Who invented the guzheng? How was the guzheng invented?

The origin of the guzheng The zither is one of the oldest plucked musical instruments in China. It was formed and spread in Qindi (now Shaanxi), and was known as Qin Zheng in history. With the changes of history, it has spread to the whole country and many regions around it.

From the point of view of literature, the Chinese guzheng art was first mentioned in the "Historical Records of Li Silie", which was the first time that the word "zheng" appeared, and it has a history of thousands of years. Guzheng is not only good at expressing beautiful and lyrical tunes, but also able to express majestic movements. The ancients once used vivid poems such as "playing the zither is exciting, and the new sound is wonderful", "sitting at a full feast is silent, and a line of mourning geese is thirteen sounds", which depicts the performance art of the zither to reach a state of relaxation.

Zheng, usually people also call it Guzheng. This is related to its ancient historical origins, strong national characteristics, and the simple and elegant taste left by rich traditional zhengqu. As early as the Warring States period in the fourth century B.C., the zither was already popular in Qin, Qi, Zhao and other countries.

Among them, the Qin State is the most prevalent, so it is known as the "voice of the real Qin", "Qin Zheng", in ancient times, the Zheng is also called Yao Zheng, Silver Zheng, Cloud Zheng, Su Zheng and so on. Regarding the naming of the zheng, there are different statements in the historical materials, mainly the following: l Zheng originated from Se.

Tang Zhao Phosphorus's "Records of Words" recorded: "Zheng, Qin Leye, is the flow of the qin." Gusse fifty strings, since the Yellow Emperor ordered the plain girl to drum the serpent, the emperor was sad, broken, from the back to the twenty-five strings.

The Qin people drummed, the brothers fought for it, and it was broken into two. The name of the zither began from here. The Song Dynasty "Collection of Rhymes" contains:

The Qin people are thin and righteous, and the father and son are divided by each other, so it is famous. Zheng 12 strings, cover 25 and do it. "In the 17th century of Japan, the court musician Oka Masana wrote the "Collection of Music Paths" written by the court musician Oka Masana in the genroku period

Or Yun: Qin Youwan is unrighteous.

With one pass on to the two daughters, the two women fought to break through, and finally became two instruments, so it was called Zheng. The two quarreled, and the "Zheng" was born, which is just a legend. l Zheng was made or reformed by Meng Tian, a famous general of the Qin State.

In 237 B.C. (the tenth year of the First Emperor), Qin Prime Minister Li Si wrote to persuade Qin Shi Huang to withdraw his expulsion order to the guests, and there are two references to the zheng, namely "playing the Zheng Boji" and "Returning the Zheng and taking Shaoyu".Qing Zhu Junsheng's "Shuowen Tongxun Dingsheng" recorded: "The five strings of the guzheng are applied to the bamboo such as building, and the Qin Mengtian is changed to the twelve strings, the deformation is like a se, the bamboo is easy to be wood, and the thirteen strings are added after the Tang Dynasty."

This passage records that Meng Tian had reformed the zheng. l The early zither was a five-stringed bamboo zither with a string. Such as:

The Eastern Han Dynasty should Shao's "Customs and Customs" cloud: "Zheng five strings, build the body and strings." "The Eastern Han Dynasty Xu Shen's "Shuowen Jie Zi" (Song Dynasty Xu Xuan Proofreading Reprint) recorded:

Zheng, drum strings bamboo body music also, from bamboo, contention. Regarding the naming of the zheng, it is explained in the book "Interpretation of the Name" by Liu Xi of the Eastern Han Dynasty as: "Zheng, Shi Xian is urgent, and Zheng Zheng is also."

This shows that the Zheng is named after the sound of "Zheng, Zheng" emitted by itself, and the argument that the sound effect has the characteristics of Zheng Zheng is more reasonable.

The guzheng is one of the oldest stringed instruments in China. As early as the Spring and Autumn Period and the Warring States Period, it has been prevalent in Shaanxi and Gansu. In 237 B.C., when Li Si wrote to Qin Shi Huang, he described the scene of folk Zheng songs at that time:

The husband strikes the urn and knocks, plays the kite and sings and sings, and the ears and eyes are fast, and the voice of the true Qin is also. After that, the zither was often called "Qin Zheng" because of this. According to ancient documents, the earliest Zheng is "five strings to build the body", it is generally believed that the Zheng is developed from the early five strings to the Han Dynasty 12 strings, and then to the Sui and Tang Dynasties 13 strings, the Ming Dynasty increased to 14, 15 strings, to modern times only appeared 16 strings and even modern 21 to 26 strings.

In recent years, two thirteen-string zithers have been unearthed from the Spring and Autumn Cliff Tombs in Guixi, Jiangxi, which makes up for the lack of documentary records and shows that the guzheng has long been introduced to southern China. It can be seen that the thirteen-stringed zither did not come after the twelve-stringed zither, but has long coexisted with it. In the early days, the performance form of the zither was mainly played and sung.

With the rise of Xianghe Song in the Han Dynasty, the art of guzheng entered a new era, and gradually developed into the form of six or seven kinds of silk and bamboo musical instruments being played on top of each other, and singers playing the rhythm and singing. The thirteen-stringed zither was fully developed during the Tang Dynasty.

Guzheng originated in the Warring States Period and was popular in the Qin State, so it is also called Qin Zheng. The early guzheng is a five-stringed zheng, and the body of the zhengzheng is made of bamboo, and the form is like "building". Later, the strings gradually increased.

Xu Shen of the Eastern Han Dynasty and Zhu Junsheng, a precedent of the Qing Dynasty, were specified in "Shuowen Jie Zi" and "Shuo Wen Tongxun Dingsheng" respectively. Xu Shen said: "Meng Tian changed to twelve strings, deformed into Se, and changed bamboo to wood.

Zhu Junsheng day: "The five strings of the guzheng are applied to the bamboo, such as building." Meng Tian changed to twelve strings, deformed like a seer, easy to wood.

After the Tang Dynasty, it was thirteen strings. "In modern times, it has been increased to twenty-one strings. From these sources, it can be seen that the Zheng strings of the Three Kingdoms period were 12 strings.

Playing the zither with fake armor was first seen in the Liang Dynasty's "Book of Liang - Yang Kan Biography" in the Northern and Southern Dynasties (502 BC) contains: "There is a kite player Lu Daxi, with antler claws, seven inches long", in Li Shangyin's "Untitled Two Poems" poem: "Twelve learn to play the zither, and the silver armor has never been unloaded", which shows that the Three Kingdoms period is still played with meat armor.

Guzheng, also known as Han Zheng, Qin Zheng, Yao Zheng, Luan Zheng, is a traditional musical instrument of the Chinese nation and belongs to plucked musical instruments. The guzheng structure is composed of a panel, strings, a front mountain, a string nail, a tuning box, a foot, a back mountain, a side plate, a sound outlet, a bottom plate, and a string hole. The shape of the Zheng is a rectangular wooden speaker, the string frame "Zheng Pillar" (i.e. the Wild Goose Pillar) can move freely, one string and one tone, arranged according to the pentatonic scale, the earliest 38 strings of the Zheng for the most (Fense Zheng), there are thirteen strings in the Tang and Song dynasties, and then increased to sixteen, eighteen strings, twenty-one strings, twenty-five strings, etc., the most commonly used specifications are twenty-one strings; Usually the model of the guzheng is preceded by S21, S stands for S-shaped Yueshan, which was jointly invented by Wang Xunzhi and Miao Jinlin, 163 represents the length of the zither is about 163 cm, and 21 represents the number of strings of the zither 21.

<> Guzheng originated in the Warring States Period, and the popularity originated from the Qin State, so it is also called Qin Zheng. The early guzheng is a five-stringed zheng, and the body of the zhengzheng is made of bamboo, and the form is like "building". Later, the strings gradually increased.

Xu Shen of the Eastern Han Dynasty and Zhu Junsheng, a precedent of the Qing Dynasty, were specified in Sun Pinzhi's "Shuowen Jiezi" and "Shuowen Tongxun Dingsheng" respectively. Xu Shen said: "Meng Tian changed to twelve strings, deformed into Se, and changed bamboo to wood.

Zhu Junsheng day: "The five strings of the guzheng are applied to the bamboo, such as building." Meng Tian changed to twelve strings, deformed like a seer, easy to wood.

After the Tang Dynasty, it was thirteen strings. "In modern times, it has been increased to twenty-one strings. From these sources, it can be seen that the Zheng strings of the Three Kingdoms period were 12 strings.

Playing the kite with fake armor was first seen in the Liang Dynasty's "Book of Liang - Yang Kan Biography" in the Northern and Southern Dynasties (502 BC) contains: "There is a kite player Lu Daxi, with antler claws, seven inches long", in Li Shangyin's "Untitled Two Poems" poem: "Twelve learn to play the zither, the silver armor has never been unloaded", Douzhen can see that the Three Kingdoms period is still played with meat armor.

According to records, there is no specific inventor of the zither, only the time of its invention. As early as the Warring States Period from the 5th century BC to the 3rd century BC, it was widely spread in the area of the Qin State (now Shaanxi) at that time, also known as Qin Zheng. The guzheng is an ancient Han national musical instrument with a total of 10 levels.

During the Warring States Period, it prevailed in the "Qin" region, and was recorded in Sima Qian's "Historical Records" in the "Book of Li Silie's Biography and Expulsion of Guests".

It is also said that the kite was a weapon during the Warring States period, and it was used to fight the enemy with a vertical swing. Later, strings were added to it, and when plucked, it was found to be pleasant to the ear, so it developed into a musical instrument.

With the passage of time, weapons became lighter and lighter, and the zither, which was large in size and not light in weight, was abandoned. Therefore, the zithers that people see today are in the form of musical instruments, with beautiful forms and decorations.

Guzheng originated in the Warring States Period and was popular in the Qin State, so it is also called Qin Zheng. The koto is a plucked instrument with multiple strings and columns of this cherry tree. Its shape is approximately long box-shaped, with a slight protrusion in the middle, and the base plate is flat or approximately flat.

The head of the kite has a foot that falls slowly. Zither strings are laid out on the panels of the wooden cabinets. Yards are placed under each string, and the yards can be moved left and right to adjust the pitch and sound quality.

There are different varieties of kites, and the construction is also different.

According to the "Warring States Policy", "Linzi is rich and real, and its people are all happy, building, and playing the zither", so many people call Shandong Zheng Qi Zheng. Its spread is mainly in the Heze area, including Yuncheng and Juancheng, and the Liaocheng area of Luxi, especially the folk ** in the Heze area, which is very popular, and is known as the "hometown of Zhengqin", and has produced a lot of folk rap, opera and folk instrumental music performance talents.

The guzheng is a musical instrument made of wood, which is easily affected by the weather and the environment. In humid weather environment, be sure to store the guzheng in a dry and ventilated location, when not in use, you can put desiccant and other moisture-absorbing items in the piano bag, and then store the guzheng bag. In an excessively dry weather environment, there will be some cracks at the string holes and even the bottom plate of the guzheng, so we must protect it as soon as possible, and we can appropriately use some musical instrument moisturizing paste to evenly apply it around the cracks to prevent the cracks from expanding.

According to records, there is no specific inventor of the zither, only the time of its invention. As early as the Warring States Period from the 5th century BC to the 3rd century BC, it was widely spread in the area of the Qin State (now Shaanxi) at that time, also known as Qin Zheng. The guzheng is an ancient Han national musical instrument with a total of 10 levels.

Guzheng, also known as Han Zheng, Qin Zheng, Yao Zheng, Luan Zheng, is a Zheng instrument in the traditional musical instruments of the Han nationality in China, which belongs to plucked musical instruments. It is one of the unique and important national musical instruments in China. It has a beautiful timbre, a wide range, rich playing skills, and quite strong expressiveness, so it is deeply loved by the masses.

Now there are also small zithers, portable zithers, mini zithers, half zithers, new zithers, and 12 equal law transfer kites. Guzheng is an ancient national musical instrument that accompanies China's long-standing culture and is native to this fertile loess soil. The knot oak structure is composed of a panel, a goose pillar (also called a saddle in some sections), a string, a front mountain, a string nail, a tuning box, a foot, a back mountain, a side plate, a sound outlet, a bottom plate, and a string hole.

At that time, there was a musical instrument called Se in the Qin State. There was a man named Wan Wuyi, who was very good at playing the seer, and his two daughters were influenced by him and also liked to play the seer very much. One day, the two sisters were vying to go to their father to learn to play Se, the elder sister ran fast, first took Se in her hand, and the younger sister ** was willing to let go, and hurriedly ran over and hugged the Se in her sister's hand with both hands.

The two of you pull me and don't let each other go. Suddenly,"Click"With a bang, Se was broken in half. When the sisters saw that they had caused a big disaster, they were both stupid on the spot.

When my father heard the sound, he hurried over, and couldn't help but be stunned, only to see that half of the strings in my sister's hand were thirteen strings, and half of my sister's hand was twelve strings. He was anxious and angry, and hurriedly took the Se in the hands of the two daughters, touched it left and looked at it right, and sighed without calling the chain, and was ready to reprimand the two daughters. At this time, I inadvertently plucked the string with my fingers, and the two halves made a better sound.

Wan Wuyi was taken aback, and he forgot to blame his daughter, he made some repairs to the half of the seer, and the result was that the half of the seer sounded much better than the original! He was overjoyed, and put it on"The two daughters competed with each other, and the lead was broken into two"of Se, called"Kite"。

On the basis of inheriting the national tradition, the contemporary Zheng music draws on the technical application of Western theories, which not only shapes the national style with a strong sense of time and the Ling Dynasty, but also gives full play to the creative expertise of outsiders.

Nowadays, the creation of Zheng music goes beyond the boundaries of adaptation and transplantation, and pursues the individualization of style and color. A large number of newly created Zheng songs appeared, incorporating a variety of elements such as modern, Western, and local characteristics.