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Just like whether a movie is good or not, why only let the screenwriter carry the black pot, book binding design is a systematic and complete project, just like architectural decoration, the renderings are designed, and the material construction is not important? Is it not necessary to communicate and coordinate with the subsequent process?
A book for reading, if you want to be exquisite and artistic, in addition to the layout design on the computer, 50% or even 60% of the energy should be focused on the binding process, the preliminary design renderings out, whether the implementation can be completed, whether the leadership has paid attention to the whole process of implementation, ask yourself, whether the designer has gone to the field to see the sample, paper pattern, process sample, etc.
Paper books are not like e-books, and the layout design looks good. Paper book design is a holistic and comprehensive project. Every link must be kept improving, not only the pre-printing link.
Therefore, we can not ignore the back-end link of binding design, the accuracy of printing, the beauty of materials, the essence of printing art, and the details of binding are very important processes, and we have many people (especially some people in power) because of the lack of professional knowledge and limited vision, often ignore the 60%, this idea is unscientific. If you look at which book design master in China, the importance of this 60% is not emphasized in the academic literature.
Some formal designs are based on content, and some formal designs are formal senses, like patterns on clothes, like the doors and windows of synagogues, don't have to ask for a specific meaning, don't fall into an ultra-left and ultra-right way of thinking.
Aesthetics is a kind of ability, but I think it is more of a habit, a way of thinking to choose beauty, the helplessness is that designers need to spend a lot of energy on designing works, and more often their energy is left to how to establish aesthetic commonality with customers, how to explain and debate with leaders.
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The design of the book binding cover is the first step in the design.
It's like a human face, if it's beautiful, people will definitely look at it twice, and if you want to design a beautiful book binding cover, it is very important to comply with the process 1, deal with the relationship between the cover and the content 2, color design 3, concept design 4, ** design 5, text design.
1. Deal with the relationship between the cover and the content, no matter what way is used to reflect the three-dimensional form of the book, all changes are inseparable, "reflecting the connotation of the book" should always be the most important principle of book design, not design for the sake of design, for the sake of the new.
2. The color design of the cover design, proper color performance and artistic processing can produce eye-catching effects in the reader's vision.
3. The design of the book cover, the cover design of the book should be novel, relevant and appealing as a whole.
4. The design of the cover design has become an important part of the design elements with its intuitive, clear, strong visual impact and easy to resonate with readers.
5. The text design of the book cover is often used in the font of the book title: calligraphy, art and printing.
Book binding meaning
Decoration design work in the production of books. Also known as book art. Book binding is the art of combining materials and processes, ideas and art, appearance and content, parts and wholes into a harmonious and beautiful whole in the process of book production.
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Summary. *Key points of the book binding design process**
1. Give life to books**
1.Tactile grasp.
2.Grasp of the sense of smell.
3.Auditory grasp.
4.Grasp the sense of taste.
5.Visual grasp.
6.The grasp of the weight.
2. In-depth communication with authors**
The title of the book.
Bullet points of the message. The temperament of the author.
The content of the manuscript.
Features of the manuscript.
Read the manuscript. *3. Collection of materials**
The content of the footage.
Image memory. Graphic data.
Author provided. Library Lookup.
Bookshelf search. Inner inspiration.
4. Sketch out**
Explore how graphics and text work together.
Determine the appropriateness of the size ratio.
Find the best messaging structure.
What is the process of book binding.
Book binding design should pay attention to the following processes:
1.A three-dimensional book should have vitality, and it is necessary to grasp the sense of touch, smell, hearing, taste, vision, and weight.
3.Collect materials, including contents, image memories, and graphic materials of materials. In the process of collecting materials, in addition to the responsibility and the author's provision, you can also go to the library by yourself, the third is to find it on your own bookshelf, and the fourth is to ask for it from your own heart.
4.Sketch the sketch, find out whether the various collocations and size ratios between graphics and words are appropriate, and find the formal structure that conveys information.
Not design. A three-dimensional book must have vitality and be carried out:
Tactile grasp.
Grasp of the sense of smell.
Auditory grasp.
Grasp the sense of taste.
Visual grasp.
The grasp of the weight.
The title of the book.
Bullet points of the message. The temperament of the author.
The content of the manuscript.
Features of the manuscript.
The content of the footage.
Image memory. Graphic data.
In the process of collecting materials, in addition to the responsibility and the author's provision, you can also go to the library by yourself, the third is to find your own bookshelf, and the fourth is to ask for it from your own heart.
4. Sketch:
Looking for graphics and words in the sketch, asking whether the various collocation forms and size ratios are appropriate, and finding the formal structure that conveys the message.
5. Computer-aided design:
After sifting through a few draft designs from multiple sketches, the next step is to move on to the actual production of the computer.
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