Did Qu Yuan really dress himself up with vanilla? 30

As early as the pre-Qin period in China, the use of animal and plant fibers to make clothing and ornaments was already common.

The Book of Poetry, Wang Feng, and the Big Car" has "The threshold of the big car, and the clothes are like a canopy." ", the cart hummed, and the clothes were like Xuan". Clothes made of animal hair and embroidered with colorful patterns.

Saying: Hu, the fine hair of the beast is also. Zheng Xuanjian:

The ancients, the Son of Heaven, also served the crown. The Book of Songs? Wei Feng?

Ge Yan": "Entanglement Ge Yan, you can walk on the frost" "Mao Biography": "Entanglement, still a bureaucracy."

Xia Ge Yuan, Winter Pi Yuan. It can be seen that it is not woven with arrowroot cloth but with arrowroot rope by hand. "Entanglement" is the appearance of rope and rope entanglement.

Zheng Jian: "Ge is cheap, and skin is expensive."

Qu Yuan's "Lisao" has "Hu Jiangli and Pi Zhixi, Su Qiulan thinks it is admired"; "Yu is not only nine acres of orchid, but also a hundred acres of trees. Qi Liuyi and Jiechexi, miscellaneous Du Heng and Fang Zhi. The branches and leaves are handsome and lush, and I hope that I will mow when the time comes."

Among them, "Jiangli, Bizhi, Qiulan, Lan, Hui, Liuyi, Jieche, Du Heng, Fangzhi" are all vanilla names, which were used by the ancients to make clothing and ornaments, and Qu Yuan used this as a metaphor for virtuous people.

During the Spring and Autumn Period, according to the "Zuo Chuan" and "Wu Yue Spring and Autumn Period", the weaving and dyeing level of Wu, Yue, Zheng, Wei and other countries had reached a certain height. By the Warring States Period, silk fabrics could weave not only fine plain weaves, but also complex twills, jacquard and embroidery. Among them, the weaving method of brocade was the most advanced technology at that time.

At that time, the main production areas of silk fabrics were Qi and Chu. The thin Luo Qi and exquisite embroidery produced by Qi are famous all over the world, selling well all over the world, and are known as "the world of crown and clothing and shoes". The silk fabrics of the Chu State are famous for being unearthed in Jiangling, Hubei, and are known as the "Silk Treasure House".

Each silk variety is a variety of weaving methods, with different colors and patterns. Among the silk fabrics, brocade and embroidery are the most precious. The brocade is a heavy jacquard fabric, and the single width is two-color to six-color.

The multi-color method adopts the distinction method and the stepped continuous method. There are more than ten kinds of patterns, the main pattern, the ground pattern and the auxiliary pattern complement each other, rich in changes, and the color is simple and generous. Embroidery is mostly made of silk.

The embroidery method is mainly lock embroidery, with flat embroidery between them, and the patterns are complex and colorful. There are more than 20 kinds of patterns, the composition is peculiar and vivid, and there is a strong romantic mythological color. The ancients were not only good at using natural fibers to enrich and beautify life, but also constantly invented and improved textile technology, so that man-made fibers were popularized into all aspects of human social life.

Later Tang, Song, Yuan, Ming and Qing dynasties had institutions and artists specializing in weaving and embroidery.

Symbolic only. It was he who used vanilla as a metaphor for himself.

No. It's just a metaphor for purity and nobility.

Qu Yuan is an ancient Chinese writer, his work "Chu Ci" is a classic of ancient Chinese literature, and one of his works is a poem called "Vanilla Beauty", which describes a beautiful woman, her appearance is like vanilla, which is fascinating.

Qu Yuan used the metaphor of "vanilla beauty" to himself because he himself also has a beautiful appearance, and his appearance is like vanilla, which is fascinating. His countenance is like vanilla, fascinating, his countenance is like vanilla, fascinating, his countenance is vanilla, mesmerizing, his countenance is vanilla, mesmerizing, his countenance is vanilla, mesmerizing, his countenance is vanilla, mesmerizing, his countenance is Mesmerizing, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, His appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, Mesmerizing, his countenance is like fragrant closed grass, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, his appearance is like vanilla, fascinating, His face was like vanilla

Qu Yuan, who has been lonely and self-loving all his life, uses vanilla as a metaphor for himself, and closely links natural vanilla with human virtue.

In the poem, he uses words such as gathering, admiration, planting, and pity to express his devotion to vanilla. Qu Yuan not only used vanilla as a metaphor, but also used incense to guess the grass and trees as a metaphor for people: "Yu is not only the nine acres of Zilan, but also the hundred acres of trees."

Qi Liuyi and Jiechexi, miscellaneous Du Heng and Fang Zhi. As a descendant of Emperor Gaoyang, he is not only proud of his origins and attaches great importance to his inner beauty, but also gratified by the hardships and achievements he has made in cultivating talents. On the road of self-cultivation, governing the country, and assisting the king, he sprinkled gorgeous, romantic, and fragrant flowers with his unique temperament.

Qu Yuan mentioned vanilla 48 times in his poems. However, Qu Yuan's vanilla is by no means an accumulation of ordinary quantities, but the situation, pain, catharsis and sustenance of his ideals and pursuits that cannot be realized, and he is forced to leave the political arena and fall into a remote land. He sings about vanilla repeatedly in his poems and becomes a singer of vanilla.

Qu Yuan's vanilla beauty refers to the noble character and personality, and the idea of loyalty and patriotism. It is well reflected in the work "Leaving the Gods". The Divorce is filled with a wide variety of herbs, which serve as decorations that support and enrich the image of beauty.

The vanilla beauty imagery forms a complex and ingenious system of symbolic metaphors, making the poem rich and vivid. Qu Yuan was self-conscious and wanted to pursue enlightened and democratic politics, but it backfired, so he had to use the "vanilla beauty" to express his political ideas and express his bitterness, which was also a true demonstration of Qu Yuan's own noble quality, and Qu Yuan's vision and infinite yearning for his "ideal country". There are many vanilla names mentioned in Qu Yuan's works, such as orchid, hui, zhizhi, hibiscus, duruo, magnolia, lily, quan, chrysanthemum, xinyi, etc., all of which are plants in Chu, and are still widely growing in the middle and lower reaches of the Yangtze River and the south of the Yangtze River today.

"Vanilla beauty" refers to the idea of loyalty and patriotism. It was first proposed in Wang Yi's "Preface to Lisao" in the Han Dynasty, in which he vividly summarized the creative art of Qu Yuan's "Lisao", and compared it with Zhou's "Poems", believing that its artistic techniques such as "vanilla" and "beauty" inherited Zhou's "Poems" and shared the spirit of "Poems", so it is said that "according to "Poems" to take pleasure and introduce analogies.

Vanilla beautyThe saying of "vanilla beauty" has had a great impact on later generations. The purpose of irony, the words of sustenance, tracing back to the source, can see the traces of Qu Yuan's "Lisao". For example, the Changzhou school of words in the Qing Dynasty took more "vanilla beauty" and "floating clouds and wind" to "sustenance", in order to find the subtle meaning in the work.

As a result, it gradually extended from the principles of creative art to the field of literary criticism and aesthetic appreciation. Although it is sometimes inevitable to be far-fetched and ridiculed, from the perspective of the general theoretical tendency, the theory of "sustenance" has opened up and deepened the artistic realm of poetry.