Which book do you think has the best analysis of calligraphy techniques?

Mr. Shen Zishan's "How to Write Brush Characters".

I feel that calligraphy should not die on it, but should learn knowledge other than calligraphy, such as the literature "Twenty-Four Poems", have your own hobbies, and put your mind in place.

Mr. Zhou's "Yongzi Eight Methods" is like Mr. Zhou's red research works, and almost every conclusion is supported by considerable evidence, so when Mr. Zhou talks about penmanship, it is real, and it is clear when he talks about hard work.

I highly recommend Mr. Qiu Zhenzhong's "Calligraphy - Seven Questions", Professor Qiu's analytical calligraphy strives to use the means of modern natural science, and is also quite accomplished, and Professor Qiu's works are quite valuable for deciphering the secrets of calligraphy.

Calligraphy has a word dense, breakthrough here, history said continuously, there is a thorough existence, of course, calligraphy has a law, said that each has its own weight, the choice of close reading, there will be benefits, can feel the pen is good, Wang Yizhi every stroke must do his best. Practicing Jinggong is a lifelong thing.

Calligraphy is based on the use of a pen, and the knotting of characters also requires labor. The word cover knot has been passed down from time to time, and it is not easy to use a pen for eternity. This is the great calligrapher Zhao Mengfu of the Yuan Dynasty said in "Dingwu Lan Tingba", talking about the techniques of calligraphy have penmanship, knots, chapters, and even methods to improve the charm of the characters, which can belong to the techniques.

Mr. Qi Gong's "Qi Gong Tells You Calligraphy", the whole book has benefited me a lot, and the elimination of superstition has always run through the whole process of learning the art of calligraphy.

You can take a look at Mr. Sun Xiaoyun's book "Calligraphy Has a Law", which tells her confusion and search for calligraphy in plain words, and finally talks about her achievements that most of her brushwork is related to the method of twisting the pen barrel.

Calligraphy is the language that makes the space flowing out of the pen always be an accurate state of mind, and Qiu Zhenzhong's "Brushwork and Chapters" analyzes this indescribable thing through objective and rational analysis, so that scholars can escape from it, which is of great benefit.

Deng Sanmu's "Seal Carving" is indispensable, Mr. Deng's masterpiece usually appears in the form of photocopying, and he can't help but pick up the pen to write when he looks at Mr. Deng's words.

You can take a look at Mr. Yu Mingquan's book, "Between Yes and No" brings together Mr. Yu Mingquan's "thoughts" on calligraphy, which is a cultural interpretation and contemporary narration of the calligraphy tradition. Let the tradition of calligraphy "live" and "live".

This paper recommends the artistic methods discussed in the first volume of Han Yutao's "Theory of Freehand", focusing on the analysis of cursive meaning. Volume 2 Freehand History devotes 20 chapters to the original freehand of the Chu and Han dynasties, and each chapter draws on famous passages or famous sayings of ancient celebrities as quotations.

Wang Xizhi is the most outstanding calligrapher of the Eastern Jin Dynasty, the word Yi is less, Langya Linyi people, living in Huiji Shanyin, the official to the general of the right army, so people are called "Wang Right Army" Oak Burning quietly.

Wang Xizhi began to study at the age of seven, successively studied under Mrs. Wei and his uncle Wang who were born in a calligraphy family, and later read the Qin and Han Dynasty seals and pure and simple fine products, refined the posture, the heart of the hand chasing, the wide collection of the strengths, smelted in a furnace, created a "natural nature, abundant God Gaidai" line of calligraphy works, by the descendants known as the "book saint".

In order to practice calligraphy well, whenever he went to a place, he always trekked through mountains and rivers to expand the inscriptions of the past dynasties, and accumulated a large number of calligraphy materials. He set up stools in his study, in the courtyard, by the gate and even outside the toilet, and placed pens, ink, paper, and inkstones, and wrote every well-structured word on paper as soon as he thought of it. When he practiced calligraphy, he contemplated so hard that he forgot to sleep and eat.

Learning calligraphy is to learn to practice, it's the same as walking, if you can't, then how to achieve the goal in your heart.

Learning to practice plays a very important role in improving technique and enhancing expressiveness. Practicing Gong can be used to develop good habits and develop rich and meaningful thoughts through skillful techniques. There are two aspects that need to be paid attention to in the line of calligraphy, and it is necessary to learn to use the pen edge, which is elastic and the lines written are very smooth.

Be careful not to overdo it with the pen, otherwise it will be like a person squatting and walking, slow and laborious. The second aspect is to learn to write, the pen should have ups and downs, so that it will be elastic and appear very lively, just like people walking, the pace is together, relaxed, and harmonious.

To learn calligraphy, you must learn to observe and see with your eyes. Usually we should work hard to improve our horizons, and only when our horizons are high, will we see farther. Beauty is actually all around you, it's up to you to find it.

In the process of posting and learning, if you keep observing, you can continue to discover and discover beauty.

To learn calligraphy, you must learn to appreciate nature and art. Go to nature to run more, appreciate the beautiful landscapes, the beautiful flowers and birds, you can copy from the major works, learn to appreciate the feminine beauty of Wang Xizhi, the steep beauty of Ouyang Xun, the bold beauty of Yan Zhenqing and so on.

To learn calligraphy, you also need to learn to perceive and think. Because all inspiration is based on perception, many works burst out of inspiration. Perception should be a habit and cultivated with a purpose.

There is no way to appreciate it, it's just that everyone is the same, and what you think is good is art.

The achievement of calligraphy cannot be achieved overnight, but requires long-term accumulation over time.

Copy more, look more, stare at enlightenment, and see the charm between strokes.

It is of course best to be able to figure out the length of breath and shortness of breath. Generally look at the skill of the strokes, the natural coordination between the strokes, Wang Yizhi's multiple words are not the same, this is the result of the calligrapher's self-confidence according to the rules, so it is higher to look at the author's self-confidence.

First of all, you must paint red first. Then copy it every day. Pay attention to the shape and stroke of the word.

Learn to practice, observe more brushwork, and copy it yourself.

The first is to look more and practice your own appreciation level, only when the appreciation level rises, you can better study and then be proficient.

Improve technique and enhance expressiveness; Learn to observe, to see with your eyes.

First of all, it is necessary to understand the various fonts of calligraphy, as well as the pen, ink, paper, and inkstone used in calligraphy.

Reading the post is a lifelong thing.

Some people say: "Calligraphy only needs to focus on the skills of calligraphy, and it has nothing to do with the kung fu outside the bridge of the word" ().

a.That's right. b.Mistake.

Correct answer: B

Wang Xizhi is good in all aspects, especially cursive writing.

Ouyang Xun is relatively thin, with edges and corners.

Yan Zhenqing is round, and the contrast between thickness and thickness is obvious.

Liu Gongquan is good at bone strength.

Mi Fu line book bold and rough.

In the process of reading this book, I encountered several difficulties, I hope you will not hesitate to learn and give advice, thank you.

1. The seventh page mentions "the Tibetan front penmanship when the pen is vertically down", in the actual writing process, it feels difficult to control, are there any key points to pay attention to?

2. On the tenth page, the center arc 2, talking about the wrist control pen, one is a simple pen: the side of the paper does not change; One is a complex pen rotation (twisting): the side of the paper is changed.

Excuse me, is the square shoulder folding pen complicated to turn the pen? What else is a complex stippling stroke?

3. Is it appropriate for beginners to directly come to the "self-written post"? Yan Zhenqing's ink (non-inscription rubbing) and what else can be purchased now?

Maybe there is something wrong with the problem itself, so please advise.

1. "Calligraphy Techniques" turns writing into a scientific principle, in fact, calligraphers often write "I can't make up my calligraphy" and finally reach the realm of "no good is good". As for the vertical pen you said, if you look at the situation, you should follow the stroke shape and pen direction on the copybook, as well as the author's pen habits. When copying or creating, you will have more room to play.

It is recommended that you learn calligraphy and do not install each part accurately like installing a machine, you can often practice the action of vertical pen, and after a long time, you will naturally use makeup.

2. Again, learn calligraphy and don't learn to die, I admire your spirit of learning calligraphy and grasp the details. However, you can be a little more free in the process of learning calligraphy, and the so-called twisting is explained in Sun Xiaoyun's "Calligraphy has a Law". I think when you're creating, sometimes you have to decide if you want to twist it or not.

You might as well say Tang Kai, paving, peak regulation shows his plump and energetic feeling. If it is a Han monument, it can be appropriately twisted to express the feeling of vastness. As for your creation, you can use it occasionally.

Sometimes, following the shape of the brush at the beginning of the pen after the previous stroke can be of great help to your confusion in twisting.

3. The key is whether you want to learn calligraphy or learn to write calligraphy? Anyway, it's not appropriate to write a self-written post, so it's better to look at "Magu Immortal Altar" and "Qinli Monument". You can also start with other fonts. All roads lead to Rome. The ink book himself has seen the "Manuscript of the Sacrifice of Nephews".

There are very few words that are hidden. Except for seals. A stroke turn is a pen turn, but there is no need to turn the pen.

It is a process of turning the pen to the center without turning the pen barrel and adjusting the pen to the center. For beginners, Yan Zi and Wang Zi are not very good introductory posts. Zhao characters and rice characters and Su characters are more suitable for beginners.