Sketch avatar for long term homework for advice

Point to point. Don't deliberately deduct any one or a few details.

The point of the details is to add points to the picture and determine success or failure.

But the details are the details relative to the whole.

It's not something that pops up on its own.

Everything on the screen is relative.

Black and white is understood as light and dark.

It's not that you see black and it's black, and it's not that you see white and it's white.

He is the place relative to the light and the dark.

On the contrary, a bright place is light relative to a dark place.

If you want something to be bright, you don't have to leave it blank, it's pure white.

And that would be done by darkening the perimeter of it.

Contrast the white in the middle.

The details are the same as the whole.

Details are details relative to the whole.

You feel like the picture is complete.

You can stop at any time.

If you want to go deeper.

Then you have to shape the whole first.

And then the relative in-depth details.

Don't think that when the whole is drawn at the beginning, there is no whole thing.

To paraphrase the phrase "the big picture is important".

Long-term work doesn't have to be in-depth to draw something particularly detailed.

Giving you so much time.

You can constantly look for the relationship between your sketches and the structure and proportions.

Keep adjusting your big relationships.

Keep resting your wholeness.

The details are synchronized under the premise of the whole.

Time is not an issue.

Time for you·· You can use 80% to adjust the relationship of your entire picture.

Sketch relationships. Structure.

The composition of the picture.

18% of the time.

Ability to perform texture shaping.

2% of the time.

The finishing touch. Purely personal opinion··· Hope it helps.

First of all, you have to give your sketch a few steps to complete, so as not to mess up the rules, this step is, the shape, the general relationship between light and dark, distinguish the main and secondary, pay attention to the contrast between the surface, gradually deepen, and finally in-depth depiction, the best effect of each step depends on the personal level, the sketch should be more observation and less brushwork, your problem is that you are attracted by some local details, and repeatedly emphasize the inaccuracy of the painting, resulting in the loss of the overall details of the picture or some correct details, It doesn't matter when you stop writing, even if your painting is not completed but it is not separated from the overall relationship, he can be regarded as a complete work, of course, you can also hand in the test paper, you may be trying to achieve the best effect of the picture, in fact, this effect is caused by personal style.

Let's put it this way, don't always draw close and occasionally look away from your own paintings. Sketching has nothing else to do with black, white and gray. Details can be the finishing touch or a finishing touch.

Just being far away and near is the best way to do it, and you can not believe it. Just like "the authorities are obsessed with bystanders", try to leave your own paintings to observe at a distance, or let go of your paintings for a while and then come back to observe, you may understand more of your own shortcomings. Sketching is not about how beautiful the details are to be a good sketch, the most important thing in sketching is the sketch relationship.

And the foundation of sketching is also the basis for learning oil painting in the future, and the details can be reflected in oil painting, but the premise of doing details is also the relationship between plain surface and color. I believe the method I teach you is the most practical and commonly used. Everything else is.

If you don't have a lot of space to move, you can take a picture with your phone to see the sketch relationship.

If you pick something, it means that you are looking at things too partially.

Whether it's long-term or short-term, as long as you look at the headshot up, down, left, right, and contrast, you won't be dead when you draw.

There are two kinds of people who draw parts: those who can't draw and those who are masters.

If you can paint in detail everywhere (of course, the principle of near reality and far away from the virtual cannot be lost) and there is enough time for your painting to be a masterpiece.

One of the easiest ways to tell the difference between these two types of people is to see if you're accurate, and if you're accurate enough, then yours isn't a problem.

If you belong to the people who can't draw, then you should start again to practice the style, the most important thing is to be accurate, to achieve the accuracy of the body, you have to observe your object as a whole, so that you will naturally not pick.

If you can buckle in, it means that your observation is still good, but whether the buckle is to buckle the parts and details, the most important thing in the sketch is the whole picture.

Buckling is actually a good phenomenon, but you should pay attention to the painting for a period of time and push it to the back to take a look, to see if the part you deducted just now has been detached from the whole picture, whether the boundary between light and dark in the whole sketch has been destroyed. In fact, buckle is just a matter of habit, not a criticism. Let me tell you in detail!

To add, sketching avatars still has relatively high requirements for bone structure, and I hope you start with the skull, and then the muscles! Once you're getting started, you'll feel simple.

I have been studying art for more than 8 years, and the long-term homework you said should have the effect of long-term work, as you said, I don't know how to stop, and I don't know how to stop painting long-term work, and you must have been staring at the part, and you will deduct the good ones. Long-term homework is to let you go from the whole to the part, and then from the part to the whole... To what our teacher told us, a sketch can never be finished.

I suggest that you don't do it in one step like a short-term sketch or gouache, but rather come slowly, step by step, as I said above, the purpose of long-term work is to expose the shortcomings of your own technique more easily. It's more of a good control, and I know how to better handle the relationship between the picture.

Hope it helps.

Hehe, then you should use a large pen when trying to draw colors. Don't make the tip too thin when sketching. But the details must be detailed, I used to love buttons, and then my dad threw away my trumpet pen.

What to deduct? Buckle details? It's better not, the exam is only three hours, and it's best to get it done three times. Over and over again, over and over again, the big black and white relationship, and again the fine black and white relationship to find the details. Turn in your homework and you're done.

Hello, you're an art student! But the exam is only for these two, if you want to test design, change the studio.