How to draw a great relationship in sketching still life?

In sketching, big relationships are very important, and in your case, I think it should be done step by step, step by step. First of all, choose a simple still life to paint, such as painting two objects, a plaster and a fruit, a relatively large relationship between black, white and gray, and then gradually increase the number of still lifes; Secondly, when looking at an object, to be fascinated by the eye and look at the whole, it is necessary to first determine which object is the heaviest in the picture, which is the second heaviest, and which is the third ,......Which is the lightest, in order, follows this principle throughout the later process of drawing the major key; Third, we should look at excellent model paintings, think more, experience more, ask more, and you can also choose targeted copying. In short, think big and start small.

Pay attention to still lifes.

Analyze still life shapes.

Determine the light source. Almost as much as it is subdivided, sketching is a black and white flat world to express color, space, and texture.

Relationship. Therefore, it is necessary to find out the differences between objects that look similar to each other, start from the general direction, do not observe objects in isolation, pay attention to the overall portrayal, and as for the weight of the picture, in addition to the inherent color, the first is to pay attention to the texture.

Instead, it is necessary to pay attention to the relationship between the front and the back, and of course the objects in front are delicately depicted.

Later, it will be relatively relaxed.

Draw more and practice more.

First grasp the spatial relationship, then the black, white and gray relationship of the object, and finally care about the inherent color of those objects.

As long as you draw more of these things, you will naturally understand. I guess you've realized it yourself. When painting, the initial stage lies in comprehension, and when you understand it thoroughly, you will naturally understand everything.

1.Find a good still life.

Find a good still life, which can be a flower, a fruit, a book, etc., as well as the elements related to them, such as grass, earth, cloth, and so on. Most importantly, find an interesting construct that makes you feel the desire to draw.

2.Choose your tools.

You can choose the right tool according to your preference, such as pencils, watercolor pens, charcoal, oil painting, and many more. However, in general, pencil and paper are sufficient. Don't be afraid to make mistakes, you can use a pencil to make corrections easier.

3.Sort out composition and proportions.

Draw a sketch on paper and outline the main hollowed out parts and outlines of the still life. Determine the exact proportions of the dimensions, especially the relative position and distance of the still life.

4.Focus on the details.

Because it's a sketch, the details are important. Pay attention to the shadows, highlights, textures, colors, etc. of the still life, and focus on expressing them. In particular, the surface texture of the still life needs to be expressed with brushstrokes to make the picture look more vivid.

5.Grab the inspiration from the scene.

Sketching is based on the observation of Naoharu Tantan, so you need to grasp the inspiration of the scene and add your own creativity. This makes the picture more natural, emotional and artistic.

Finally, practice patiently and persistently in order to become more and more proficient and have your own style.

Summary. Hello, the sketching steps of still life: the first thing we need to do is the composition, before we start the brush, we have to analyze and observe the painted object, such as what are the characteristics of the structure of the object?

If it is a combination of objects, we need to recognize the relationship between the combinations, the characteristics of the light source, and then arrange these objects reasonably on the picture, and when arranging the composition, we do not need to draw a lot of complicated things on the picture, we only need to determine their approximate position.

Hello, the sketching steps of still life: the first thing we need to do is the composition, before we start the brush, we have to analyze and observe the painted object, such as what are the characteristics of the structure of the object? If it is a combination of objects, we need to recognize the relationship between the combinations, the characteristics of the light source, and then arrange these objects reasonably on the picture, and when arranging the composition, we do not need to draw a lot of complicated things on the picture, we only need to determine their approximate position.

Second, you can start the draft, on the basis of a good composition, use a long straight line to draw the approximate stroke of the object, the proportion of the relationship between light and dark and some specific shapes, in the modeling, we will generally use a long straight line, ignore the small turns and small changes, the line should use a long line, so that you can grasp the large shape of the object. The third is the depiction of the relationship between light and dark, on the basis of the contour line painting gradually draw a large relationship between light and dark, when we paint the relationship between sheep, we should make a solid foundation for the in-depth portrayal of the tone after the painting is accurate, and when painting the carving, we must show the change of the overall tone, have a comprehensive understanding and analysis of the picture, and purposefully degenerate, if it is just aimlessly darkening and lightening the tone, so that the tone will become chaotic, and the picture will also have the problem of years and zhang.

Fourth, in-depth depiction, we should start from the whole to carry out an in-depth depiction of the specific form of the object, so that the object's sense of volume and space can be fully expressed, we must pay attention to the local depiction, can not destroy the overall relationship, we can not stare at a certain part of the dead, we must first look at its big relationship on the picture, and then carry out in-depth depiction from part to whole, and then from the whole to part After repeated observation and depiction, we can deepen the localization without detaching from the whole. Finally, we can adjust from the whole, where the painting is not deep enough, we can continue to go deeper, too out of the picture, we can draw appropriately, so that the picture can look more overall and unified.

The first step is to draw the outline of the still life assembly.

The second step is to find the boundary between light and dark.

The third step is to draw the tone of the dark part and distinguish the light and dark contrasts.

The fourth step is to accentuate the boundary between light and dark.

The fifth step is to depict the dark part in depth.

The sixth step is to depict the highlights of the still life.

The seventh step is to draw some gray tones on the background of the still life.