What are the representatives of the main genres of Henan opera and their representative works?

Henan Henan opera, also known as Henan Bangzi, is the most harmful in HenanIt means that the opera genre is the popular song of 100 million Shandong people. In Henan Province, from children as young as how old to old people, you don't need to hum a sentence or two about Henan Henan opera, and you are embarrassed to say that you are from Shandong. When discussing the Henan Henan opera faction, they are still marked by the name of the master himself, and are divided into Chen, Chang, Cui, Ma, Yan, Sang and Tang factions.

The first six are all Hua Dan,

It is known as the six famous Dans of Henan Henan Opera, and the representative characters and repertoire are their ownChen Suzhen played Cui Jinding in "Three Sedan Chairs".Master Chen Suzhen passed away on March 29, 1994. She ranks first among the six famous Dans of Henan Henan Opera, is known as the "Queen of Henan Henan Opera", and innovates the first faction in the Henan Henan Opera industry, "Chen Men (Chen School) Plastic Arts", which is likely to be limited by the original promotion standards, and her reputation throughout the country is not as good as Chang Xiangyu and Ma Jinfeng. Classic works include "Cosmic Edge", "Spring and Autumn Match", "Three Sedan Chairs" and so on.

Chen Suzhen has many apprentices, <>

Among them, there is no shortage of expert roles in the Henan Henan opera industry. Including Cui Lantian, the founder of the Cui faction of her own school, she studied under Chen Suzhen in 1943. The Liu faction is also the Liu faction in eastern Henan.

This is the Liu faction founded by Mr. Liu Zhonghe, the red-faced king of eastern Henan. Teacher Liu Zhonghe's singing style is impassioned and high-spirited, strong and smooth, especially in the traditional opera to play the king's brand image, and has been praised by Chinese opera critics as "a clear voice, half of the country." It is known as Henan Henan Opera Ma Lianliang.

Folklore also has the view that "if you don't eat buns for three days, you have to look at Liu Zhonghe".

The key repertoire of Liu Pai's representatives includes "Hitting the Golden Branch", "Blood Splashed Black Yarn", "Three Dozen Golden Branches" and so on. Liu Zhonghe: Hit the golden branch, fifteen runs

There are many celebrities in Henan Henan opera who are not factional: Ren Hongen's "The Marriage of an Unlucky Uncle", Meng Xiangli's "Fragrant Soul Girl", Jia Wenlong's "The Man in the Mountain", etc.

auspicious note tune is the mother tune of Henan opera; Henan West Tune, also known as Xifu Tune; Henan East Transfer; High. Impassioned, high-pitched and robust, slightly higher than the eastern tune of Henan, so it is called "sacrificing life". Shahe Tune; Modern tones.

The representative figures are Zuo Zongtang and Zhang Zhidong, who are Hua Mulan and Mu Guiying respectively. I think Henan Opera is very good.

Henan opera should be divided into four major schools: Xiangfu tune, Shahe tune, Chen school and Chang school. Henan opera can also be divided into four major genres: eastern Henan, western Henan, southern Henan, and northern Henan.

Some people also say that Henan opera can be divided into two major genres, Western Harmony and Xiangfu Tune, or Western Harmony and Eastern Henan Tune, according to the conditions with the greatest influence. In addition, there are also anti-tune, flat tune, Huai tune (i.e.) and Wanbang, and the Henan opera genre was first divided into eastern Henan tune and western Henan tune. Later, Feng Jihan, the former deputy director of the Henan Provincial Bureau of Culture, raised the issue of dividing the four schools, that is, adding Xiangfu and Shahe.

"Xiangfu tune" refers to the popular singing method centered on Kaifeng. The difference between the eastern Henan tune ("5" tune) is the same. The difference is that the singing tone of Xiangfu tune is more delicate than that of Yudong tune, and the singing tone of Yudong tune is a bit rough and crazy in comparison, which is probably the reason why Yudong people like "red-faced" singing and worship "red-faced" artists.

"Shahe Tune" refers to the area of Yanling and Fugou south of Xuchang. Its distinguishing key is the same as that of eastern Henan, and has the characteristics of eastern Henan and auspicious tones. The difference lies in its unique style of accompaniment, but this style has great limitations and has been gradually faded.

Often. Chang Xiangyu's performance is characterized not only by her generous and loud voice and sharp martial arts, but also by her efforts to integrate the characteristics of the western and eastern Henan dialects with the singing style of Henan opera. Mr. Chang's representative repertoire includes "The Red Lady", "The Legend of the White Snake", "Mulan", "The Great Sacrifice Pile", "Breaking Hongzhou", "Joining the Fifth World" and so on.

Chen Pai. Chen Suzhen conquered the audience and critics with his concise, dignified and generous performance style and simple and beautiful voice. She is delicate, good at portraying characters, has a decent expression, beautiful singing skills without exaggeration, and actively looks up to other dramas in Henan Opera performances, learning from each other's strengths.

Therefore, the Henan opera circle praised her as the queen of Henan opera and the king of Bangzi, Mei Lanfang. After the outbreak of the Anti-Japanese War, he moved to Xi'an, Shaanxi Province to perform, and returned to Kaifeng after the victory of the Anti-Japanese War. After 1950, he traveled to Wuhan, Xi, Lanzhou, Shijiazhuang, Handan and other places, and later joined the Tianjin Yu Opera Troupe.

Shahe tune, Xifu tune, Henan East tune, high tune, auspicious tune, most of which auspicious tune is relatively rough, and it is also very simple and mellow. Most of the eastern tunes of Yudong are impassioned, and there are more girls singing. The Xifu tune is relatively pleasant to the ear, and every word is very clear.

The sand river tune is more tactful and lively, and it can also express a comfortable mood. Most of the high-profile ones are easy to understand.

It is divided into western Henan tune and eastern Henan tune, which is related to the region, for example, the eastern Henan tune was influenced by Shandong Bangzi, so the boys' voices are very high-pitched and agitated, and then the girls' voices are more lively and jumpy, and they are especially good at performing comedy-type plays; Then the western Henan tone was influenced by the Qin dialect, which was generally in the tragic style.

It is mainly divided into two factions of Henan East and Henan West, which is characterized by high-pitched boys and lively female voices, and is good at performing comedy style repertoire, while Henan West Tune has a desolate and tragic male voice, and a female voice is low and tactful, and is good at performing tragic style repertoire.

High-key, auspicious tunes, eastern Henan tunes, Xifu tunes, Shahe tunes, these are all genres of Henan opera, the way of expression is very different, the singing voice, the tune is completely different.

Henan opera originated in the middle and late Ming Dynasty, and the representative works of Henan opera include Yellow Crane Tower and Three Sleeves

Cleansing the Shame of Blood", "Heaven and Earth", "Quanmei Case", "Dragon and Phoenix Order".

"Red Pearl Girl" and "Splitting the Mountain to Save the Mother".

Jinshan Temple", "Leifeng Pagoda", "Blood and Tears", "Qin Xianglian", "Red Leaf River", "The Fiancée of the Volunteers" and so on.

Henan Henan Opera is one of the eight major operas in our country, which has a history of nearly 300 years since its formation this year, and its influence at home and abroad is also very large. At the beginning, Henan opera brought together the advantages of various local operas, and gradually formed a kind of drama that is very suitable for Henan people to enjoy, which originated from the folk at the beginning, mainly because people want to relax when they are leisure, they will roar in a place, and slowly integrate some other operas, and enter a period of prosperity and development. In addition, in many rural areas, every festival will be held for temple fairs and bazaars or folk activities such as weddings and funerals of the people, all of which are to invite some people to sing operas, which also promotes the development of local operas in Henan.

Because of the Central Plains region.

The differences in each place are very large, and the difference in prompt language is relatively large, so a very local art school has also been formed on the **, such as in the Luoyang area.

The western Henan diversion is used, while the eastern Henan diversion is used in the Kaifeng area, and this division has also been recognized by most people in Henan. The singing voice of Henan Opera is high-pitched and passionate, and the melody is relatively concise and bright, so it is also very distinctive in terms of performance style, mainly showing the most unpretentious culture, and also reflecting the basic life of ordinary people. At the same time, Henan Opera also has a very big feature, that is, the rhythm is very distinct, the conflict about the contradictions is also very attractive, and the storyline also has a beginning and an end, so it is very suitable for staging some plots suitable for all ages.

Finally, when it comes to Henan Opera, we have to mention the performance artist Chang Xiangyu.

She is also a disseminator of the art of Henan Opera, and has performed in many places, and some of the plays she has played are also called classics.

Henan opera originated in the middle and late Ming Dynasty, when it was prevalent in the Central Plains. Representative works: "Spring and Autumn Match", "Fanwang Palace", "Three Sedan Chairs", "Yellow Crane Tower", "Three Sleeves", "Cleansing Shame and Blood", "Peach Blossom Nunnery", "Flower Gun", "Heaven and Earth Matching", "Quanmei Case", "Dragon and Phoenix Order", "Jade Tiger Fall", "Ambush on All Sides", "Nanyang Pass", etc.

It originated in the 17th century, and the representative works include Tianxian Pei and the Yellow Fairy, as well as the Legend of the West Chamber, Liang Shanbo and Zhu Yingtai.

It should have originated in the Tang Dynasty, and it should be the Cowherd and the Weaver Girl Wu Song who fought the tiger, uprooted the weeping willows, and Zhuge Liang's clever plan.

Henan Opera. There are two main genres, one is the eastern Henan tune and the other is the western Henan tune. Henan East Tune and Shandong Bangzi is a neighboring brother drama, influenced by Shandong Bangzi, the male voice of Henan East Tune is very high-pitched and aggressive, and the female voice is lively and jumping, so it is good at realizing the style of comedy Repertoire, Henan East Tune is also known as "East Road Bangzi", "Lower Road Tune", he is a regional genre of Henan Opera formed after the auspicious note tune was introduced into East Henan, because it is close to the southern region of Shandong, and it is similar to Shandong Bangzi, the bite is heavier, the melody is high, and there is the title of "high-profile Bang".

Because of the remnant of part of the charm of the Qin dialect, the male voice is desolate and tragic, and the female voice is low and tactful, with a soothing meaning, also known as "Xifu tune", which is very beautiful and pleasant, the words are clear, the words are in the ear, and they are good at expressing the repertoire of tragedy.

If Henan opera is subdivided, there are also auspicious tunes, northern Henan tunes, and southern Henan tunes. Xiangfu tune is a popular Henan opera in Kaifeng as the center of the divergent area, which is the standard Zhongzhou.

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Before 1927, there were no actresses in Bangzi, Henan, and then there were some actresses gradually, and the representatives of the times were: Chen Suzhen, Chang Xiangyu, Ma Jinfeng, Li Shujian, etc. Their representative repertoire includes:

Mulan", "The Legend of the White Snake", "Red Lady", "Spring and Autumn Match", "Luoyang Bridge", "Mu Guiying in Charge".

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The six famous artists of Henan Opera are: Chen Suzhen, Chang Xiangyu, Cui Lantian, Ma Jinfeng. Yan Lipin, Sang Zhenjun. Their performances are exciting, fresh, vigorous and bright.

Tang Yucheng, Tang Xicheng, Zhao Yiting, Li Sizhong, Niu Decao, Wu Xinping. Liu Zhonghe, Wu Bibo, Wang Sujun, Guan Lingfeng, Gao Jie, Ma Lin, Wei Yun, Wang Shanpu, Huang Aiju, Liu Lanfang, Song Guiling, etc. are all famous performers of Henan Opera.

In 1993, the "93 Top Ten Famous Artists of Chinese Henan Opera Today" was selected, and 12 were shortlisted. Zhang Baoying, Wang Qing.

Fen, Hu Meiling, Niu Shuxian, Li Xihua, Kan Aimei, Zhu Qiaoyun, Li Jinzhi, Chen Shumin, Ma Li, Hu Xiaofeng, Zhang Lan, etc. Each of these famous characters has its own characteristics, and the characteristics are very obvious. They are now all over the world.

Cui Lantian, Chang Xiangyu, Ma Jinfeng, Chen Suzhen, Yan Lipin, etc. Henan opera is the largest local opera in China, which originated in Kaifeng, Henan, and is constantly inherited, reformed and innovated on the basis of Henan Bangzi. The singing is sonorous and subdued, and it is one of the five major opera genres in China.

Due to the phonetic differences in various places, Henan Opera has formed an artistic genre with regional characteristics. At the end of the Qing Dynasty and the beginning of the Republic of China, the Henan opera in Luoyang and other places mostly used the lower five tones, while the Henan opera in Kaifeng and other places mostly used the upper five tones, forming a sharp contrast. In order to distinguish, Henan opera artists called the singing tones of Luoyang and other places as the western Henan tune, and called the singing tones of Kaifeng all over the eastern Henan tune.

Henan opera is rooted in the Central Plains, the high-spirited grandeur, the aesthetic effect of elegance and vulgarity, the high-pitched and agitated, concise and bright singing tune, the performance style of both ancient and modern, suitable for all ages, the humorous and optimistic language taste, the Zhongzhou rhyme that is not difficult and astringent, and easy to understand in the north and south, the simple and unpretentious, generous and heroic cultural style, reflecting the reality, close to life, and the flesh-and-blood public pattern.

The singing cavity structure of Henan Opera belongs to the plate variant, and there are four main vocal cavity plate types, namely.

Two. 8. Slow board, flowing water, loose board. The role of Henan opera is composed of Shengdan and pure ugliness. According to the general saying, it is four lives, four dans, and four flower faces. The troupe organization is also based on four lives, four dans, four faces, four soldiers, four generals and four girls; Eight scenes and two boxes of officers, plus four miscellaneous servants.

The main genres are divided into eastern Henan and western Henan. Due to the influence of the singing voice of its neighboring brother opera Shandong Bangzi, the male voice is high-pitched and agitated, and the female voice is lively and jumpy, and he is good at expressing comedy-style repertoire. Because of the remnants of the charm of the Qin dialect, the male voice is desolate and tragic, and the female voice is low and tactful, and she is good at expressing the repertoire of tragic style.

The breakdown is roughly as follows:

1.Xiangfu tune: The popular Henan opera in Kaifeng as the center belt is the standard Zhongzhou rhyme.

2.Eastern Henan tune: East Henan tune is also called East Road Bangzi, lower road tune, it is a regional genre of Henan opera formed after the auspicious character tune was introduced into eastern Henan, because it is adjacent to Lunan and other counties, and is also close to Shandong Bangzi, the bite is heavier, the string is high, so it is called high-profile Bangzi.

3.Henan Western Tune: In Luoyang, Zhengzhou and other places, it is also called Xifu Tune, the sound is slightly Qin, beautiful and pleasant, the words are clear, and the words are in the ear.

4.Northern Henan tune: In Zhangde, Huaiqing and other places, the bangzi is extraordinarily large, on the shoulder, if the night is quiet, the sound of the bang can be heard for several miles, and the string tone is low, so it is called the big flat tune, also known as the big leisure.

5.Henan tunes: There are many kinds of tunes, in the Nanyang area, popular tunes, other Yue tunes, Taoism and another common name Gushan Huang are also performed.

Before 1927, there were no actresses in Henan Bangzi. After the emergence of actresses, Chang Xiangyu, Chen Suzhen, Ma Jinfeng, Yan Lipin, Cui Lantian five famous performance genres were gradually formed. At present, there are five major schools in the world.