I learn to write in loneliness, but why can t I write in italics? Is there a way to write it well?

My experience is to practice, to practice to the death, only persistence!

Find a teacher to guide you.

According to the copybook, imitate the connection, the repeated contact, practice makes perfect, and slowly stick to it, and it will definitely be written very well. There is nothing difficult in the world, as long as you are willing to climb.

First, there is no distinction between priority and priority.

This is arguably one of the most prevalent problems. "Main" is the "main stroke" of the word, "secondary" is the secondary stroke, if all the strokes of a word look basically the same length and the same weight, there is no distinction between primary and secondary, then the word is not missing a leading stroke, as if there is no spiritual pillar, it is bound to look inactive and not spiritual, of course, it is missing the spirit.

Second, there is no rhythm point.

It is true that it is not easy to write strokes with thickness changes, especially when writing quickly, there is no time to consider the thickness of the strokes, unless you write with a brush, with a gel pen, it is not easy to express the thickness of the strokes, so how to write the rhythm of the strokes?

In fact, it's very easy, as long as you add a little "pause" to make the word look rhythmic, especially the three strokes of "apostrophe, vertical, and horizontal folding" are easy to add pauses by the way, and other strokes forget to add, especially when writing quickly, there is no time to add pauses to all the strokes one by one, remember these three strokes and don't forget to add them. Add the pause point, and it immediately looks energetic, sharp, and rhythmic.

3. Spatial averaging.

This is also a serious and common problem. If you want the words to look good, the structure must be well arranged, otherwise no matter how the strokes are written, there is a sense of rhythm and the whole word still looks ugly and not beautiful, so how to arrange the structure is more beautiful?

Remember the four words "tight inside and loose outside", or "small inside and big outside", that is, the space of the word should be written as a structural situation of small internal space and large external space, and the space cannot be evenly distributed, and the average distribution of space means that there is no change, so that the words of the structure look dull and even scattered.

Therefore, to write a character well is not only to practice, but also to the way and method is also very important, Chinese characters have their own unique structureTherefore, for each part of the stroke, he should be given a reasonable layout.

The most important stroke in a word should give him the most important position.

I think it's the gesture of holding the pen that is very important, and I can't practice it if I can't master it.

Always write badly, practice for a long time is useless, writing must pay attention to good posture.

It is most important to master a good sitting posture and a good posture to hold the pen.

The position to be occupied by the left and right parts and the position of the upper and lower parts should be reasonably arranged for him, so that a word can seem the most appropriate and appropriate.

Practice is not a one-time thing, it is something that takes a long time.

If you write well, you have to be patient and careful, otherwise it will be difficult to write well.

It's best to find a teacher to guide you. Pro post must eat the original post, from the tomb post to the back, the intention of the prosper, every day to attack a word, practice to the point is not bad, then there will not be "no structure at all".

There is no shortcut to writing italics, that is, you have to slowly draw one stroke at a time, ponder and practice repeatedly.

More posts, Ouyan Liu Zhao, there are many famous posts for you to choose, and it will be better slowly.

1.Writing.

Su Dongpo said: "There is no definite way to put the pen, and it is necessary to make it empty and wide." Here is an introduction to the commonly used "five-finger brushwork":

That is, pinch the pen barrel (appropriate height) with the fingertips of the thumb and index finger to ensure that the pen barrel does not fall off; The middle finger is placed on the outside of the pen under the index finger, which not only strengthens the strength of the index finger to pinch the pen, but also plays the role of hooking the pen inward; The nail flesh of the ring finger is against the inside of the pen barrel, which plays the role of pushing the pen outward; The little finger is attached to the lower part of the belly of the ring finger to assist the ring finger to push the pen outward. When holding the pen, it is necessary to use the pen as the ancients said: "Make the palm empty as holding an egg", so that it is easy to move the pen.

To learn the book, you should often practice holding the pen, hooking it back, pushing out and rotating the pen barrel (plus the action of the wrist), and practice drawing straight lines and arcs. The height of the pen and whether it hangs the wrist and elbow is determined by the size of the word. The big characters are high, and the wrist is suspended; If it is larger, it needs to hang the elbow.

Calligraphy is the art of line molding. The so-called brushwork is mainly how to create the ideal line (stippling).

2.Lift. When the pen is pressed down to write, the strokes will be thick, and the strokes will be thin. Just as the two feet of a person walk, one falling, the other lifting, and constantly alternating, the pen is also constantly lifting and pressing in the process of writing. Only in this way can we produce threads of no different thickness.

Every time you write a stroke, there are three processes: entering the pen, writing the pen, and closing the pen. There is a "Lu Feng" method in the pen, which follows the pen to make the beginning of the stroke pointed or square; There is a "hidden front method", the reverse front into the pen, the horizontal painting wants to be right first left, and the vertical painting wants to go down and go up first, so that the pen is hidden in the stroke, and the beginning of the stroke is basically round. The pen should learn to "use the pen in the center", so that the tip of the pen often runs in the middle of the dot.

In order to make the strokes strong, we must also learn to use the pen with astringency, stay in the line, stay in the line, and avoid flashiness. There are "Lu Feng" (gradually lifting the pen out of the paper, and the painting is pointed, such as hanging needle vertical, apostrophe, pinch, hook), and there is "Zangfeng" (the tip of the pen is withdrawn into the painting, such as hanging and dewing, and the end of the stroke is round).

3.Knots. It is also called a knot or intershelf structure. Mr. Qi Gong once pointed out that when writing calligraphy, we must grasp the structure of the frame and practice the characteristics of the strokes. The structure of the shelf is more important than the characteristics of the stippling.

The characters that are framed in between, the stroke characteristics are not prominent, and they are also pleasing to the eye; Not the other way around. Therefore, it is very important to carefully study and grasp the rules of the knot of characters. The so-called "beginner distribution, but seek fairness".

To learn to write, you should start with regular script or official script. After mastering various penmanship, you will have a foundation for learning other styles of calligraphy. Pro posts are a necessary means to practice good characters.

If you don't post it, you can write it all by yourself, and you can't get on the road. Learn to write calligraphy must have perseverance and perseverance, perseverance, guard against arrogance and rashness, and not be exposed to the cold. It is often said:

As long as the work is deep, the iron pestle is sharpened into a needle". As long as we persist in following the rules of study, we will inevitably succeed in learning.

Isn't it too high to write well? My teacher didn't dare to say that he wrote it well for twenty years. You can practice Liu Gongquan's regular script, his characters are so standard that you can measure them with a ruler, there are no shortcuts, and one diligence is enough.

Beginners start from regular script - European body), (Yan body), (willow body), which Yan body is relatively easy to use. . . Compare and practice. Compare and practice the shoulder blade structure of the word again. Then a few to the whole song.

Find Ouyang Xun, Liu Gongquan, Yan Zhenqing, Chu Suiliang, Yu Shinan or Zhao Mengfu's stickers, choose one you like, and come to it!!

Then go buy a notebook and write more by yourself, block letters, at least you can write the characters better.

Regular script is also called regular script, true book, and regular book. It gradually evolved from the official book founded by Cheng Miao, and became more simplified and horizontal.

Flat and vertical. Cihai explains that it is "square in shape, with straight strokes, and can be used as a model." Hence the name. It began at the end of the Han Dynasty and has been prosperous for a long time.

At the end of the Han Dynasty and the Three Kingdoms period, the writing of Chinese characters gradually changed into waves, and became apostrophes, pinching, and there were strokes such as "side" (point), "sweep" (long apostrophe), "peck" (short apostrophe), "mention" (straight hook), etc., so that the structure became more rigorous. Such as "Wuwei Medical Jane", "Juyan Han Jane" and so on. The characteristic of regular script is that it is neat and tidy, and it is a model in the font, so it is called regular script, and it has been used to this day.

1] The regular script has the meaning of a model, which has been mentioned in Zhang Huaijun's "Book Break". The people of the Six Dynasties are still accustomed to using it, such as Yang Xin's "Cai" text, and Wang Shengqian's "On the Book of Wei Dan Biography" Zhongyun: "The birth character Zhongjiang, Jingzhao people, good regular script."

That's the abbreviation for "Eight-point Method". It was not until the Northern Song Dynasty that it replaced the name of the main book, and its content is obviously different from the ancient name.

Regular script is the most popular style of calligraphy in China's feudal society, from the Northern and Southern Wei to the Jin and Tang Dynasties. Before the regular script was produced, China's calligraphy has produced three types of calligraphy: large seal, small seal and official script. The Great Seal is relative to the Small Seal, and all the ancient characters before the Small Seal are generally referred to as the Great Seal, including the oracle bone inscription, the Jin inscription and the Six Kingdoms script except for the Qin State during the Warring States Period.

The small seal is the common script after the unification of China by Qin, it is based on the script of Qin, with reference to the script of other vassal states, in order to facilitate the writing and delete the complicated and simplified, standardized and unified, which is the first standardized calligraphy in the history of Chinese calligraphy. Lishu is another representative book style that appeared after the small seal, and it was produced on the basis of the small seal. The production of official script is a great revolution of Chinese characters, its significance is not only that Chinese characters have since moved towards symbolization, but more importantly, it has changed the way of writing and aesthetic trend of Chinese characters, thus laying the foundation for the production of regular script calligraphy art, and then opening up a broad world for the development and prosperity of Chinese calligraphy art.

Therefore, in the calligraphy garden of the Qin and Han dynasties, the art of regular script (at that time it was called Lishu, that is, assisted by small seals, writing faster) was directly bred. Following its rules, the development history of Chinese regular script is divided into four periods: the embryonic period of regular script - Qin and Han dynasties, the development period of regular script - Wei, Jin, Southern and Northern Dynasties, the prosperous period of regular script - Sui, Tang and Five Dynasties, and the period of regular script keeping - Song, Yuan, Ming and Qing dynasties.

Song Xuanhe's book spectrum: "In the early Han Dynasty, there was Wang Cizhong, and he began to use the official character as a regular script. The regular script here actually refers to the eight-point script created by Wang Cizhong, not the so-called regular script today.

It is also rumored: "On the tomb of Confucius, Zigong planted a regular tree, the branches of which are straight and not bent. "The strokes of the regular script are simple and refreshing, and they must be like the branches of the regular tree.

Okay, it's just a bit of a task. But now there is less and less time to write.

Time is like water in a sponge. If you are willing to squeeze, you will. Practicing calligraphy must be persistent in order to be effective.

At present, your children are in this situation because:

Calligraphy class is just a kind of homework. Just like in class, the teacher is there and there is supervision, so you can come seriously. After class, you can make trouble.

In this way, he will be serious in calligraphy class. And doing homework, it's not a calligraphy class, you can do it casually.

Also, the calligraphy style is different from the pencil and fountain pen characters used for homework. You want him to write his homework at that pace, and when to write.

Suggestion: I have been practicing calligraphy. It didn't stop. It's just interest. I only practice strokes. Do not copy. Because I like my own fonts.

When you practice your strokes, the characters will become natural. And the form is his own. But the first thing to do is to write the words neatly, stroke by stroke. It's a good habit.

When you are proficient, you will naturally have speed. The more you write, the more you write, and the more you write, the more beautiful it is. Writing stroke by stroke is to practice patience, that is, to practice the heart, and practicing calligraphy is also to practice the heart.

Don't ask him to write well, neatly. Because it takes time to practice to write well. This is the essence of practicing calligraphy.