How do you paint an apple with a color still life? 20

There are many ways to paint colored still life apples, you are asking a bit general, if it is watercolor, from light painting to deep, first use light pen composition, start painting from the bright part, and then paint the bright part gray, in the upper dark part and the environmental color, plus the color on the junction of light and dark, pay attention to the tone, gouache or oil painting should be painted from deep to light, first use a light pen composition to start painting from the dark part, including the environmental color, plus the color on the junction of light and dark, pay attention to the tone, the dark part should be painted thin and transparent, and the bright part should be painted thick, In addition, you should also pay attention to the shape of the pen to turn, I hope it will be useful to you.

I don't recommend you to learn the "color start" of Li Weinong, his color painting method is a little conservative for the present, his painting method is mainly focused on the combination of watercolor painting, natural connection, the color is thinner, but it can reflect the weight of the object, and the general painter, the color painting is easy to appear light and fluttering, which is a disadvantage that often occurs for the majority of candidates, and it is still difficult to learn his painting. Apples are a common still life in our colors, generally speaking, the dark side can be darkened red with a little blue modulation, but you must remember that under normal circumstances, the dark side should be warmer as a whole, and add a cooler color in the reflective position (this depends on the warmth of the still life scene and the whole picture); In the middle transition, of course, in addition to the transition, you should also add one or two strokes of the color of the apple itself; To the bright side affected by the color of the sky is appropriate to make it a little cold, especially the highlights, this is very important, the size of the highlights, the position, the cold and warm, etc. must be clear, because it is the finishing touch! Feel and practice this according to the actual situation!

Hope it helps! ~

First adjust the intrinsic color of the apple, start from the place where the color is heavy, use the intrinsic color of the apple to divide the boundary between light and dark, gradually add the light source color and the ambient color on the bright side, add that color to the color, and add the opposite color (complementary color) and the environmental environment color to the dark part; Add white or black in between. Note that this is gouache!

After drawing the dark part, you can draw the gray part first, or you can draw the light part first.

The dark part is the inherent color plus its contrasting color, the pit of the apple and the dark part of the apple are drawn together, and the reflection is the color of the cloth plus the dark part.

The color of the gray part is pure, generally add 1 or 2 colors, and the bright part is also drawn with the other half of the gray part + white pit, if it is an apple close to the light source, first point the highlight and brighten it around the highlight.

Finally, remember to engrave the base in a dark color, and copy it a lot.

Generally, the dark part of the apple is made of red and green, red and pran, and the middle surface is generally the color of the dark part and the light part of the harmony, painting is a process not too urgent, take your time, you should carefully ponder those good paintings, painting on the basis of nothing more than to consider the volume, space, structure, color relationship, a good work generally has these elements, more painting, more thinking, a long time to improve.

First of all, it is necessary to find the intrinsic color, that is, the color of the apple itself; Looking at the environment again, if the bright part is a warm color, then the dark part is a cool color, and the dark part should secretly add complementary colors to emphasize the reflective environment color. It is best to block and find the relationship between black, white and gray in the sketch.

Try to draw a small point on the dark side, the dark side is too big and not good-looking, and there is a block of faces, I am an art student in Jiangsu in grade 11. At that time, our teacher said that the invigilator liked this style of painting very much, and the result was real, we paid attention to the whole, the picture was concise, and the pen was decisive, not smeared, but into a block of noodles, you try it.

The first is to find the right intrinsic color of the object, and then it is to deal with the bright and dark parts, the bright part is a warm color, the dark part is a cold color, and the dark part should secretly add complementary colors to emphasize the reflective environmental color, and draw the overall three-dimensional sense.

You can refer to Li Weinong's "Color Start", which depicts still life quite well, very academic, and very suitable for exams.

The dark part is painted first, then the middle tone, and then the light part.

1 just woke up.

2 Listen to **.

3. Paint and calligraphy. Do a good job of the 3 steps I teach you. On improving technology.

It's hard to say that you have to buy books to learn.

Buy a book and copy it.

When painting apples silently, it is easy to lose the sense of volume due to the "flatness" of painting, which is mainly caused by improper grasp of the brush and the imbalance of water use. To solve this problem, first of all, we should use more "pendulum" strokes on the brush, especially when painting the gray and bright parts of the apple, which will make it easier to express its color block and make the apple have a strong sense of volume. Secondly, in the grasp and control of moisture, the dark part should be slightly wet, and the gray part and the bright part should be slightly dry.

Pay attention to the composition, the shape of the still life, and the line between light and dark.

Gouache has a certain covering power, and the background can be pressed over first.

After the color is dry, start to spread the color of the fruit.

The edge line of the light-receiving part can be directly stuck.

Start with the color of the tabletop, and apply it a little thicker.

The strokes can be crossed horizontally and vertically, but they must be ordered.

Pay attention to the transitions and articulations between colors, and be natural.

Add some line-like brushstrokes that express the folds of the cloth.

Begin to go deeper into the area, starting with the pit part of the fruit.

The color of the light should be painted thicker, and the brushstrokes should be laminated to shape.

The semi-lighted surface is rich in color, and the transition to the dark part should be natural.

Pay attention to the reflection of light, and deal with edge lines and color blurry.

When shaping the shape, we should also pay attention to the overall color relationship of the picture, and we can't just stare at one object and keep drawing, and ignore the color relationship with the background and interlining, which is "losing the watermelon and picking sesame seeds", which is not advisable. It is necessary to "jump" out of the shaping and portrayal of parts at all times, and grasp the large color relationship and overall sense of the picture.

I haven't painted color, but the way I draw is the same as the sketch.

Honestly, unless you're following the steps of learning to draw, there's a certain foundation for drawing geometry. Otherwise, it's not a blow to you.

In fact, the steps for painting a still life and geometry are the same.

If we are talking about painting a work, it is divided into the following steps (I take painting a still life as an example, the objects are beer bottles, fruits and cans): 1. First look at the shape and proportion (size, height) between the objects. The distance between the objects (it is recommended to look at it more), draw a geometric shape on the drawing paper (this is not the shape of the object, it is the highest point of the bottle to the highest point of the jar, the highest point of the jar to the highest point of the fruit, and the highest point of the bottle to the fruit.

Then draw the outline of each object, the cloth pattern, etc.

2. Draw the boundary between light and dark of each object, and then draw the dark side and projection of the object and the cloth.

3. Draw most of the object, as well as adjust and so on.

I can't talk about it that carefully.

Color, like still life, has three major faces and five tones.

Three sides: the light side, the gray side, and the dark side.

Five tones: highlights, bright gray, light and dark junctions, dark parts, and reflections.

Color still life yellow apple painting teaching, you will definitely be able to learn such a clear way to paint.

My painting method is: 1. Clarify your thoughts first, think about what shade and color of apple you want to paint, which is cold and which is warm in the bright and dark parts, and the color matching should be harmonious and beautiful; 2. After thinking about it, start to take shape, this is relatively simple; 3. Coloring, first the dark part and the bright part can be any one, but the color must not be stringed, and then it is reflective projection, pay attention to the contrast of colors; 4. Adjust the picture at the end. It's just a very simple apple, but it's also a serious one.

The pencil takes shape, lays out the light shade with light gray, and then paints it with a color palette according to the appearance of the scene, paying attention to the contrast between light and dark in the process.

1. First use the ripe brown hook, add water to lay out the dark part and projection, and determine the position of the apple.

2. Use lemon yellow and white to pave the bright part, and ochre and yellow to pave the dark part, and the projection is cold.

3. Weigh the boundary between light and dark, transition to the gray surface position with the inherent color, and pay attention to shaping according to the shape structure when using the pen.

4. Shape the bright surface of the apple according to the consciousness of the sphere, pay attention to the virtual and real processing of the edge line, and finally outline the apple stalk and projection, wipe out the cold reflection, and point the highlight.

Steps of gouache apple**analysis:1Use group sentiment to outline the composition of the picture and the outline of the apple, and slightly render the relationship between light and dark.

2.Start with the dark parts and pay attention to the color relationship between the dark parts and the color change. 3.

The shaping starts from the subject matter, with a clean and neat brush, multi-party contrast observation, the part obeys the whole, and pays attention to the relationship between tones.

How do you paint a color gouache still life apple? Try this trick! This is also a problem that art students are more concerned about, I believe that many art students want to master the art color gouache eggplant painting steps to learn art, we can not blindly learn, we must cultivate keen observation ability and application ability, but also have the professional quality and quality of art students, so let's learn the art color gouache eggplant painting steps.

The following will introduce you to the content of the art color gouache eggplant painting steps, I hope it will be helpful to all candidates. It is important to practice drawing vegetables in gouache drawing, because vegetables are often used as a topic in the exams. In particular, some vegetables with a strong sense of color, such as:

Paintings of green loofahs, purple eggplants, etc. Eggplants with a strong sense of purple often appear in exam questions, on the one hand, purple eggplants have a strong sense of color; On the other hand, the different shapes of purple eggplants can test everyone's grasp of the size of the shape in the whole picture.

If you have not yet participated in the joint entrance examination training, it is highly recommended to conduct in-depth training before the training camp in the "Art Collection Online School" in advance, and preparing in advance can make you more handy during the training camp! Even the art students who are in the training period of the joint entrance examination, they are also training in the studio and improving at the same time in the "art collection online school". Or if you want to learn board painting without art foundation, or you don't have art foundation in learning board painting, you can come to the art collection online school for systematic learning and improvement.

Steps. 1. The composition of eggplant, generally for a single eggplant, it is best to use plain blue with a little crimson for composition. When composing the picture, it is best to use a 3 or 5 gauge pen hook, and directly spread the dark part and projection of the eggplant after the hook is hooked.

Steps. Second, when painting eggplant, you can choose ultramarine for coloring, and you must add some reflection to the light and dark boundary line of the dark part, which can reflect a gradient process of color.

Steps. 3. When the boundary between light and dark is painted, it can be like the gray side is excessive, and the treatment of the gray surface is mainly to grasp the inherent color of the eggplant itself.

Steps. Fourth, for the treatment of the bright part, the highlight part is mainly next to the violet to add a small amount of lemon yellow, so that the main thing is the change of the special hue.

Steps. 5. For the treatment of highlights, add some white pigments near the highlights, and remember that there should not be too much white pigments. Because too much white paint can make the whole painting too powdery.

Provide "Art Color Gouache Eggplant Painting Steps" to read, if you like these shared content, please bookmark, I hope you through the "Art Color Gouache Eggplant Painting Steps", find the golden key to the pinnacle of art.

How to paint apples in colorDown:

1. Start-up. First of all, the shape is the basis of everything, although the different varieties of apples are also strange, but the basic modeling rules must be mastered, the general modeling rules of apples: wide at the top and narrow at the bottom, there is an apple nest in the upper part, and the shape is generally selected to be higher than the width and length.

2. Paving. The first color paving should pay attention to the fact that we start from the bright gray part, the color of this position is relatively bright, reflecting the inherent color of the object, so we generally use two or three colors to adjust and tile. For example, yellow apples can be mixed with tartrazine plus Naple yellow or tartrazine with white.

3. Pressing the dark part.

Draw the dark color, this step should pay attention to highlight the sense of light, distinguish between bright and dark. The dark color must be based on the apple's intrinsic color. Note that the dark part of the apple nest should also follow.

4. Follow the projection.

After the dark part is pressed, keep up with the projection, and the projection color should be adjusted according to the environment, and the projection color of the interlining in different environments is different. The shape of the projection is determined according to the shape of the object and the light source.

5. Connect the gray part.

The gray part is the expression of the intrinsic color of the object, so the color should be of high purity. The gray color expresses the color of the apple itself.

6. Brighten. The brightness of the apple highlight must be high, and the size and position must be well controlled.

7. Reflective environmental color.

The reflection should be based on the environmental performance, and the reflective color should not be too bright.

8. Point highlights.

The size of the highlights should be delicate.

<> "How to Draw a Withered Apple in a Little God of Color."

Step 1: Start by drawing a basic shape of a cute apple.

Step 2: Draw an outline.

Step 3: Draw a suitable color for the apples and fruits.

The first 5 steps of the cave and the beautiful apple stick figure are finished.

Use warm colors for the dark part, you can use moss green to add a little earth yellow, add lemon yellow and fruit green, and add a little orange powder to the bright part of the cold, lemon yellow and fruit green.

Reflective to the above colors unsaturated together, and then add a little bit of interlining color, if you are bold enough, you can also use a fan pen to brush some contrasting colors directly, but pay attention to the structure.

Warmth and coldness are relative, and it's up to you to grasp it.

Tell you quietly, Marley's moss green and Windsor's orange powder are really easy to use, the color of the painting will not be too dark, it may be that your paint is dirty, do not have more than 5 colors in one stroke, and do not mix too evenly, otherwise it will look dirty and darkened. Painting apples with less white will make them look very pink and not bright enough, so you can try adding lemon yellow and fruit green to brighten up the bright spots.