If you have painted a color, please enter the placement of paint 5

I don't think you need to worry about such a problem Hehe Actually, you can put it how you like it In the past, when I was working on color, I didn't put it according to the warmth of the color I just put it if I liked, and then I painted it later, of course, I memorized the order of my placement I haven't painted color for a long time, or the color class last semester, and now I can still recite the order of the colors in my paint box, if you don't believe it, try it yourself. A friend above said that it is put according to the cold and warm of the color, you can also put it according to what the friend said above, it depends on yourself, and there are some color books that will teach you how to put paint, you don't want to look at the color books

I can put it from a change of warmth or a change of brightness!

And so it is:1White, light yellow, orange, red, ochre, dark green, light green, pink green.

2.White, medium-yellow, orange-red, red, crimson, ripe brown, olive green, emerald green, lake blue.

3.Lemon yellow, earth yellow, vermilion, rose red, black, blue, ultramarine, cobalt blue.

This is a way to put it.

There is also a type that is placed according to the number of grids in your palette:

1.White, pale yellow, medium loess, clay yellow, orange yellow, orange red, bright red, dark red, ochre, ripe brown.

2.White, pink, green, grass green, emerald green, dark green, lake blue, cobalt blue, ultramarine, general blue, black.

Note: 1, 2, and 3 are the number of palette arrangements.

There are many kinds of boxes, and yours may be a little different from others, and the large lattice is filled with many colors, such as white, black, and light yellow. Other colors are graded from cool to warm, such as blue (blue, ultramarine, cobalt blue, lake blue, etc.), green (olive green, dark green, etc.), yellow (ripe brown, etc.), red (dark red, bright red).That's about it, I hope it can help you.

The production process of oil painting is the creative process in which the artist consciously and skillfully controls the oil painting materials, selects and uses techniques that can express artistic ideas and form artistic images. The following are the precautions for the color mixing of oil paints that I have organized, let's take a look!

Commonly used tools:

A thick glass or marble slab, a mallet (grinding rod), a palette knife, and a glass bottle or empty tin tube for storing pigments.

Here's how:

1.Pour the pigment powder onto a glass plate, if it is a block of pigment, it should be crushed into a powder and then slowly add the linseed oil.

2.At the same time, a circular grinding is carried out and blended with a palette knife until the characteristic consistency of oil paint is obtained.

It must be carefully ground to eliminate particles so that the pigment powder is fully and perfectly combined with the linseed oil.

Precautions for grinding oil paints:

1.Different pigment powders require different amounts of oil, and the pigment powder can be ground into a paste.

Raw flax oil is generally used to tone toners. Dry slowly and easy to be useful for a longer time.

If you need to dry quickly, you can add 1:2 dama oil 10% to the pigment powder.

Points to note when modulating colors:

1.However, the color of monologue (especially zinc white) should not be mixed with pure oil, and all other pigment powders can be prepared with raw flax oil.

2.The white powder will change color soon after mixing with pure oil, and it is best to mix it with emulsion, and cellulose and casein emulsion binders can be selected. This kind of emulsion dries quickly, and the prepared color must be sealed and packed, and you can take as much as you want.

3.For coarse, granular pigments, finely ground while blending the oil.

4.For the color of the oil painting in the lead tube, it can be treated with oil absorption (such as squeezing on the newspaper to allow the paper to absorb the oil in the paint) before painting, and the medium oil-based medium can be adjusted when used.

5.For light pigments with strong chromaticity, it is necessary to properly mix and write additives, and materials such as talcum powder and Gaozen clay can generally be used.

For the color with strong covering power and opacity, an appropriate amount of talcum powder can also be added, and the material of Gaozen soil only plays the role of increasing the volume without changing the pigment, which can weaken the intensity of the light color or make the opaque color become transparent.

6.For the pigment powder that floats after encountering water or oil, a little cow bile or alcohol can be added in an appropriate amount to make the pigment powder adhesive.

7.Permeable pigments should not be ground too finely, otherwise they will be color-discolored.

8.When grinding toxic pigments such as lead, it is necessary to prevent the powder from getting into the nose.

9.Pigments made with linseed oil can only be coated with a blanket when the underlying pigment is completely dry, so it is absolutely not possible to paint with a very thick coat, and it is best suited for one-off and monochrome paintings.

To change the disadvantage of this pure oil-based pigment: it is necessary to add 10% resin varnish and 2% wax dissolved in turpentine to linseed oil.

Waxing is done to increase the viscosity of the pigment (no wax is necessary if poppy oil is used), and at the same time to reduce the yellowing of the linseed oil and prevent the pigment with a high specific gravity from separating from the oil.

10.Some of the ground pigments may harden after a few days of storage and need to be further grinded.

1. Dilution of pigments.

The method of improving the brightness of monochrome pigments is to dilute them with water, and the brightness of the pigment is high when there is more water. The purity of the pigment is reduced after dilution, such as dark blue becomes light blue after adding water, the color is brighter but the purity is not as pure as the original dark blue. Any of the primary, interchromatic, and multichromatic colors can be diluted to improve the brightness, but often when the two colors are mixed, they are diluted at the same time.

2. Mixing of pigments.

When two or more pigments are added together and mixed thoroughly, it is the mixture of pigments. This is one of the methods commonly used by general painting genres. Some new colors appear in the pigments after mixing, such as blue and yellow mixed to produce a new color - green.

Usually the new color after the neighboring color is mixed is close to the original color, for example, the new color after the mixture of dark blue and general blue has the rocky properties of the original two colors. Therefore, some of the mixed pigment hue has changed, and some are close to the original pigment hue, and the brightness and purity of the new color have changed to varying degrees.

3. Reset the pigment.

This is a special method in use according to the characteristics of the transparency of watercolor pigments, that is, to add another color to one color to produce a new color, such as yellow to cover blue to appear green, and then to cover red when there will be a kind of gray, when resetting the color, it is generally necessary to reset another color after the original color is dry, otherwise it becomes a mixture, the reset color has different changes in hue purity and brightness, and the reset of the pigment is not an unlimited reset, which should be carried out as needed.

If you want to improve the brightness of red in the watercolor paint, you can remove the oak, you can do it, and you only need to add the pigment to the red pigment to remove the highlight.

Quite a reset.

This is a special method in the use of water limb vertical color pigments according to the characteristics of hunger and leakage, that is, to add another color to one color to produce a new color, such as yellow to blue to appear green, and then to appear gray when covered with red. When resetting the color, it is generally necessary to reset the other color after the original color has dried, otherwise it will become a mixture. The colors after the reset have different variations in hue, purity, and brightness.

The reset of the pigment is not an unlimited reset and should be done as needed.

Color painting is a pigment required according to different types of painting, please refer to the following information.

1. Watercolor paintings, which require watercolor paints, are divided into low, medium and high-grade grades from the highest grade, and the suits range from more than 100 yuan to more than 100 yuan.

2. Gouache painting requires gouache paint, mostly in monochrome bottles, about 3-5 yuan per bottle.

3. Oil paintings, oil painting pigments are needed, mostly paste-shaped hose packages, domestic single pieces are about 3-5 yuan, and imported ones are more expensive.

4. Chinese painting, Chinese painting pigments and ink, pigments are mostly paste-shaped hose packs, and a single piece is about 1-3 yuan. Ink, there are ink and ink blocks, from a dozen yuan to hundreds of yuan.

From right to left, arranged vertically:

Yellowish. Lime yellow.

Medium yellow. Dark yellow.

Clayman. Orange.

Orange. Vermilion.

Magenta. Red.

Crimson. Rose.

Violet. Qinglian.

Aqua. Grass green.

Medium green. Olive green.

Dark green. Lake Orchid.

Cobalt blue. Ultramarine.

Titanium blue. Puran.

Black. A total of 25 colors.

There are nine squares left, and you can put your own color at will.

Be careful not to put white in the palette.

so as not to get dirty.

5 squares、

Start at 2, 2 squares: Red. First pink, rose, crimson, vermilion, crimson, earthy red, brown

3 squares: Yellow. Lemon yellow, light yellow, medium yellow, orange yellow, earth yellow, 4 squares: blue. Sky blue, lake blue, cobalt blue, violet, ultramarine, puran,

5 squares: Green, Yellow-Green, Light Green, Grass Green, Medium Green, Emerald Green, Olive Green, Dark Green, Others and Empty. Start on the right, choose 8 grids, start with 2 squares, and one is 2 squares. A total of 8 squares, put gray!

Black what、I put it in the bottom right corner。 The top 4 blocks are large. You can put white, ripe brown, this is for my own use. It's more handy.

The top 2 squares are white, 1 is lemon yellow, 1 is medium yellow, and the bottom is placed in order from warm to cold, with gray in the middle and black at the end. Seems to be the same issue.

Personally, I like to put two large grids in white, and then the small grids from left to right, from warm to cool, do an over, and you look at the color yourself, and put the transition color in the way I personally think it's easier to find the color.

It depends on your personal preference, and you can put it in a convenient place with whichever color you like.