Why can t you draw fishnet like lines in the sketch?

Normally no, but if you have the same mesh throughout the painting you can, because of the unity.

First, it was coordinated. Also, the mesh you said is not clear, whether the crossing line is vertical or less than 90 degrees. But in fact, if you can control the intersecting lines of the whole painting to be at the same angle, you can unify them in one picture, otherwise it will not look like something in the same painting.

In addition, most of the tones on the beginner's picture do not need to leave line strokes, because the most obvious place to see is the gray surface, and the other places should be blurred, and it is good to leave some line strokes on the gray surface. When you reach the master level, you can make it uniform with all line drawings.

Of course, I understand why the teacher told you that, because you have to take the test, and the fastest way for you to draw a decent test-taking drawing is to keep telling you what the lines are drawn into, where and how to do it. But it's not that restrictive.

Who said that there is no fixed way to draw There are all kinds of artistic techniques now, only the unexpected, there is nothing that cannot be done, not to say that it is a fishnet-like line, and there is no shortage of works that make a sketch effect with a real fishing net The second floor is right, mainly because your teacher is taking the exam for you.

Your geometry itself is square, if you draw fishnet-like lines will look very stiff, try not to appear 90 degrees of intersection lines in the picture, the degree will be a little softer, the picture is very coordinated, generally 30 degrees to 60 degrees of intersection line effect will be very good.

At the beginning of learning to draw, the teacher reminded me not to draw lines at a 90-degree angle, which may feel stiff, and lines with small degrees may look softer.

Some people think that it is not possible, but I think that as long as it can express something, why can't it, the law is not fixed, and it will naturally become a law. If art had so many rules, there would be no really high works.

Because it is ugly, it is best to arrange the lines in the sketch at an angle of no more than 30 or 40 degrees, which will make people look more harmonious and reflect the texture of hand-drawing.

It's not that I can't draw, it's that ordinary people treat me badly, and it's ugly.

Because it will make the whole picture look bulky and dirty.

Linear sketching refers to the combination of the lines of Chinese painting and the decency of Western sketches to express objects in the form of sensual relief shapes. The fundamental embodiment is the expressiveness of the line, and the color tone is to depict the object image more fully, deeply and nuinterlysically, and the two means complement each other, enriching the aesthetic connotation of Chinese painting "as subtle as possible, to the vast", and the creation of Chinese painting will develop and evolve forward with the self-discipline of the ontology.

The basic elements of linear sketching are the modeling language of points, lines and planes, which should not only grasp the laws of natural objects through observation and analysis, but also understand the laws of art from the perspective of formal beauty. The artistic language based on lines, the collision between nature and mind creates a meaningful artistic image.

The use of tone in linear sketching is extremely exquisite, it is not suppressed by light, it is not limited by black and white, and only grasps the main part of the object. The tone of linear sketching is more subjective, and it is the subjective feeling of the painter after recognizing and analyzing natural objects.

The above information refers to the encyclopedia - linear sketching

In sketching still life, how and what lines do is a crucial part of the painting process, helping to convey the shape, structure, and texture of an object. Here are some basic principles and functions of lines in sketching still lifes:

How to draw lines:

Contour Line: Traces the outer contour of an object and is used to define the shape and edges of the object. Contour lines are usually strong and can be emphasized with heavier lines or the intersection of lines.

Construction lines: Used to depict the structure and shape inside an object. Construction lines can be lines that connect parts of an object, helping to establish proper proportions and perspectives.

Guides: Guides are used to aid in positioning and proportioning during the drawing process, helping to draw the main features of an object.

Shadow Edges: Lines are used to outline the transition edges between shadows and light and shadow to enhance the three-dimensional effect of the form.

The role of lines:

Defining the shape: Lines help the viewer understand the overall shape of an object by depicting its contours and structure.

Establish perspective: By constructing lines and perspective lines, you can accurately express the distance and spatial relationship of objects in the picture, enhancing the sense of realism.

Emphasize important parts: Lines can be used to emphasize key parts of an object, making the viewer pay more attention to the important points in the picture.

Create emotion: The shape of the lines and the way the brushstrokes are stroked can express emotion and atmosphere, making the picture more expressive.

Heighten Layering: Using lines to depict transitioning edges between shadows and light and shadow can help add depth to objects and give the picture more depth.

In sketching still life painting, the use of lines needs to combine observation and artistic sense, and through delicate line expression, the picture is more vivid and artistic.

I guess it's still called. I just have a particularly realistic Bai Fengjiu. Screenshot of the drawing.

Let's first define sketching: a form of painting that emphasizes only brightness and not color, and a painting that is usually done in monochrome. Pay attention to structure and light and shade, and use the relationship between light and dark to express the three-dimensional artistic effect on the two-dimensional plane.

That is to say, the line is only one of the manifestations of sketching, the St. Petersburg List Academy of Fine Arts, which has the best inheritance of contemporary traditional painting, will require students to use three or two color oil painting materials to paint with sketch relationships, and the completed work is still called sketching, although he uses oil painting materials, and the charcoal powder painting favored by the masters is actually spreading charcoal powder on the picture, painting in the form of wiping, and there are no brushstrokes to be seen, the author emphasizes the effect of the picture, which is emotion. As for the way, it's free. And satirizing other people's sketches without lines is also a stupid and ignorant act, hehehe, don't mind.

1. Elongated line.

The pen tip is slightly sideways or directly lying on the paper, the pen is light, the middle of the pen is fast, the pen is lifted back to the same trajectory movement, pay attention to the arm to drive the wrist to maintain a unified direction of movement. This line is often used in the drafting of the shape of the summary and auxiliary grasping, centering the axis, etc., it is very necessary to do more exercises in different directions.

Second, the line drawing method.

There are generally the following forms of lines: center, side, flat front, thick line, thin line, thin line, thin line, dense line, long line, **, after the line is added and then rearranged.

1. Straight line drawing. The pen is light, the middle is heavy, and the pen is light, forming a solid line at both ends. This kind of line is easy to connect and is conducive to expressing the change of light and dark tones.

The pen should be crisp and even, and the lines should be described. From the tip of the pen straight to the side, the speed is fast and the lines are coherent, so that the strong lines are drawn is conducive to expressing the rough texture.

2. Curve drawing. The center of the pen, the pen arc, the pen is brisk. This line can show a more relaxed effect. Lateral movement, light and casual, such a curve is conducive to the expression of the wool shape.

3. Drawing from line to surface.

1. Generally, the effect of using mesh combination from line to surface is a more customary treatment method. The layers of line superposition should not be too much when expressing, so as not to make the picture breathable.

2. Use the pen to move the pen on the side, and the pen strength can not directly show the surface with light and dark changes.

Draw well? Lines are not the problem, perspective and form are the main thing. Lines, can be lines, can be forks, can be circles, these are all surfaces.

Whatever lines are used, they are all expressing perspective and shape, which is why there are charcoal strips, colored chalks and other tools. It doesn't seem like I can finish it in a few words, hehe......

At the beginning, the pen should be light, draw lines, and do not use erasers, (erasers are used to make effects at the end.) Otherwise, the paper will be shiny, and the color will not be visible at all.

You should also pay attention to the choice of pen, do not use too hard pen, such as 2h, hb, etc. It is recommended to use 2b and 3b for contouring, and 4b or more for light and dark. Hard lead can be used to draw some lines on the highlights at the end, which will be more detailed.

Of course, your pen should be sharpened. Personally, it is not advisable to sharpen the pen completely, as it will dull out quickly. The tip of the pen can be sharpened into a round table, so that you can turn the drawing, and after drawing a circle, the tip of the pen is just sharp, and you can put the pen up for some details.

In addition, you say that your paintings are always vague, but in fact, the main thing is that you should have chiaroscuro and no contrast. For example, if the object is hard, you should put the pen up a little bit and depict it in more detail, especially if you compare the objects in front, you should deliberately add some contrast between light and dark. However, the boundary between the dark part of the object and the background should be noted, and the edges are slightly blurred.

The edges of the bright part are clearer, so that the three-dimensional sense of the object comes out. Taking the side of the character as an example, you can draw the facial features and cheekbones more clearly, and then draw the hair part behind a little bit to blend with the background, so that the three-dimensional sense of the character is better.

I don't think you can use a thin pen to draw a sketch, it's better to use a 2b bald one.

Contact the cable first.

It should be meticulous and neat. The distance between the lines should be small, which is a matter of feel.

Draw more and practice multiplications.

Kindness. You can sharpen the pencil finely, in addition, to transfer the power to the tip of the pen, the same principle as writing brush words, it doesn't matter if the key is to combine the virtual and the real, not all lines are the same solid, the lines should change according to the light and shade of the surface

Delicate is not necessarily good, the main thing is to show the volume, light and shade of the object. Showing the proportions, positions, and other relationships of objects is the main thing in sketching.

Pin the 6b pencil thinner and use force to draw very solid lines.

When sketching, the pencil should be sharpened as much as possible. Use a soft pen to draw the light and dark tones first, and then use a hard pen such as 2b to draw the lines. Let the lines come out.

It's not a question of how to arrange it, because the drawn object should not be a line, it should be a face, it is three-dimensional. It is recommended that you wipe it with paper after drawing, it will be more beautiful.

To learn sketching, you must first learn to draw lines, don't look at just simple lines, but also draw with your heart, there are skills in drawing lines, draw ** with the strength of the wrist, pay attention to the strength and softness of the wrist; Draw long straight lines with the strength of your elbow, not too close to the drawing board, by the way, the pencil should be in the middle of the back position, so that it is more relaxed and natural.

If you copy an object, first draw the shape of the object, pay attention to the symmetry of the left and right, first look at whether the shape of the object belongs to a square or a rectangle, a circle, find out the middle line, and then determine the shape. If you draw a group of objects, you must pay attention to the relationship between distance and proximity, and pay attention to the composition to be tight at the top and loose at the bottom, which is generally the composition principle of triangles. The most important thing when styling is:

Remember the perspective relationship, near big and far small.

After the shape is grasped, it is time to go up the tone, and the three major faces of black, white and gray and the five major tones must be grasped well. Pay attention when raising the tone: near real and far from virtual.

It is recommended that you buy a sketchbook to read, which has a detailed explanation.