The poetry characteristics of the poetry collection in the afterglow, and the poetry style in the af

The poetry in the afterglow is characteristic: Polygamy in art.

Yu Guangzhong is a complex and changeable poet, and his trajectory of change can basically be said to be a trend of the entire poetry scene in Taiwan for more than 30 years, that is, first Westernization and then return. In Taiwan's early poetry debates and the vernacular literature debates of the mid-70s, Yu Guangzhong's poetic theories and works both strongly show a tendency to advocate Westernization, ignore readers, and detach from reality. As he himself put it, "As a boy, the tip of the pen was stained either by the aftermath of Heatoncree or by the waters of the Thames."

The wine is made from 1842. After the 80s, he began to realize the importance of the place where his ethnic group lived to his creation, and "extended his poetry back to that continent", wrote many emotional nostalgic poems, and his attitude towards local literature also changed from opposition to cordiality, showing an obvious trajectory from the West to the East, so he was called "the prodigal son" by the Taiwanese poetry circle. From the perspective of poetic art, Yu Guangzhong is a "polygamous poet in art".

The style of his works is extremely inconsistent, and in general, his poetic style varies according to the subject matter. Poems that express will and ideals are generally magnificent and sonorous, while works that describe nostalgia and love are generally delicate and soft.

In the fierce collision between the East and the West, ancient and modern cultures, the Taiwanese poet Yu Guangzhong drew nutrients from the vast poetic soil of the East and the West with the poet's special sensitivity to words, and elevated the broad realm from his personal experience, creating the poet's unique poetic character and aesthetic characteristics, that is, the pure pursuit of poetry and unique aesthetic creation.

Yu Guangzhong mainly writes poetry, and is also famous for his prose and commentary. His poems often express the poet's compassion, his love for the land, his reference to environmental protection, and the perspective analysis and capture of all modern people and things.

1. In the afterglow.

Characteristics of poetry: From the emotions contained in the poems: whether the poems in the afterglow are full of sentimental and poignant colors, whether they are about love, scenery or nostalgia for their homeland, such as "The moon is the horror of the dream, tonight, can you go back?"

Reincarnation is in the clear fragrance of the lotus, thinking of you beyond time and space, and you don't realize that the frog is lonely, and the stars are low" ("Zhongyuan Night"), a few words, the silent and trembling night and deep thoughts are like in front of you.

2. In addition to love, "nostalgia" is another theme that often appears in his poems, and the thoughts of family and country are also looming throughout "nostalgia". Whether it is "Drifting to Qu Yuan", "Night Reading", or "Homesickness".

All show the poet's sad and tragic emotional journey, and in the poet's poetry, there is a dual relationship between the individual and the country, the individual and destiny.

3. From the point of view of expression: the rhythm of his poetry is not a rhyme, but the interpenetration of emotions, and the whole emotional flow can be found in his poems. "There is a wind in the air, and there is a faint wind in the wind, and there is a bell, which comes from nowhere, and goes nowhere, without beginning and without end.

Standing against the wind, the bells are surging, like the tide of the distant sea, like a memory. The bells were silent. This poem mostly uses four sentences and three words interspersed.

The five words in it make the rhythm light, coupled with the ending of "memory" and "silence", which not only rhymes, but also gives people a sense of distant and ethereal nothingness, so that the literal meaning and the contained thoughts and feelings are compatible, "wind", "sea", "bells", "memories" are integrated, and a lonely but not desolate beauty lingers in the reader's heart, which is also the poet's emotional flow and the representation in the poem.

4. From a literal point of view, Mr. Yu Guangzhong's poems are concise and easy to understand, and the concise and smooth words contain rich feelings, and at the same time have the characteristics of Western symbolism and the beauty of Chinese classical culture, which is also the success of poets in writing poems. Mr. Yu Guangzhong's words can be said to be at his fingertips, and under the organization of the poet, it has become a lyrical poem with rich emotions and profound meanings, which has to be admired.

Yu Guangzhong's representative works include "Homesickness", "Listen to the Cold Rain", "White Jade Bitter Melon", "Memory is as Long as a Railroad Track", "On the Watershed" Yu Guangzhong's representative works include "White Jade Bitter Melon" (poetry collection), "Memory is as Long as a Railway Track" (essay collection) and "On the Watershed: Yu Guangzhong's Commentary" (Commentary Collection) and so on. My Memories (poetry collection), 1929, Shui Mo Bookstore Wangshu Grass (poetry collection), 1933, Modern Bookstore Wangshu's Poems, 1937 (self-published) The Years of Disaster (poetry collection), 1948, constellation Selected Poems of Dai Wangshu, 1957, Humanities ** Collection of Essays on Opera, 1958, Writers Publishing House Dai Wangshu's Poems, 1981, Sichuan People's Publishing House The Complete Poems of Dai Wangshu, 1989, Zhejiang Literature and Art Publishing House Shu Ting's main works include the poetry collection "Brig" , "Singing Iris", "Archaeopteryx", essay collection "Heart Smoke", etc.

Yu Guangzhong, "Classics in Yu Guangzhong", "Homesickness", "Song", Wild Wind, 1952. Wuling Boy, Wen Xing, 1967. The Night Market of Heaven, Sanmin, 1969.

Percussion Music, Blue Star Poetry Society, 1969. In the Age of the Cold War, Blue Star Poetry Society, 1969. White Jade Bitter Melon, Earth, 1974.

Sirius, Hong Fan, 1976. Tug of War with Eternity, Hong Fan, 1979. Selected Poems in the Afterglow (1949-1981), Hong Fan, 1981.

Guanyin across the water, Hong Fan, 1983. Bauhinia Fu, Hong Fan, 1986. Dream and Geography, Hong Fan, 1990.

An Pomegranate, Hong Fan, 1996. Five Elements Unimpeded, Nine Songs, 1998. Selected Poems of Yu Guangzhong, Volume II (1982-1998), Hong Fan, 1998.

Among them, "Homesickness" was selected as the first lesson of the People's Education Edition of Chinese Jiuxia, text) "High-rise Buildings to the Sea", Nine Songs, 2000. "The Lotus God", Taiwan Nine Song Publishing House, 2008 A collection of essays and literary criticism, The Muse of the Left Hand, Wen Xing, 1963. Rain in the Palm of Your Hand, Wen Xing, 1964.

Getaway, Wen Xing, 1965. The Faun of the Hometown, Pure Literature, 1968. The Crane Burner, Pure Literature, 1972.

Memories are as long as railroad tracks, Hong Fan, 1987. With a Map, Nine Songs, 1988. Calling Across the Water, Nine Songs, 1990.

From Xu Xiake to Van Gogh, Nine Songs, 1994. "Orderly", Nine Songs, 1996. The Sun Never Sets Home, Nine Songs, 1998.

Downstream of Blue Ink, Nine Songs, 1998. Serial Tricks, Shanghai Literature and Art, 1999

The representative poems in the afterglow are as follows:

White Jade Bitter Gourd (poetry collection), "Memory is as Long as a Railway Track" (essay collection) and "On the Watershed: Yu Guangzhong Commentary ** Collection" (commentary collection code shouting), etc., his poems such as "Homesickness", "Four Rhymes of Homesickness", prose such as "Listen to the Cold Rain", "My Four Imaginary Enemies", etc.

Yu Guangzhong introduced:

Yu Guangzhong (October 21, 1928 - December 14, 2017), a famous contemporary writer, poet, scholar and translator, was born in Nanjing, Jiangsu Province, and his ancestral home is Yongchun, Quanzhou, Fujian. Because his mother is originally from Wujin, Jiangsu, he also calls himself "Jiangnan".

He graduated from Nanjing YMCA Middle School in 1947 and entered the Department of Foreign Languages of Jinling University, transferred to the Department of Foreign Languages of Xiamen University in 1949, and graduated from the Department of Foreign Languages of National Taiwan University in 1952. In 1959, he received a Master of Fine Arts degree from the University of Iowa. He has taught at Soochow University, Taiwan Normal University, National Taiwan University, and National Chengchi University.

During this period, he was twice invited by the United States to serve as a visiting professor at many universities in the United States.

In 1972, he became a professor and director of the Department of Spanish at National Chengchi University. From 1974 to 1985, he was a professor in the Department of Chinese at the University of Hong Kong Chinese and the head of the Department of Chinese at United College, Chinese University of Hong Kong for two years. In 1985, he was appointed Professor and Chair Professor at Sun Yat-sen University in Taiwan, where he served for six years as Dean of the Faculty of Arts and Director of the Institute of Foreign Languages.

Yu Guangzhong has been engaged in poetry, prose, criticism, and translation all his life, and he calls himself the "four-dimensional space" of his writing, and is known as the "brilliant colorful pen" in the literary world. He has been in the literary world for more than half a century, and has been involved in a wide range of banquets and hunts, and is known as a "multi-tasker in art". His literary career is long, broad and deep, and he is a contemporary poet, a prose powerhouse, a famous critic, and an excellent translator.

Answer]: a, b, d

Yu Guangzhong is a famous contemporary poet and critic, and his representative poetry collections mainly include: "The Tragedy of Zhouzi", "Blue Feather", and "Stone Stalactites". "A Sigh for a Thousand Years" is a collection of Yu Qiuyu's essays, and item E "Getaway" is a collection of essays by Yu Guangzhong.

The poems in the afterglow are sold as follows:

Homesickness is a modern poem written by modern poet Yu Guangzhong in 1972. In the poem, through "when I was a child", "when I grew up", and "later".

And now" these chronological sentences run through the whole poem, borrowing stamps, ferry tickets, graves, and the strait (Taiwan Strait) to concretize abstract nostalgia, summarize the poet's long life process and lingering nostalgia for the motherland, and reveal the poet's deep sense of history. [1] The language of the whole poem is simple and straightforward, and the emotions are deep.

Nostalgia has been selected as a middle school Chinese textbook by the Chinese Language Publishing House [2] and a middle school Chinese textbook by the People's Education Publishing House.

Nostalgia. Childhood.

Nostalgia is a small stamp.

I'm on this end. Mother is over there.

When I grow up. Nostalgia is a narrow ticket.

I'm on this end. The bride was teasing at the end of the day.

Later, ah. Homesickness is a low grave.

I'm out there. Mother is inside.

And now. Nostalgia is a shallow strait.

I'm on this end. The continent is on that end.

The poem was written in 1972. Yu Guangzhong's ancestral home is Yongchun, Fujian, and he left the mainland for Taiwan in 1949. [5] At that time, due to political reasons, Taiwan and the mainland were isolated for a long time, so Yu Guangzhong did not return to the mainland for many years.

He has always missed his relatives and longed for the reunification of the motherland and the reunion of his relatives. In a strong sense of homesickness, the poet wrote this poem in the high hall in his former residence on Xiamen Street in Taipei.