Ceramic Works Science, a master of Chinese ceramic art

Tang Sancai refers to the glaze color on Chinese Tang Dynasty pottery, and was later also used to refer to Tang Dynasty painted pottery in general. There are many kinds of glaze colors of painted pottery in the Tang Dynasty, but the main colors are yellow, green, and white (or green, ochre, and blue), so it is called "three colors". Its glaze colors permeate each other, and with the passage of time, some colors change and produce new colors, which has a high level of decorative arts.

However, due to poor practicability, Tang Sancai is mainly used for burials, that is, dark vessels and figurines.

"Chinese Ceramic Art Masters" belong to the evaluation of the nature of the non-governmental association, and there is no gold content and authority. Chinese ceramic art masters are evaluated by the nature of the folk association, and the arbitrariness of the review is very large, and many people who do not meet the basic conditions for participation can be evaluated, such as Xu Aimin and others. There is no limit to the number of people who will be evaluated, but more or less, and the non-governmental evaluation has no gold content and authority.

The number of judges is very large, and the state and ** do not recognize it at all, but what kind of seal does the federation or association stamp.

The "Master of Chinese Arts and Crafts" is the honorary title awarded by China, and the honorary certificate is stamped with the national emblem of China, which is rich in high authority and gold content.

The two can not be compared at all, the obvious difference is: "Chinese ceramic art masters" is the folk association review has no gold content and authority, and "Chinese arts and crafts masters" is the national official review of gold content and authority.

"Chinese ceramic art masters" belong to the nature of the folk association of the review, there is no gold content, "Chinese ceramic art masters" is the nature of the association review, the review is very arbitrary, many do not meet the conditions for participation in the evaluation can be evaluated, such as Xu Aimin and others, is a folk nature of the review, no gold content and authority, the state, ** not recognized at all, just the federation or association stamped a seal. The "Master of Chinese Arts and Crafts" is a certificate of honor issued by the state, is China's first honorary title awarded to the elite with real talent, exquisite skills and good moral character, the official certificate, the certificate of honor is stamped with the national emblem, rich in authority and gold content. There are many differences between the two:

one is reviewed by the people, and the other is reviewed by the state; One has no authority, and the other has a very high authority. Jingdezhen's list of Chinese ceramic art masters is ranked as follows: Dai Yumei, Fan Minqi, Lan Guohua, Liu Shenghui,

Nie Lechun, Ning Gang, Peng Jingqiang, Shen Shengsheng, Shu Lihong, Tu Xusheng, Tu Yibao, Xu Jiangyun, Xu Aimin, Yuan Shiwen, Zeng Yalin, Zhang Zhenghai, Zhao Ziyun, Zhu Zhengrong are all famous; In addition, Jingdezhen also selected Peng Rongxin, Shen Fu, Yu Muhua and other famous Jingdezhen arts and crafts masters.

Chapter 1 The Origin of Pottery.

Chapter 2 Distribution and Stages of Neolithic Pottery.

Section 1 Neolithic pottery in the Yellow River Basin.

Section 2 Neolithic pottery in the Yangtze River Basin.

Section 3 Neolithic pottery from other regions.

Section 4 Methods of making and firing Neolithic pottery.

Section 5 Neolithic Pottery Modeling and Decorative Arts.

Chapter 3 The main pottery making processes in the Xia, Shang and Zhou dynasties.

Section 1 The gray, black and white pottery of the Xia Dynasty that first took shape.

Section 2 The main achievements of Shang Dynasty pottery in the Central Plains.

Section 3 Other Bronze Age Pottery with Local Characteristics.

Section 4 Special art pottery from the Warring States period.

Chapter 4 The Development of Pottery and the Emergence of Porcelain in the Qin and Han Dynasties.

Section 1 Firing of large terracotta figurines in the Qin Dynasty.

Section 2 Colorful pottery.

Section 3 The main achievements of the porcelain craft of the Eastern Han Dynasty.

Section 4 The main achievements of ceramic craftsmanship in the Han Dynasty.

Chapter 5 Ceramics in the Wei, Jin, Southern and Northern Dynasties.

Section 1 Celadon ware from the Three Kingdoms and Two Jin Dynasties.

Section 2 Six Towards Porcelain and Colored Porcelain.

Chapter 6 The popularization and improvement of ceramics in the Sui Dynasty.

Section 1 The firing of white porcelain into an industrial zone.

Section 2 Famous Celadon Kilns.

Section 3 Main characteristics of celadon in the Sui Dynasty.

Section 4 Characteristics of Sui Dynasty Ceramic Crafts.

Chapter 7 The Brilliant Achievements of Tang Dynasty Ceramics.

Section 1 Famous Celadon Kilns in the North and South.

Section 2 Famous white porcelain kilns in the north and south.

Section 3 Unique Tang Sancai pottery.

Section 5 The export of ceramics during the Tang Dynasty and the Five Dynasties.

Section 6 The historical peak of Song Dynasty ceramics.

Chapter 8 The Historical Peak of Song Dynasty Ceramics.

Chapter 9 The National Style of Liaojin Xixia Ceramics.

There are many masters in Jingdezhen, from all walks of life, but there are not many real masters of Chinese ceramic art, you can check it on the Internet, there is a list.

Feng Xianming (1921-1993), an expert in ancient Chinese ceramics, a researcher at the Palace Museum, the chairman of the Chinese Ancient Ceramics Research Association, the chairman of the China Ancient Export Ceramics Research Association, a member of the State Cultural Heritage Committee, and a member of the State Cultural Relics Appraisal Committee. In his early years, he studied at the Department of Spanish at Fu Jen University in Beiping.

Influenced by his father (historian and translator) Feng Chengjun, he has a strong interest in history.

Forty years of bad work in the Palace Museum in Beijing.