Wang Xizhi is more than 1,000 years ago, and no one can surpass his words?

It can be clearly seen that if you talk about books alone, Wang Xizhi's status is almost unshakeable. Later generations have their own strengths, but no one dares to say the word "transcendence". If you still use poetry as a metaphor, Wang Xizhi's writing is like Li Bai's poems, even if many people love Bai Juyi's plain and easy to understand, Du Fu's compassion and compassion, Wang Wei's poetry and Zen, or Li Shangyin's gorgeous rhetoric.

But no one dares to casually say that Li Bai is not the first person to represent the highest achievement of ancient Chinese poetry.

So calligraphy is the same, even if you love the pathos in "The Manuscript of the Sacrifice of Nephews", and then love the vicissitudes of "Huangzhou Cold Food Post". But no one dares to say that the dashing and swaggering "Orchid Pavilion Collection Preface" is not the pinnacle of Chinese calligraphy. In short, Wang Xizhi's contribution to the art of Chinese calligraphy is great and his status is high.

It's no longer a question of transcendence, but a matter of mountains and mountains, and everyone has to obey.

Establish Wang Xizhi as the head of calligraphy is Tang Taizong Li Shimin, when he ascended the throne, he took a series of measures to promote Wang Xizhi's calligraphy, and personally wrote a biography for Wang Xizhi, the biography "carefully examines the ancient and modern, develops the seal, and replaces the perfection, which is less for Wang Yi!" Look at the work of its point dragging, the wonder of cutting, the smoke is dewed, and the shape is broken and connected; The phoenix dragon pan is like an oblique and upright. I don't feel tired of playing, and I don't know the end of it.

The heart is chasing after the hand, this person is just that, and the rest are just like that, what is it! It can be seen that Li Shimin's praise for Wang Xizhi has reached the so-called extreme.

No matter what happens, Wang Xizhi's status cannot be shaken. But it's not that they won't be better than Wang Xizhi, maybe in the eyes of many people, they are better than Wang Xizhi, just like Zhao Ji's thin gold body.

It is certain that his words can no longer be surpassed. Calligraphy is not just about writing, it is closely related to personal experience and the background of the times. The specific era in which Wang Xizhi lived largely determined that he could achieve the first line of books in the world.

When he wrote this "Orchid Pavilion Preface", he drank some wine, and the words he wrote were extremely charming, and there was no sense of whitewashing. What's more, his work was not copied from someone else's, but improvised at a banquet himself. This alone is impossible for modern people to match.

In ancient times, there was no calligraphy as a profession, and people wrote for self-cultivation, which was not linked to money and reputation. And now it's different. The material society is developed, everything is a word of money, and it is difficult to move an inch without money.

Therefore, in this case, people's hearts are impetuous, and the pursuit of fame and fortune has become an inevitable trend. A person who writes for the sake of utilitarianism will inevitably have vulgar words. To sum up, it is impossible for modern people to surpass Wang Xizhi in writing.

Wang Yizhi is a human being, but no one can really catch up with it for thousands of years, let alone surpass it. Some people say that it is subjectively promoted by later generations according to their preferences, history is history, and it is not that person who can decide, so who can push Wang Yizhi if he does not push it? Looking at its words, its ability to control the pen is really strong, force, keep the pen, ambiguous, wonderful!

Later generations only the king offered it closely.

With Wang Xizhi's words as the standard, then you will never be able to surpass him, and if you take my words as the standard, you will not be able to surpass me.

There are many people who can write well, but they are not famous, so they are not famous, and they know very little! is in response to that sentence: Maxima often exists, but Bole does not often exist!

The words written make life have a ...... of eating, useful, and peacefulNow I want to sell fat for a second, increase the price, and I can't afford to hurt ......

People's evaluation of Wang Xizhi: Wang Xizhi's calligraphy has influenced generations of scholars. Ouyang Xun of the Tang Dynasty, Yu Shinan, Zhu Suiliang, Xue Ji, and Yan Zhenqing, Liu Gongquan, Yang Ningshi of the Five Dynasties, Su Shi, Huang Tingjian, Mi Fu, Cai Xiang of the Song Chi Dynasty, Zhao Mengfu of the Yuan Dynasty, Dong Qichang of the Ming Dynasty, these famous calligraphers of the past dynasties were convinced by Wang Xi's heart, and he thus enjoyed the reputation of the saint of calligraphy.

Wang Xizhi's "Orchid Pavilion Collection Preface" has been admired by calligraphers throughout the ages and is known as the first line in the world. Wang Xizhi is good at both subordination, grass, Kai, and line, carefully studies the posture, imitates the hand chase, widely collects the strengths of others, prepares all the bodies, and smelts them in one furnace, getting rid of the Han and Wei pen styles, becoming a family of its own, and having a far-reaching influence; Wang Xizhi: The word Yi Shao, Han nationality, a famous calligrapher in the Eastern Jin Dynasty, is known as a calligrapher.

Langya Linyi people, later moved to Ji Shanyin, in his later years lived in seclusion in Jinting, Yan County. He successively served as secretary Xun, General Ning Yuan, Jiangzhou Assassin History, and later Huiji Internal History, leading the right general. Its calligraphy is good at both li, grass, Kai, line of each body, fine study of the body, heart copy hand chasing, widely draw on the strengths of others, prepare fine bodies, smelt in a furnace, get rid of the Han and Wei pen style, self-contained, far-reaching code regret.

The style is calm and natural, the gestures are euphemistic and subtle, and the beauty is beautiful.

Wang Xizhi is good at regular script, and regular script has also achieved high artistic achievements, such as "Le Yi Theory", "Huang Tingjing", "Dongfang Shuo Portrait Praise", etc., a very important reason is that he can persevere. He was able to take cursive to the next level because he was good at writing and was committed to the development of cursive. AlthoughThere are so many calligraphers, and Wang Xizhi's calligraphy is the only one who can do this

He is proficient in the penmanship of all scripts. Thus, he could summarize the penmanship experience and merits of all his previous books for his use, bring out their essence, discard their dross, and make his writing method a master of calligraphic style. A large number of quotations from the penmanship habits of regular script, pay attention to the richness, refinement, and implementation of penmanship, and increase the turning point in Wang Mangzhi's "Fengtang Post".

The three "white" characters in the post, the "mouth" and "orange" characters on the right side of the characters, and the horizontal fold of "hundred", fully reflect the characteristics and style of Wang Xizhi's use of regular script.

It has the habit of using the pen of the seal, has the characteristics of the rhyme of the seal, the speed of the pen is sluggish, the turning point is mainly twisted and turned penmanship, the characteristic of the penmanship in regular script is to pay attention to the beginning of the pen, and the action of the penmanship is delicate, rich and in place。The second is that the action of forming the middle section of the pen line is mainly pressed, and there are few winches, and the third is that almost all the places where are folded are turning points, and the folding action is obvious. It has its own characteristics, which others can't surpass.

Wang Xizhi has his own unique side in the handling of horizontal foldsEspecially compared with later generations of calligraphers, Wang Xizhi's horizontal folding treatment is basically based on twisting and turning, supplemented by turningIn addition to Yan Zhenqing in the Tang Dynasty, later generations of calligraphers sometimes used twisting to turn, which is really great.

Wang Xizhi is the first in calligraphy, and there is nothing that can be surpassed.

There are so many calligraphers, but Wang Xizhi's calligraphy is insurmountable, which may be his own reason.

It's not insurmountable, it's inaccessible, the law has been lost for many years, and today's people are calligraphers everywhere. In fact, what is the law, no one knows, the self-habit of the post is the law, especially the habit formed by the initial contact with the hard pen has the deepest impact, and the pen is used in a variety of ways.

Wang Xizhi is good at regular script, and regular script has also achieved high artistic achievements.

Wang Xizhi's calligraphy is insurmountable, because his calligraphy is very classic.

What is calligraphy? Calligraphy is the perceptual expression of Chinese characters by the writer with specific artistic lines.

Wang Xizhi's calligraphy is very unique and difficult to imitate, so it is difficult to surpass.

Because the work was written by him, calligraphy is not a show, calligraphy is the crystallization of thoughts and feelings, writing other people's works, always xx second, now many people have gone astray, with skills to show off the world, so, it is more difficult to become a calligrapher.

The so-called home, self-contained, thinking is a must, one of the reasons why Wang Xizhi is difficult to overcome, is that the "Lanting Collection Preface" is not easy to cross.

Therefore, calligraphy is culture, and without the foundation of classical culture, there is no calligrapher.

Calligraphy is broad and profound, and it is worth learning.

His unique method is unsurpassed by no one else.

It's hard to surpass your mother's egg, and the king has no real deeds in the world....No king calligraphy.

Now the art world is in a miasma.

Revere the sages and always ...... on the road of learning

Hahahahaha in the modern book world, these so-called brick families in the literary world, Wen Hao can be a doorman for the second king, and the scholar will be enough to comfort his life. Want to go beyond?

Vice Master Liu said that the current calligraphy surpasses that of the ancients, including Wang Xizhi, right?

Wang Xizhi is one of the most prestigious calligraphers in Chinese history, and was revered by later generations as the "Saint of Calligraphy", and his works are priceless and are treasures of the country, and have even been treasured by many emperors. He became famous at a young age, and what few people know is that this scholar has an amazing background and a ...... family dignitary

Wang Xizhi's technique is a technique of great artistic value in our history, representing the culture and art of Chinese characters.

Wang Xizhi's calligraphy is indeed profound, creative, and neutral, all of which are fully expressed in his cursive, regular and line scripts.

Wang Xizhi is good, first-class in ancient and modern times. But don't deify either. There are many ancients who are comparable to it.

has been on the altar, and no one dares to make other judgments. I'm not even sure if it's genuine.

There is no such person as Wang Xizhi at all, just like Sun Wukong, it is people's intention, hallucination, not even, there is no real work, don't lie to everyone anymore bastard....

The main thing is that his words are really well written and flavorful.

Wang Xizhi's calligraphy has a soul, looking at his words feels vigorous, and his calligraphy skills are very deep, and his font is very practical, so people still like his calligraphy.

.Wang Shu's techniques are infinitely rich and self-explanatory, and the demeanor of the Wei and Jin dynasties and the understanding of raising geese are the spiritual core of his calligraphy, and an art must be marked with the seal of the times and show the style of the times. Books are like people, and raising geese and watching geese is a kind of leap inspiration for calligraphy.

In history, only Zhang Xu is called the grass saint, and I have not heard that Wang Xi is called the calligraphy saint.

Because the common people think it's a good thing.

It can't be summed up in one or two sentences.

If modern people also use brushes, there are many Wang Xizhi appearing.

Only people who are not good at calligraphy will blow the stick and worship Wang Yizhi, and people who really have calligraphy characteristics will not compliment.

There are many calligraphers in <> China.

Since the birth of Chinese characters, for more than 6,000 years, there is no shortage of calligraphers in China who write Chinese characters. Throughout the ages, calligraphers are equal to the stars, countless, to ask which one is the best, it should be said that the famous artists have their own characteristics, and everyone is not one person. Some people say Wang Xizhi, some people say Mi Fu.

Some people say Zhao Mengfu, some people say Lu Ji, and some people say Wang Xianzhi.

Some people say Wang Xun, and some people say Xie An.

Some people say Ouyang Xun, some people say Yan Zhenqing.

Some people say Liu Gongquan, some people say Li Yangbing, some people say Sun Guoting, some people say Chu Suiliang, some people say He Zhizhang, some people say Zhang Xu, some people say Huaisu, some people say Huang Tingjian, and some people say Ouyang Xiu.

Some people say Wen Zhengming, some people say Zhu Yuanzhang.

Some people say Wu Changshuo, some people say Yu Youren, some people say Guo Qianruo, and some people say Qi Gong.

In short, the number cannot be taught clearly, and it is impossible to say it endlessly.

No calligrapher can surpass Wang Xizhi.

First, Wang Xizhi's calligraphy is the most suitable for Chinese culture.

aesthetic intent. One of the core of Chinese philosophy is to look at or deal with problems impartially, and to be neutral and peaceful. And Wang Xizhi's calligraphy, whether it is a real book.

Xiaokai, or the grass giant, although extremely varied, can give people a kind of harmony and quiet beauty, natural flow, and generous artistic feeling. As a result, it has become the object of great admiration by the rulers of successive dynasties in terms of calligraphy culture, and even deified Wang Xi.

The second is the contribution of changing the ancient subordination into a new body. As you know, the Han Dynasty to the Eastern Jin Dynasty.

With the development of society, these characters have not adjusted the requirements of the times, and Wang Xizhi, as a representative of changing the old to the new, completed and perfected the transformation process of the text from subordinate to Kai and from Zhang Cao to Jincao in his time. Because of his and his colleagues' contributions to the code, a new generation of Chinese writing was opened. So far, we still continue to use the innovative text font since the Eastern Jin Dynasty.

It can be said that the benefits are in the future, and the merit is in the future.

Epilogue. Therefore, Wang Xizhi is the period when the art of Chinese calligraphy was established, and he is uniquely endowed with it. The key figure who inherits the past and the future is known as the "Book Saint".

For example, taking regular script as an example, in terms of knot, Wang Xizhi changed the previous horizontal style of official script and official script to a clever and vertical form of neutralization and rhyme, and at the same time, Wang Xizhi's regular script simplified Zhong Xuan.

The "flipping pen" of the regular script has become a convergent style, and the penmanship has begun to be simple and bright, and the inner body is stretched straight down, and the knotted body is vertical and horizontal. The Tang Dynasty was a few great calligraphers Ouyang Xun and Yu Shinan.

Chu Suiliang. <>

They all played their own characteristics on the basis of the inherited Wang Xizhi. Later generations of calligraphers are even more difficult to surpass. Ouyang Xun's book has absorbed the backbone of the king. Pushing inward to the back is deeply won by the wonder of the king's brushwork, and the ups and downs of the rhythm are wonderful.

I don't think anyone has surpassed his calligraphy, because although the level and technique of Wang Xizhi's calligraphy have been a culture for thousands of years, it is still breathtaking.

He did not surpass his calligrapher, because Wang Xizhi's calligraphy has been recognized from ancient times to the present, so no one in China has been able to surpass his calligraphy at present.

1.One is Yan Zhenqing, who absorbed the characteristics of Han Li's painting flat and vertical, touched the penmanship of the Shengli calendar, and finally created a majestic style of calligraphy, which became another noisy calligraphy peak after Wang Xi. 2.

The other is He Shaoji, who is a geek, with a unique way of holding the pen, based on the face body, integrated into the stele writing method, and supplemented by Wang Xizhi's slender brushwork, and finally became the first cursive calligrapher in the Qing Dynasty.