The two major calligraphers, Sun Guoting and Huang Tingjian, who is better at their calligraphy?

Let's first get to know these two ancient Chinese calligraphers, first of all, let's take a look at this Sun Guoting.

He was a calligrapher and calligraphy theorist in the Tang Dynasty. He wrote the Book Pedigree

But I can't find it anymore, and now there is a "Book Preface", which is very good, and it shows his style very intuitively. This book has a high place in the history of calligraphy theory in our country. <

He also went to be a soldier, and once joined the army as a right guard, and led the government to join the army.

At that time, it can be said that he was ambitious, and at that time he also liked to write, especially good at regular script, line calligraphy, and the best thing was cursive. Many people disagree about some of his opinions, but his cursive writing can be said to have silenced many people. His "Book of Calligraphy" can be described as a masterpiece in the eyes of many people who have studied calligraphy theory throughout the ages.

Let's take a look at this Huang Tingjian again.

He is the Northern Song Dynasty. Famous writer and calligrapher. Calligraphy has its own characteristics, and it is one of the four families of the Song Dynasty. There are many very famous works, one is "Songfeng Pavilion Poems".

There is also the "Stickers of the Throne". His poems are very famous. He was also the founder of the Jiangxi School of Poetry.

His poems are very powerful. And his calligraphy is also very good. Very good at line calligraphy, cursive, regular script.

He highly recommended Wang Xizhi's "Orchid Pavilion Preface".

This Huang Tingjian was also affected by Su Shi.

impact. At that time, Huang Tingjian was tracing back to the Jin and Tang Dynasties, and when he was learning the calligraphy of his ancestors, Su Shi had a great influence on him. At that time, many of Huang Tingjian's hand-tied small books were learned from Su Shi.

I think that the calligraphy attainments of these two people are very profound, it is difficult to distinguish between the upper and lower, they are not calligraphers of the same period in the first place, one is the Tang Dynasty, the other is the Northern Song Dynasty, and from the style point of view, the two are different. Even contemporaries and calligraphers of the same style could not give a clear answer. Moreover, the two are not the same period.

But from the point of view of fame alone, Huang Tingjian is better, but this is not a good criterion for judging, both of them are very powerful, each has its own merits. <>

In terms of small characters, Sun Guoting is the best, and in terms of big characters, Huang Tingjian is the best. Small characters with sitting pillow wrists, large characters with standing wrists, is the difference between sitting and standing, pillow and hanging different, like small characters to support Sun Guoting, like big characters to support Huang Tingjian. Sun Guoting's official fortune was sluggish, and he spent his whole life wandering at the township level.

Huang Tingjian's poetry history subset is all connected, he participated in the imperial examination for the second time, was happy to win the list, was given a jinshi, and was awarded an official and a knight, because he was affected by the Wutai poetry case, he was degraded again and again, and finally died at the township level.

Sun Guoting, a calligrapher of the Tang Dynasty, is famous for his cursive script, which is represented as the "Book Book"; Huang Tingjian, a calligrapher of the Northern Song Dynasty, is known as "one ancestor and three ancestors", and is known as "Su Huang" together with Su Shi, and is good at calligraphy, cursive and regular script. Both of them were famous calligraphers, born in different eras and each had their own unique writing style and characteristics, each with its own merits.

Huang Tingjian's calligraphy is better because he is more recognized in the calligraphy world, and his fame is also greater.

Although the two lived in different eras, Sun Tingjian was proficient in line and Kai, and also had his own creation of cursive writing, and his achievements in calligraphy were relatively large, and his calligraphy strength and strength were also relatively good.

It can't be compared like this, Sun Guoting writes about small grass, and Yellow Valley writes about big grass, each with its own style and aesthetic value. See what kind of class you like.

Sun Guoting is better than Huang Tingjian.

The two are not comparable.

The former is the ancient law, and the latter is the present law.

Qin Qiong or Guan Gong, which martial arts is higher?

This can be compared, writing this article does not understand calligraphy, layman.

Huang Tingjian's calligraphy is characterized by four exhibitions of kung fu with a large skimming and a long brush.

1. Huang Tingjian introduced.

Huang Tingjian's character is Luzhi, a native of the valley road, a native of Fu Weng, a native of Fenning, Hongzhou (now Xiushui County, Jiujiang City, Jiangxi Province), a famous writer and calligrapher in the Northern Song Dynasty, and the ancestor of the Jiangxi poetry school that flourished for a while, and Du Fu, Chen Shidao and Chen Heyi are known as "one ancestor and three ancestors". Together with Zhang Lei, Chao Buzhi, and Qin Guan, they all studied under Su Shimen, and were collectively known as the "Four Bachelors of Sumen". During his lifetime, he was as famous as Su Shi and was known as "Su Huang".

He is the author of "Valley Words", and Huang Tingjian's calligraphy can also be unique, and he is one of the "Four Song Families".

2. Huang Tingjian's calligraphy.

Huang Tingjian inherited the tradition and learned from the calligraphy of his predecessors, and made bold innovations, so as to be unique and form his own style. Huang Tingjian's calligraphy is mainly expressed in line script and cursive script. In Huang Tingjian's calligraphy, each character is mostly long, horizontal and vertical, and the middle palace ("middle palace" is the center) of each character seems to have a circle center, and other strokes radiate from the center of the circle.

This kind of "radial" glyph structure of "broken body" breaks through the square and even-sided shape that has been popular since the Jin and Tang dynasties, and with the borrowing of dot painting, he not only grasps the center of gravity, but also exaggerates some strokes, so that his calligraphy shows the elegant rhyme and the courage of bone strength.

Huang Tingjian's large characters are concise and powerful, the structure is peculiar, almost every character has a very individual long painting, abrupt and stretched, forming a new method of knotting words in the middle palace tightened and straightened, which had a great influence on later generations.

1. Characteristics of calligraphy.

The middle palace is knotted, and the long pen is displayed in four ways.

Sideways change, unfettered.

The point is not provoked, a generation of strange books.

Skimming is changed to a point, and the scribble is receiving.

The combination of movement and static, harmony and unity.

Don't mud the ancient method, you have to write outside the pen.

2. Character profile.

Huang Tingjian (the word Lu Zhi, the number of the valley Taoist, the late name Fu Weng, Hongzhou Fenning (now Xiushui County, Jiangxi), a famous writer and calligrapher in the Northern Song Dynasty, is the ancestor of the Jiangxi poetry school that flourished for a while, and Du Fu, Chen Shidao and Chen Heyi are known as "one ancestor and three sects" (Huang Tingjian is one of them). Together with Zhang Lei, Chao Buzhi, and Qin Guan, they all studied under Su Shimen, and were collectively known as the "Four Bachelors of Sumen". During his lifetime, he was as famous as Su Shi, and was known as "Su Huang".

3. Character evaluation.

Huang Tingjian has experienced vicissitudes in his life, experienced several political turbulences, and never held power. In the life of grievances and debasement, his high style and bright festival are admired by the public, and he has made great achievements for thousands of years.

Features of Huang Tingjian's calligraphy:

The penmanship takes advantage of the side danger, the vertical and horizontal are stubborn, the font is open, the penmanship is thin and strong, and it is its own style. Its grass is all in the mind, and the pen is made with intention. However, its participation in Zen and wonderful understanding, although more rational to make the pen, can also open and close, gather and scatter, and enter the realm of swaying.

And its pen, in contrast, is more calm and elegant, although the ups and downs, but also can be left everywhere, left everywhere.

Huang Tingjian (the word Luzhi, the number of the valley road, the late name Fu Weng, Hongzhou Fenning (now Xiushui County, Jiujiang City, Jiangxi Province), a famous writer and calligrapher in the Northern Song Dynasty, is the ancestor of the Jiangxi poetry school that flourished for a while, and Du Fu, Chen Shidao and Chen Heyi are known as "one ancestor and three sects" (Huang Tingjian is one of them). Together with Zhang Lei, Chao Buzhi, and Qin Guan, they all studied under Su Shimen, and were collectively known as the "Four Bachelors of Sumen". During his lifetime, he was as famous as Su Shi, and was known as "Su Huang".

He is the author of "Valley Words", and Huang Tingjian's calligraphy can also be unique, and he is one of the "Four Song Families".

Huang Tingjian's large-character calligraphy is concise and powerful, with a peculiar structure, almost every word has some exaggerated long paintings, and tries his best to send them out, forming a new knotted method of tightening the middle palace and diverging the four edges. In terms of structure, it is obviously influenced by Huaisu, but the twists and turns of the line are completely different from the rhythm of Huaisu. Before him, roundness and fluency were the keynote of cursive writing, and Huang Tingjian's cursive single word structure was dangerous, and the chapter method was creative, and he often used the method of displacement to break the boundaries between words, so that the lines formed a new combination, and the rhythm changed strongly, so it had a special charm, and became an outstanding representative of the Northern Song Dynasty calligraphy, and Su Shi became a pioneer of a generation of calligraphy.

His starting pen wants to be right and left, from the painting to hide the front into the left pause pen, and then flat, no flat and untouched, the next pen will change, the pen will return to the front Zangying, with the "painting bamboo method to make a book" to give people a sense of calm and joy. Its knot comes from Yan Lugong's "Eight Guan Zhai Hui Report Record", the middle palace is tightened, radiating from the center to the outside, stretching horizontally and horizontally, such as rowing oars, such as holding boats, the spirit is grand, the atmosphere is magnificent, and its personality characteristics are very significant.

Huang Tingjian's characters come from the calligraphy god Crane Inscription, and Huang has absorbed a lot of techniques and characteristics from the Crane Inscription. Therefore, you can't learn Huang Tingjian's calligraphy without learning Heming.

Huang Tingjian's calligraphy is a side with a pen, rippling and condensed with a pen, and the turning point of the strokes is clearly discussed, and the structure of the middle palace is tighter, and the strokes are stretched and exaggerated, which is more natural and natural.

Huang Tingjian's mind is natural and peaceful when he writes, with the interest of the mountains and wilderness, and the atmosphere is magnificent, which is rare and elegant.

I really don't know anything about calligraphy, I don't know anything, I don't know anything about calligraphy.

Lu Zhilan Pavilion bones, flowers and gases are seated.

The line is made of willow method, and it is the pine wind pavilion.

Here's my own summary.

Huang Tingjian (1045-1105) was a famous writer and calligrapher in the Northern Song Dynasty. He specializes in both cursive and line-writing calligraphy styles.

Huang Tingjian's cursive style is unrestrained and chic, with distinctive personality characteristics, and his gestures are majestic, vigorous and powerful, showing strong vitality and creativity. His representative works include "Taibai Poems" and "Farewell to the Ancient Wilderness".

Huang Tingjian's calligraphy, the strokes are smooth, graceful, fresh and refined, and his poetic and picturesque realm is superb. His calligraphy is written in a millipen, with light strokes and unpretentiousness, and at the same time incorporating the charm of cursive writing. His representative works include "Eight Songs of Autumn Xing" and "Man Jianghong".

Therefore, Huang Tingjian is known as the bridge in the history of calligraphy and is known as the "grass and line", which has a far-reaching influence on the calligraphy world in later generations.

Huang Tingjian's calligraphy is good at calligraphy, cursive script, regular script, and self-contained, although it is not as good as Wang Xizhi's supernatural style, but it also has a unique flavor. Blind with mountains

The words of the Yellow Valley are strong and well-known. The old way is vigorous, and the muscles and willows are beyond the reach of the body. Huang Tingjian is best at calligraphy, in the penmanship and composition of calligraphy, Huang Tingjian's large-character calligraphy is different from Su Shi, first of all, his pen is very tactful and fluent, and secondly, his pen is hard and powerful, and the pen has a personality that belongs to himself at that time.

Although Huang Tingjian talks about poetry, he does not stick to poetry, but asks to eventually transcend poetry and achieve the realm of "self-integration without bothering with rope cutting". Calligraphy achievements Huang Tingjian is good at calligraphy, cursive, regular script is also a family of its own.