Is Marat s Death Real What is the story of Marat s Death in history?

"The Death of Marat" depicts the stabbing of Marat, a Jacobin leader killed during the French Revolution: Marat collapses in a bathtub, blood flows from his chest, and a bloody dagger falls to the ground. Marat's body hung limply to the side, still holding the Assassin's letter in his hand and a pen in his right hand.

The wooden box he approved had inkwells and paper on them.

The note reads: "On July 13, 1793, Marianne Charlotte Corday addressed Citizen Marat: 'I' am very unfortunate and expect to receive your charity, and that is enough.

The note on the wooden box reads: "Please give these five francs to a mother of five whose husband gave his life for the country." ”

"The Death of Marat" is a famous painting by David. Marat (1743 1793), the leader of the Jacobins in the French Revolution, worked in the bathtub every day due to eczema. Royalist Charlotte Cordai infiltrated the bathroom and killed him under the pretext of asking for relief.

The painting depicts Marat being assassinated in a bathtub.

Marat was one of the core leaders of the Jacobins. He suffers from a severe ** disease, and the pain can only be relieved every day by soaking in a bathtub sprinkled with potion. The bathroom is where he spends most of his time.

On July 11, 1793, under the pretext of negotiation, Corday entered Marat's baths and killed Marat.

One of the leaders of the Jacobins in the French Revolution, he often hid in the cellar for revolutionary work and contracted eczema. To do this, he had to spend several hours a day lying in the bathtub, while **, while doing official business or writing, Charlotte Cordet in the name of applying for hardship relief, and assassinating himself unsuspectingly.

Marat was killed by Corday's woman.

Summary. A brief introduction to neoclassicism, following reason, the individual should restrain subjective feelings, obey reason and the law, and put the interests of the state above all else. Artistic features:

Advocating the ideal beauty of ancient Greece, pursuing elegant, solemn and harmonious moods, emphasizing sketches and outlines, and weakening colors. Now let's officially return to this painting, which seems to be a "crime scene", let's see what is in the painting. Marat collapsed quietly in the bathtub, blood oozing from his chest, and the bloody dagger fell to the ground; He holds a letter or note in his left hand, and a quill in his hanging right hand; There are also inkwells and paper on the approved wooden boxes.

The suspense is that I don't know how he died, the famous French painter David is a worshipper of Marat's touring group, and he uses a brush to show the scene of Charlotte assassinating Ma or Pole.

A brief introduction to neoclassicism, following reason, the individual must restrain the subjective sense of filial piety, obey reason, wisdom and law, and put the national interest above all else. Artistic characteristics: advocating the ideal beauty of ancient Greece, pursuing elegant, solemn and harmonious mood, emphasizing sketches and outlines, and weakening colors.

Now let's officially return to this painting, which seems to be a "crime scene", let's see what is in the painting. Marat collapsed quietly in the bathtub, blood oozing from his chest, and the bloody dagger fell to the ground; He holds a letter or note in his left hand, and a quill in his hanging right hand; There are also inkwells and paper on the approved wooden boxes.

The Death of Marat was written by Jacques-Louis David, who was born in Paris to a family of hardware merchants, grew up to learn painting with the painter Boucher with the help of relatives and friends, and at the age of 16 was admitted to the Royal Academy of Painting and Sculpture for more systematic study. Jacques-Louis David was not a gifted man, but he became a famous French painter through diligent study.

Background of the work. The Death of Marat aims to return to the classics, to recreate the elegant style of ancient Greek and Roman art, and belongs to the neoclassical literature of Qi Yinyi, which only began in the second half of the 18th century. David was already sympathetic to the revolution and had some personal relations with Marat, and just a few days before the assassination, he had visited Marat and seen him working in the bathtub.

When the news of Marat's death broke, David began to work on the work, which he thought would be beneficial for people to show the life of the deceased who had worked for the public during his lifetime. The picture touches people's hearts with its simplicity and simplicity. The composition is pressed low, and the black at the top takes up a large area, creating a solemn, solemn atmosphere.

Introduction to the work. The Death of Marat deliberately creates a space that belongs to the poor banquet people. In the closed and cramped room, Marat collapsed in the bathtub, holding a pen in one hand and a blood-stained letter in the other, the upper part of the painting is loose and messy, it may be a wall, or it may be just an ambiguous space, representing eternal nothingness, but the rough and flat wooden box that serves as a desk seems to tell the virtues of Marat.

The Death of Marat is an oil on canvas painting created in 1793 by Jacques-Louis David, the founder of the French neoclassical school, and is now in the collection of the Royal Museum of Fine Arts of Belgium. So do netizens know what the background of the creation of "Marat's Balance Hunger to Death" is? Let's take a look.

1. "The Death of Marat" was created during a turbulent, bloody, and great period of change in French history.

2. France under Louis XVI was in the midst of a crisis, which was normally triggered by a financial crisis, in which France was proud of its financial support for the United States' struggle for independence, but financial constraints forced the king to raise taxes on the people. to avoid bankruptcy. Because the aristocracy and the clergy were exempt from taxes, but the poor commoners had to empty their pockets for this.

In 1789, the French crop failed and prices skyrocketed.

3. On the night of July 13, 1793, Paul Marat, a representative of the radical wing of the French Revolution, was assassinated. On 14 July, France convened a national convention to denounce the counter-revolutionary machinations of the royalists. A delegate named Hiro spoke and called on the painter Jacques-Louis David to take up the brush and avenge Marat, so that the enemy would tremble at the sight of Marat's assassination.

David, a representative of neoclassicism in French painting, a member of the National Assembly, and a member of the People's Education Committee, immediately rushed to the scene of the incident to understand the situation, painted the head of the dead Marat, and put a plaster mask as an image reference. He also brought the dagger left behind by the Assassin and the dead bathtub of Marat back to the studio as a basis for his work.

4. Corday enters Marat's bathroom under the pretext of reporting to Marat about the Gironds in Conn area. Transcripts of the interrogation later indicate that Corday reported 18 Girondes to Marat, who wrote them down and said that the next day he would arrest them and guillotine. At this time, Corday took out a knife and stabbed Marat, but she did not flee, but quietly waited for capture.

Therefore, the note in Marat's hand at that time should be the list of 18 people he was going to execute. Therefore, there is reason to suspect that the money and bereavement letters on the table, which are full of charity and warmth, also come from David's fabrication rather than facts. After Marat's death, Jacques-Louis David painted Marat's Death of Marat.

Jacques Louis Dawit

France (1748-1825).