Song Ouyang Xiu.

The waiting hall is plum, and the brook bridge is thin.

The grass lavender wind warmly shakes the reins.

The sorrow is gradually moving away and endless, and the distance is constantly like spring water.

Inch by inch soft intestines, full of tears.

The height of the building is not close to the dangerous fence.

At the end of Pingwu is Spring Mountain, and pedestrians are even outside Spring Mountain.

Translation: Spring is warm, the cold plum of the hostel is withering, and only a few pieces of willow trees by the bridge of the remnant creek are sprouting light green buds. The warm spring breeze blew on the earth, and the wind brought the fragrance of flowers and plants, and the people who traveled far away also set off at this time.

In this beautiful spring, I also sent you away. You are getting farther and farther away, and my sorrows are getting more and more, just like the spring water in front of me, the way is endless, and the journey is endless. So I had to go upstairs and look in the direction of your departure, hoping to return early.

However, what catches your eye is only the endless spring grassland, and at the end of the field is a faint green mountain. And you, even more distant beyond the green mountains, are nowhere to be found!

This is a poem about the feelings of a traveler on the journey, parting feelings, the subject matter is common, but the technique is wonderful, the artistic conception is beautiful, and it is fascinating to read.

Tasha Xing, the word goose into a line.

Song Dynasty ] Ouyang Xun.

The words of geese are in a row, and the horn is sad. For no reason, I dreamed of Chang'an.

The green shirt and hat are back, and Anren's temples are heavy in autumn frost.

The lamp in the lonely hall is broken, and the bell in the small building moves. The horse's hooves broke through the village freeze.

His life is related to a floating name, and he knows what to use for his name.

"Tasha Xing: Waiting for the Plum Remnant" is a lyric work by the Song Dynasty writer Ouyang Xiu. This word mainly expresses the sorrow of traveling to the south in early spring. Shang Rong writes the thoughts of pedestrians and travelers.

With the transformation of time and space, the writer is on a journey, wandering endlessly, and endlessly, thus showing the constant sorrow of the wanderer. Xia Yin writes about the residents' expectations and suspense for high-rise buildings, and writes about the inner activities of people who look far away. There is no difference between inside and outside in Chunshan, and the lyricist defines it, writing the confused mood of the resident Nianyuan, euphemistic, allegorical in the scene, subtle and deep, and it is a famous article praised by people.

The whole poem is only 58 words, but because of the clever use of artistic techniques such as writing sorrow with music, alluding to the virtual in reality, turning the virtual into reality, and going further, it expresses the sorrow vividly and vividly, and produces a huge artistic charm, so it has become a famous article that people are willing to recite.

The original text and translation of Tasha Xing Ouyang Xiu are as follows:

Tasha Xing, waiting for the plum remnant.

The waiting hall is plum, and the brook bridge is thin. The grass lavender wind warmly shakes the reins. The sorrow is gradually moving away and endless, and the distance is constantly like spring water.

Inch by inch soft intestines, full of tears. The height of the building is not close to the danger. At the end of Pingwu is Spring Mountain, and pedestrians are even outside Spring Mountain.

Translations. The plum blossoms in front of the building have withered, the new willows beside the river bridge hang lightly, the warm wind blows the fragrance of spring grass, and the travelers shake the reins of the horses and shout the keys to tell the horses. The farther away you go, the more endless the sorrow is, just like the water of the spring river is continuous.

Inch by inch soft intestines are broken, tears drop down on the face, climb the tall building and look at the railing from afar, it is difficult to solve the sorrow in the heart. At the end of the flat meadow is Chongchun Mountain, and the pedestrians are still outside the Chongchun Mountain.

Artistic. This poem is often praised by people, and it is written about the sorrow of traveling to the south in early spring. The upper part of the word writes about the sorrow of pedestrians on the journey, and the next piece writes about the sorrow of the imaginary family, the lovesickness of the two places, a feeling, and the central meaning of the whole article is to express the sorrow.

The following four artistic techniques are mainly used.

Write sorrow with music, and support things to be happy. It's a clever one. The word lead seepage shows such a shot on the film:

A lonely pedestrian, riding a horse, left the waiting hall (hostel), looked at the plum blossoms that had withered, walked across the small bridge over the stream, swept the willows on the bank, and stepped towards the fragrant meadow in the east wind.

In this picture, remnant plums, fine willows and lavender, these typical scenes in spring, are embellished with waiting halls, creeks and bridges and journeys, expressing the harmonious atmosphere of early spring in the south. This poem uses the spring scenery to write the journey, and the music scene to write the sorrow, so as to get the effect of multiplying the troubles.