Artistic Characteristics and Development Stages of Ink Animation 150

<> not. Ink animation is a new variety of animation art created by Chinese artists. It uses Chinese ink painting techniques as a means of expression for the transformation of the human tomb and the modeling of the environmental space, and uses the special processing technology of animation shooting to shoot the image and composition of the ink painting one by one, and forms the animation of the ink painting image of the dark and dark virtual and real activities through continuous screening.

From 1961 to 1995, Shanghai Meiying Studio produced a total of 4 ink cartoons. Each one has its own characteristics, all have innovations, and all have made progress. Ink animation refers to artistic animation in the style of ink painting.

Ink painting, people who don't understand don't say that ink painting is only black and white, ink painting refers to Chinese painting, Chinese painting is rich in color, Chinese painting can be divided into freehand and fine brush, heavy color, "Havoc in the Heavenly Palace" can be said to be ink animation, because the background painting method at that time was a lot of traditional Chinese painting methods. "Little Tadpole Looking for Mother", "Pastoral Flute", "Landscape Love" and "Deer Bell" are all frame-by-frame freehand style ink animations, all of which are rich in color. Meiying Studio has also done a lot of paper-cut ink animation, such as "Panda Department Store"; Gongbi ink animation, such as "Strange Tales from the Book of Heaven" and "Nezha in the Sea", and Havoc in the Heavenly Palace are also considered to be gongbi types.

Ink cartoons can be called a major innovation in Chinese animation. It introduces traditional Chinese ink painting into animation production, and the artistic conception of virtual reality and light and elegant pictures make a major breakthrough in the artistic style of animation. Different from ordinary cartoons, ink animation has no outline lines, and the ink is naturally rendered on rice paper, which is natural, and each scene is an excellent ink painting.

The movements and expressions of the characters are beautiful and agile, the background of the ink-splashed landscape is bold and magnificent, and the soft tone is full of poetry. It embodies the aesthetics of Chinese painting "between the similar and the unlike", and the artistic conception is far-reaching. "Little Tadpole Looking for Mother" is the world's first ink and ink cartoon, which was completed in July 1961 and produced in 1960.

The mysteries of ink cartoons are concentrated in the BAI photography department. Every character or animal drawn on the animation paper must be colored in layers when it comes to coloring, that is, the same buffalo must be separated.

Four or five colors, including large patches of light gray, dark gray, or just the burnt ink in the horns and eye borders, were applied to several transparent celluloid sheets. Each celluloid was shot separately and again by the animator and then photographically rendered in ink, which meant that the buffalo we saw on the screen had to be drawn by the animator at the end. The process is so complicated that the time spent on photographing an ink cartoon is enough to make it.

Four or five ordinary cartoons of the same length. The ink cartoons created with the kind of kung fu and perseverance have indeed aroused the admiration of people in the animation industry in Western countries, Hong Kong and Taiwan.

Note: It is ported.