The storage skills of calligraphy and painting mounting, the basic steps of calligraphy and painting

Frame, beautify or protect and repair the calligraphy and painting works of ancient and modern paper silk with various silk silks, so as to make the pen and ink and colors more abundant and prominent, so as to increase the artistry of the works. Therefore, after being framed, the painting and calligraphy work has become a complete work of art, which must be carefully cared for and stored reasonably, so as not to make it damp, moldy or contaminated. So I would like to introduce you to some storage skills after the painting and calligraphy are framed.

Yongchun calligraphy and painting mounting factory.

First of all, when storing, wrap the scroll with a layer of cotton paper or thin paper, and then wrap a layer of newspaper (the ink on the newspaper can prevent insects) and put it in a plastic bag and tie the bag mouth.

Secondly, if there are many paintings, you can wrap the scroll and lay it flat in the drawer or in the painting cabinet in an orderly manner, do not put too much and put the lower layer under pressure, it should be divided into several layers, and paste a label on each layer to mark the table of contents.

Third, the painting cabinet should be placed in a dry and cool place, and some moisture-proof agents and insect repellent can be added to the cabinet.

In addition to complying with the above requirements, according to the length and diameter of the painting shaft, the soft and hard inside of the brocade box, wooden box, brocade bag or cloth bag should be pasted, and the outer label should be affixed to indicate the author, content, storage date and restoration date after the preparation. In addition, old calligraphy and paintings should be opened as little as possible in storage, so as to prolong their life. Modern calligraphy and painting mounting began to be combined with science and technology, and there is a complete theory of mounting, so whether it is ancient calligraphy and painting or contemporary calligraphy and painting, there is timely mounting, which further makes the artistic value of calligraphy and painting be perfectly presented.

The framed good calligraphy and painting works are carefully stored and protected, so that their artistic value will last forever, and the youth will always stay in the Yongchun calligraphy and painting mounting factory.

The specific steps of framing calligraphy and painting are as follows:

1. Mounting. Turn the painting and calligraphy work (which can be called a painting heart) over and face up, spread it on a flat and hard tabletop, moisten it slightly to make it naturally soft, and then brush it evenly with the treated water.

2. Smooth the center of the painting, remove the residual air bubbles between the center and the tabletop, and wipe the water on the table with a clean rag along the edge of the center.

3. After the heart of the painting is slightly dry, roll it up with another piece of rice paper that is larger than the center of the painting, and gradually cover the back of the center along one end of the center, and brush it flat with a board brush while covering it, so that it is flat and covered on the back of the center.

Fourth, use a board brush to hold up the heart of the painting, the specific requirements are that one is not loose to leave bubbles, and the other is to use uniform and moderate force when dunning, so as not to break the heart of the painting.

5. Gently lift the center of the painting from the table, hang it on the bamboo pole or wooden strip prepared in advance, and let it dry naturally. Note that this is just a pre-drying point to prepare for the upper wall.

6. When it is about 6 to 70% dry, remove it and spread it on the tabletop, still with the back facing up. Brush the water along the four sides of the back of the painting center (not too wide, especially not to the corresponding position of the painting and calligraphy paper), and paste a finger-wide strip of paper on the center of a certain side, so that a small gap can be left on the wall.

7. Pinch the two ends of the corresponding side of the small paper strip, lift the painting center from the desktop, and paste it on the flat wall without debris and dust, and use a board brush to make the painting center around it solid, so as not to fall off. At this point, the mounting work is basically completed, just waiting for natural drying. Just take it off.

If you want to fit the frame, you should cut it first. Framing calligraphy and painting is a step that is considered complete.

<> method of preservation of unframed calligraphy and paintings: Lining the calligraphy and painting with a layer of thin rice paper or leather paper of comparable size, rolling up the calligraphy and painting pieces with a paper roll as the axis, and wrapping them in white paper or plastic film, and storing them in a painting box or bookcase. Note:

Calligraphy and painting pieces that are not framed should not be folded and stacked casually, otherwise the calligraphy and painting will break from the fold, or leave black creases at the fold, which will affect the appearance after mounting. If you want to enjoy it temporarily, don't use a thumbtackin to nail it to the wall or paste it.

Stick to the wall, otherwise it will directly damage the calligraphy and painting.

When storing calligraphy and painting mounts, they should not be rolled too tightly or too loosely, and they should not be reversed. If it is rolled too tightly, the heart of the painting will be left on both sides of the heaven and earth.

The indentation of the seam with the edge material affects the beauty of the painting and calligraphy, and may also lead to the deformation or falling off of the frame; If the volume is too loose, it is easy to break the calligraphy and painting; If the scroll is reversed, it will cause creases in the calligraphy and painting. Paintings and calligraphy should also be properly preserved after mounting, and should be stored in the place to first consider moisture-proof, moth-proof, rodent-proof, mildew-proof, anti-staining, etc. Each piece of calligraphy and painting can be packed into a plastic bag or cloth bag, or it can be wrapped in white paper, and it should be placed flat when storing, not vertically, and do not place heavy objects on the calligraphy and painting to make the calligraphy and painting compressed.

The painting box can be prepared according to the specifications of calligraphy and painting, and some camphor is placed in the box.

and moisture absorbents.

The steps of framing calligraphy and painting include making paste, mounting, and drying on the wall. The steps of painting and calligraphy framing include the following: first of all, we must purchase tools such as pen and brown brush, and then make paste, and the paste used for framing should pay attention to the appropriate viscosity, and the calligraphy and painting heart should be neatly cut with a cutter, and the wall should be dried and the serial paper should be pasted on the back.

1. The calligraphy and painting that are not framed can not be folded casually, and the part of the calligraphy and painting that is not supported by one hand is stacked, otherwise the storage time will be broken from the folding place for a long time, and it will be rolled up and collected for a period of time after hanging for a period of time.

2. Hang out regularly for ventilation of long-stored calligraphy and paintings, and do not place heavy objects on top of calligraphy and paintings to put pressure on calligraphy and paintings.

3. If you want to enjoy it temporarily, you must not use a pushpin to nail it to the wall or stick it to the wall with paste, and it is not suitable to hang it for a long time, otherwise it will directly damage the calligraphy and painting. It can be lined with a layer of thin rice paper or leather paper with a comparable size under the painting and calligraphy piece, especially the damage of ancient calligraphy and painting is greater.

4. When stored in the place, it is necessary to consider moisture-proof, moth-proof, rodent-proof, mildew-proof, anti-staining, etc. Each piece of calligraphy and painting can be packed into a plastic bag or a cloth bag of the past honor, or it can be wrapped in white paper, and it should be noted that it should be placed flat when storing, otherwise the 5 fingers of the hand will scratch the calligraphy and painting out of creases.

5. For calligraphy and painting works without shaft heads, do not hold the part of the calligraphy and painting vertically with one hand, and do not place heavy objects on the calligraphy and painting to put pressure on the calligraphy and painting. If possible, remove the painting hairpin.

6. When displaying calligraphy and painting, one person should pull the painting rope, and the painting box can be prepared according to the specifications of the painting and calligraphy, otherwise the painting and calligraphy will be directly damaged, and the calligraphy and painting can be lined with a layer of virtual thin rice paper or leather paper with a considerable width, and some camphor and moisture absorbent are placed in the box.

Especially the framed calligraphy and paintings, how to store them is also very particular. After being framed, the painting and calligraphy work has become a complete work of art, which must be carefully cared for and stored reasonably, so as not to make it damp, moldy or contaminated. When storing, wrap the scroll with a layer of cotton paper or thin paper, and wrap another one outside.

The ancients said that "paper lives for a thousand years", but if you don't take care of it, paper is very easy to break. Especially the framed calligraphy and paintings, how to store them is also very particular.

After being framed, the painting and calligraphy work has become a complete work of art, which must be carefully cared for and stored reasonably, so as not to make it damp, moldy or contaminated. When storing, wrap the scroll in a layer of cotton paper or tissue paper, and then wrap a layer of new newspaper (the ink on the newspaper can prevent insect damage) and put it in a plastic bag and tie the bag mouth. If there are many paintings, you can wrap the scroll and lay it flat in the drawer or in the picture cabinet in an orderly manner, do not put a lot of it and put the lower layer under pressure, it should be divided into several layers, and paste a label on each layer to mark the table of contents.

The painting cabinet should be placed in a dry and cool place, and some moisture-proof and insect repellent can be placed in the cabinet. In addition to the above requirements, the paper box, wooden box, brocade bag or cloth bag should be tailored according to the length and diameter of the painting scroll, and the author, content, storage date and restoration date should be indicated on the signature. Old calligraphy and paintings should be opened less and less scrolled in storage to prolong their life.

When hanging the painting, be careful not to hang it on rusty nails or stained walls, let alone on damp walls, and be careful not to hang it in direct sunlight and convection of the wind. When hanging paintings and picking paintings, it is necessary to use a painting fork to firmly grasp the silk silk to prevent the fork from being folded down if the fork is not tight. When picking up the painting, it is necessary to prevent the hard marks on the folding of the frame, and gently roll it up on a clean and dry desk after taking it off.

For example, when the picture is hung on the wall and the scroll is vertically scrolled, the left palm can easily follow the shaft rod on the ground foot, and the right hand can hold the shaft head at the right end and roll upward; If the picture is placed flat on the table, you can hold the shaft heads at both ends with both hands and roll it forward, or you can hold the shaft with your left hand and roll it forward with the palm of the shaft at the right end with your right hand. For frames without shaft heads, such as hand scrolls and couplets, you can hold the shaft downward with one palm and push the scroll forward with the other hand. Once the calligraphy and painting are loaded, whether they are rolled vertically or flat, care should be taken not to make the hand holding the scroll and the fingers of the painting cut upward, so as not to cause the back of the painting to be hard and cause scars.

Although it is said that "paper lasts for a thousand years, and silk is guaranteed for 800", if the collection of calligraphy and painting is not well preserved, it is afraid that it will be difficult to withstand the wind and frost for decades. The following five questions are common confusions in the preservation of calligraphy and painting collections.

One asked, "To mount or not to mount?" ”

A: One of the purposes of collecting calligraphy and painting is to appreciate it, and only after the calligraphy and painting are framed can there be a better appreciation effect. However, if the collector has a large amount of calligraphy and paintings, it is impractical to frame them one by one, and only some of them can be selected to be framed first.

However, the unmounted is only temporary, from the perspective of long-term inheritance, the mounting of calligraphy and painting is more resistant to damage, and the unmounted calligraphy and painting, even if stored properly, should not exceed 50 years.

Second question: "Which calligraphy and painting works need to be framed in time?" ”

Answer: Some calligraphy and painting works are made of fragile bamboo paper, or very thin cotton paper, or cooked paper, cooked silk and other paper with too large alum, which should not be stored for a long time and should be framed as soon as possible.

Three questions: "Is it good to store the calligraphy and painting bracket?" ”

A: Not really. Because the calligraphy and painting have increased the thickness and hardness once they are supported by the core, if they are often stretched and appreciated, it is easy to make the format rough or creases, and it is not conducive to future mounting, and sometimes it is necessary to re-mount after unmounting.

Q4: "How to store it after mounting?" ”

A: Paintings and calligraphy mounts must be packed and stored. It can be stored in a wooden box or brocade box, or in a cloth bag or plastic bag, and the bag mouth should be sealed after bagging. At the very least, wrap it in newspaper and store it in a multi-compartment cabinet or easel.

It should be stored flat, not vertically, and should not be bundled or stacked. If it is necessary to bundle due to conditions, two more sheets of newspaper should be wrapped in each axis. No matter how it is stored, it should be protected from moisture, heat, wind, pollution, pressure, insects, and rodents.

Five questions: "How to store unframed paintings and calligraphy?" ”

A: There are two ways to do this. One is the volume storage, that is, the painting and calligraphy are lined with a layer of rice paper with a slightly larger format than the painting and calligraphy format, and the newspaper roll is used as the shaft to roll the calligraphy and painting into a roll, which should be rolled up and ironed to prevent wrinkles, folds or uneven margins, and then wrapped in newspaper and placed in the picture box.

The second is to exhibit and preserve, that is, first lining a layer of rice paper under the core of each painting and calligraphy, stacking them one by one on the board, with the large format at the bottom and the small format at the top, and then covering it with several layers of newspaper and covering it with plastic film, which should not be pressed with heavy objects. This method is the most beneficial for calligraphy and painting, but it occupies more space. Calligraphy and painting should not be folded and stored, because if it is folded and stored, it will break or leave black creases at the fold after a few years, and it is difficult to remove it when mounting.