How to draw gouache paintings, how to draw the dark parts of white objects and the bright parts of b

First of all, it depends on what kind of painting method you use, if you use dry painting method, it is recommended that you use cold colors, as long as you draw the hue, brightness, and contrast of the two items, the color is considered by yourself, and you don't need to completely look at the actual color of the scene, so that you have your own style, if it is a wet painting method, don't use too much white, that will make your picture look not bright enough, so that the whole picture looks very tired, you should start painting from the dark part, leave blank, and then finally use the white series to paint, as long as there is contrast, In the end, I hope you can sum up your own experience in the process of painting, because the method is not what people tell you you will do, and you can really master it by practicing yourself!

Depending on what material you are painting a still life, if it is glass, glaze or metal, which is a material with a more glorious surface, you need to highlight the ambient color, if the surface is not so smooth, this requires you to grasp the inherent color of the still life while adding the assistance of the ambient color. The color of any black and white still life will not be pure white and pure black under different light sources. Adding black and white requires you to have a special understanding of the nature of gouache.

No matter what utensils you paint, if you want to paint three-dimensional, you must have a sketch relationship with black, white and gray in it. If you want to draw a little more exciting. Consider its ambient color, especially the white physical dark color, and the bright part should consider the intrinsic color of the object itself and the color of the light.

The highlight is not simply white, but the color of light must be in it, so that it is more realistic and wonderful.

Depending on the ambient color, the actual usage is ultramarine for cool tones and medium yellow for warm tones!

This is not a sentence or two that can be made clear.

Generally speaking, no matter what you paint, you have to have a holistic concept and a concept of space. In terms of color, you have to figure out what hue you are drawing, whether it is a cool color, a warm color, a red tone or a blue tone, and so on.

There is no fixed answer to your question, when to paint, if there is a fixed answer, it will not be painted, but you can complete it synchronously when painting the dark side, you see what color the reflection tends towards, just bring a little bit of such a color, than the surrounding color tone can be, about the degree of brightness also depends on what you are drawing, it is a clay pot and other things that are not reflective and a little brighter, if it is an item with strong light, then it is estimated that the light will be stronger.

In response to your next question, I would like to say 2 words simply, the color must be painted as a whole, not one part and then another part after painting. The teacher's words in your question mean that you have a sense of space and volume. As for the strips of cloth you mentioned, it depends on how you choose, don't see what you paint.

Painting gouache pays attention to observation. First of all, understand the color wheel, know contrasting colors, analogous colors, purity. After the dark part is drawn, use the intrinsic color and ambient tone of the object to draw a transition, the brighter the purity, and finally brighten the bright part.

It doesn't matter if the pictures are one by one, the exam pays attention to color blocks, and the picture must have a sense of ups and downs.

Finally, just add a touch of white paint.

The sketch starts from the dark side because the dark side determines the success or failure of the whole sketch, and the dark side is the most difficult to portray, if you depict from the bright side, you can't grasp the overall black, white and gray of the sketch. The color is drawn from the bright side, because the bright side is easy to cover, and if you paint the dark side, the dark side is not easy to cover.

Monochrome is the purest, and the less fake pigment there is, the brighter it gets. The highlights and shadows should be excessive, and the shadows should also have ambient colors and reflections.

The dark part is generally made of high-grade gray. High-grade gray is natural color plus complementary color plus white.

Premium gray is not a high-grade gray, it is a high-grade gray. Gray is the result of the neutralization of all complementary colors, (i.e., the opposite poles on the color wheel), but the use of complementary colors to harmonize colors, the formation is not necessarily gray, but will achieve a high level of harmony because it tends to gray.

Use the color wheel to mix colors, three colors and two colors and one color, such as red, which is purple and orange, orange is red and yellow, and yellow is orange and greenOn top of that, tone white. Red + Green + White = Premium Gray, Yellow is Purple, Yellow + Purple + White = Premium Gray ......It's all premium colors.

One color + complementary color + white = premium color. The same is true for green, orange and purple, and in practice it is necessary to look at the influence of the ambient color in order to complete the gray tone painting.

The reasons for the lack of a definite answer are as follows: 1. According to your own sense of color, you need different color blends 2. It also has a relationship with the main color of the set, whether it is mainly red or blue, and the main color is different from the dark part 3.