Head Sketch Line Surface, Sketch Head How to depict the bright side

It's very superficial, that is, you copy the object in your work, you don't understand the internal structural relationship, and you observe the light and shadow of the surface, rather than the surface and the internal structure that you want to correspond and combine.

Correction method: Copy the structure of the sketch head more to understand the structure of the skull When drawing, pay attention to the structural relationship and proportion

There are too few changes in the lines.、It's more stiff、、The drawn avatar lacks a vivid expression image、It should be this meaning、、

If your shape is accurate、It should be the expression depicted in place、、Pay attention to the eyes and mouth、There are many changes in the lines、、In addition, the cheekbones are very important、

It's best to send a picture to see、、The meaning of the teacher's description is not necessarily the same as everyone's idea、、What is the specific problem or look at the painting。

The lines are not rich、、The black, white and gray layers are treated plain、

The picture is bland, it may be that the heavy card is not in place or the whole painting is too dark, resulting in weakened contrast and no effect.

To have a layered thing, the boundary between light and dark is very important, if you have painted Beethoven's faceted plaster, it will be much easier to understand, because the face is round, the transition relationship between the various sides on it should be clearly expressed, and at the same time, there is also the distinction between the inherent color, the difference between the pupil and the dark part of the hair and the dark part of the face is very important, otherwise the picture will be gray

In short, you still have to copy and read more books, look at ** when necessary, learn the basic steps of painting, step by step, no one can climb to the sky in one step, your teacher must often be said by your master when he learns to paint... Ha ha.

Why do you say that your surface, every part you draw, is supported by that bone, and the muscles that control it, you say it, it means that you have progressed, and you have risen to another stage, and the teacher will tell you about the shortcomings of another level, and then you should be happy.

I didn't draw it, and the lines floated on the surface.

It's very superficial, it's too rigid, and the head is not drawn according to **, and you have to use what your teacher taught you in your paintings, I'm an art student, and I think the above is good, and you should find some books to copy more.

Objective means that there is no three-dimensional sense.

The main thing is that the sketch structure is not mastered, the skull is copied, and it is necessary to copy more.

I just didn't draw the structure, so I observed the facial structure of the characters.

1. Start and draw a large outline position. Carefully observe the image characteristics and demeanor of the painted object, summarize the outline of the object with long and loose lines, and determine the position and general characteristics of the facial features.

2. Find the structure, the boundary between light and dark, and distinguish the bright and dark sides. Define the shape of the facial features, compare each object with neighboring objects, compare distances and sizes. Then draw the structural relationship of the head, pay attention to the contrast between left and right, pay attention to the relationship between points, lines and surfaces, and bone points.

3. Lay out the tone. Grasp the boundary between light and dark, unify the dark part, don't move the bright part, clearly mark the shape and size of the dark projection, establish a large black, white and gray relationship, clarify the shape of the facial features, strengthen the sense of volume, and pay attention to the relationship between the head sphere. Use a pen or paper towel to smooth out the tone, paying attention to the technique.

4. Shape the body. After the facial features are shaped, shape the hair, and the highlights can be left blank. When shaping, we must pay attention to the overall relationship of the picture, and do not stare at one place and paint repeatedly, so that it is easy to draw boring.

5. In-depth shaping and depiction of details. When depicting in depth, it is still necessary to pay attention to the overall relationship between black, white and gray, and when depicting the boundary between light and dark, the turning parts of the light and dark boundary line of the face should be natural.

6. Start from the dark part and go deep into the facial features to establish a sense of volume of the facial features.

The lines are thick, and you can stand up slightly to increase the angle of the pen on the paper.

The lines can not be messed up, follow the play, the transition between the dark side and the gray side should be mastered, squint when it is excessive, look at it almost until it is excessive, and the effect of distant viewing should come out first. The main thing you're talking about is that the transition is not perfect.

Use more diamond-shaped lines, tic-tac-toe lines may be used to depict small details, no matter what method is used, the line should not be left and right, and it is also a way to draw a side forward. Later, when you go deeper, you can use a small line to do some effect.

If the wiring is messy, try to wipe it with your fingers or toilet paper, and wipe it according to the needs of the picture.

If you don't know how to draw the tone on your face in the early stage. One side with a line. After the structure is drawn, the light and dark are separated, and the dark part is drawn with a brush.

Don't be too oily, so that you can add a tone up) where the cheekbones meet the light and dark to see the stroke. Then slowly use the light pencil to make a small adjustment. If you don't row well, you are not skilled.

In fact, you can ask the teacher, there is no fixed way to draw, it depends on which one is suitable for the individual. The biggest taboo of painting the head is to draw flowers, the primary and secondary are not blurred, the light and shade are not accurate, and the bright part in the dark part cannot exceed the bright part.

The rigidity and relaxation of the picture is the overall feeling of the picture. You can try to draw in groups of lines with changing angles. (Oh, the first pass of the line can be very neat, just pay attention to changing the angle of the line the second pass.)

When dealing with the edges of the avatar, don't draw too tightly, you can also try to draw a background for the avatar, so that the edges of the avatar are better blended, and it will not be so dead and wooden. In addition, in your case, it is best not to copy the paintings of Li Jing and others, you can copy the paintings of Fan Lin and the Academy of Fine Arts, and the lines of these paintings are more flexible.

You have to let go of the painting and then put it back, thick and thin, I personally think it has nothing to do with the neatness of the lines. The line is just a means of expression, you can also look at the books of the Academy of Fine Arts for reference. Ask your teacher more.

He will tell you some theories, don't feel annoyed, as for the theory in the painting still has its effect, when you sleep at night, when you have nothing to do, you can try to think about the effect of the teacher's painting. ,That's it.,It's going to be a lot better to try to draw the next day.,If you're interested, come to my space to see my current realistic characters, if you think I'm good.,Please take my answer.,Typing is quite tiring.,Thank you!!

1. Sketching a head should not be like a still life, rigid, people are alive, with expressions and deformations, and muscle coordination changes.

2 There are many rigid factors, no ** is really hard to say, dense relationship, tight relationship, dry relationship, the general beginner is prone to make the black, white and gray painting too clear, and the tone is too consistent.

3 Relax your mind, when painting the avatar, don't be too symmetrical, don't only use a single light to express, adding a little reflection and metering is also a good way to be vivid, and the deformation should be grasped well, no deformation is a still life,

You can find a few pieces of waste paper and practice your line level briefly. Sometimes, there are places that don't have a lot of lines like you say, just a few strokes of sketching are OK! If you draw too much, it's not beautiful.

Moreover, the line is used to depict in some small details, and the line should be tight and loose, and do not deliberately line for the sake of the line. That would have fallen and sunk. If you want to communicate.

Look at this understanding loose breathable.

Perform line exercises according to the overall structure of the picture. You might as well be casual There is an old saying Practice makes perfect Touch more avatar painting At first, I drew rigidly and the lines were stiff, but draw more and practice more to find the feeling

Lines are arranged according to the direction of the structural shape.

Let the wrist move. Essay Don't force it.

Buy a muscle cast and follow the muscle line, hahaha

There's a lot of twists and turns.

The more details you have, the less neat you are

It depends on whether it is a sketch of a plaster cast or a ...... of the figures

If the plaster statue is more three-dimensional, the dark area should be treated. Because the bright side also has to pay attention to the harmony with the dark side. Only when the darkness is darkened, the bright effect will be highlighted.

2.Painting is to look at the whole, and the light and shade are also expressed in the whole, so please do the overall treatment.

3.The bright lines should be as subtle as possible, and the pencil should be slightly harder, at least b.

4.Words of the characters. The portrayal of the face is very important. Lines should also be varied and regular, not chaotic.

.Draw the facial features of the avatar, you can use your little finger to support the picture (can not slide), this effect is better, after painting a place, move a little to continue painting, as long as it does not slide, the picture will not spent.

To draw an eye, you need to draw a plaster eye (a single eye) first, and you will have a clear idea of the structure of the eye; If not, you can also observe your own eyes, the eye structure is the eyeball, and the eye should draw a volume sensation (hemisphere); Another feature is that the upper eyelid is thick and the lower eyelid is thin, and the line of the upper eyelid should be thicker and darker, and the lower eyelid should be lighter and thinner.

If you don't master the strength of the pen well, you will draw too little, and if you practice too little, you will not be able to improve your kung fu, but you can only teach you techniques and methods.

You can use a harder pencil - HB B, up to 2B on it, keep the sharpness of the pen at any time, before determining the position, you need to draw gently, don't use force, the line is easier, you can also cover, no need to erase off, the paper will not be rotten, the effect is better; But it's heavy at the beginning.,It's not easy to modify.,You have to wipe it.。。。

The big relationship is well drawn, and you can't draw one eye to the end, you need to constantly adjust the position of the facial features (three stops and five eyes are the standard, but this ratio is not the same for everyone, this is the characteristic of this person, the feature is found, and the person is like him).

First of all, roughly determine the position of the facial features, roughly sketch (1 3 amount), retreat 2 meters to see the effect, and then adjust the position and insufficient places, and draw again (2 3), look at the overall effect in the distance, where it is insufficient, draw the insufficient places. After repeated adjustments, the facial features were finally determined.

The time of the assignment is short, and it is impossible to draw more deeply, but the type must be accurate, that is, the type is constantly adjusted from the beginning, and the main attention is the accuracy of the type, followed by other problems.

As long as the avatar is understood, it is a very simple thing, according to you, you may not understand the structure of the head, and there is the structural characteristics of the facial features, it is recommended that you draw the single facial features of the plaster, and you say that the shape is not accurate, then your sketch is not much better, it is recommended that you do not hesitate when you write, boldly grasp the shape, anyway, you can wipe it, do not draw a little bit, and finally the tone of the entire avatar, the hair is black, the facial features are the most important, the clothes are the most secondary, distinguish the primary and secondary, Then the feeling of the picture comes out, and when you pick out the details, don't cut them all, you have to be virtual and real, draw more, and then look at the excellent works, you will understand, I hope it will help you.