What are the main contents of Wenxin Carving Dragon and Words in the World ?

The Words of the World and the Words of the World are Wang Guowei's comments on old Chinese literature with a new perspective after receiving the baptism of Western aesthetic thought.

Discuss. It is the culmination of China's artistic conception theory, a work of literary nature, focusing on the reading of art, and believing that "words take the realm as the top". Artistic conception is the core content of Wang Guowei's aesthetic thought, and it is also the highest aesthetic category of Chinese literature.

Words in the World", by Wang Guowei. Painted in 1908-1910.

The Words of the World is the most important work of Wang Guowei's writings on literary criticism, which is a commentary on the old Chinese literature with a new vision after receiving the baptism of Western aesthetic thought, but he also got rid of the constraints of Western theories, and strives to use his own ideological insights to try to integrate some important concepts in Western thought into China's inherent traditional criticism. There is no significant difference, in fact, it has begun to take shape as a theoretical system, and it can be called one of the few works of poetry in the old days. Even in the past word theory circles, many people regarded it as a guideline, and its arguments were used as the basis for word science and aesthetics, and its influence was very far-reaching. Wang Guowei's Words in the World is one of the most influential works since the late Qing Dynasty.

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The main contents of Wenxin Carving Dragon: 1. Classification**: According to the form and content of literature, literary works are divided into six categories: basic literature, fine literature, witty literature, strange literature, pseudo-ancient literature and poetry, and each literature is analyzed and evaluated in depth.

Briefly describe the main content of "Wenxin Carving Dragon".

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The main contents of Wenxin Carving Dragon: 1. Classification of Quarrels**: According to the form and content of literature, Wenshengze's theological works are divided into six categories: basic literature, fine literature, witty literature, strange literature, pseudo-ancient literature and poetry, and each literary staring is analyzed and evaluated in depth.

<> related extensions: 2. On the theory of chaotic literature and art: expounds the creative methods, skills, effects and social values of literature, and conducts in-depth analysis and discussion on the theme, old and rough emotions, character images, rhyme, language and other aspects of literary works, and provides rich literary criticism and creative theories for the town.

<>Wenxin Carving the Dragon" is an important work integrating literary theory, literary criticism, and literary appreciation, which has had a profound impact on the history of Chinese literature and has become an important reference and learning material for later generations of cultural circles.

The book in the eyes of the literati is like a carving in the hands of a carpenter, and the carved dragon is a masterpiece of meaning. Wenxin Carving the Dragon is a theoretically systematic, well-structured, and meticulously discussed literary theory monograph written by the literary theorist Liu Xian (xié) of the Southern Chinese Dynasty, which was written in 501 502 AD (the second year of the reign of Emperor Xingyuan of Qi and Emperor Zhongxing of the Southern Dynasty).

Although Liu Xian's original creation, Liu Xian's aesthetic characteristics of the unity between finite and infinite, certainty and non-certainty have been explained more specifically than those of his predecessors.

Liu Xian also saw that the content of the poems and texts is not the ordinary classic Tao and reason, but the "feelings" related to reason, ambition, and qi, and its form is not ordinary words, but "Cai" words that are combined with "image" and "literature" in the world. The relationship between the two is: "The lover, the scripture of literature; Wordsman, the weft of reason.

Specific sample templates.

"Matching and changing the heart of the dragon" is a work of cultivation and judgment of ().

a.Wang and Xiang Guowei.

b.Xu Shen. c.Liu xie.

d.Yang Mingzhao.

Correct answer: c

"Wenxin Carving Dragon" is an ancient literary theoretical work in China. Written by Liu Xian, a literary theorist in the Qi and Liang dynasties of the Southern Dynasties. "Wenxin" means "the intention of the text", and "carving the dragon" refers to the fine research like carving the dragon pattern.

"Wenxin carving dragon" is the essence of article writing. The object of discussion is a broad text, but the emphasis is on literature. It is intended to be a writing guide, but it starts from a series of basic principles of article writing, covers a wide range of issues, is rigorously structured, and is well-written.

Its systematization and completeness are groundbreaking, and thus it is considered to be the first literary theory monograph in the history of Chinese literary theory and criticism.

Wenxin Carving the Dragon consists of ten volumes and fifty articles. The original is divided into upper and lower parts, with 25 articles each. The five articles in the upper part from "The Original Dao" to "Discernment" are the program of the whole book, and the core is the three articles of "The Original Dao", "Micro Sage" and "Zongjing", which require everything to be based on the Tao and be based on the scriptures.

From "Ming Poems" to "Secretaries", the twenty articles are centered on the "** preface", and various literary sources, writers, and works are studied and evaluated one by one. In the "**" part with rhyme as the object, "Yuefu", "Ming Poem", "Interpretation" and other articles are more important; In the "preface" part of the unrhymed text, the "Historical Biography", "Analects", and "Zhuzi" are more important and significant. The second part of the 20 essays from "Divine Thought" to "Searching" (excluding "Chronology") focuses on "dissection and analysis", focusing on the study of various aspects of the creative process, which is the theory of creation; The four articles "Chronology", "Talent Strategy", "Bosom Friend" and "Chengqi" are mainly literary history theory and analysis and appreciation.

These two parts are the essence of the book. The above 49 articles, plus the final review, make a total of 50 articles. Wenxin Carving the Dragon is a masterpiece of ancient Chinese literary theory, which is a rather innovative and systematic work.

Because of its significance, it has been studied by scholars throughout the ages. Literary theorists in many countries around the world have also paid more and more attention to "Wenxin Carving Dragon", so that the research team has the reputation of "dragon science".

There are a total of 50 articles in Wenxin Carving Dragon, including four main parts: general introduction, stylistic theory, creation theory, and critical commentary. 5 general essays, on the "pivot of the text", which is the basis of the theory of the whole book; There are 20 stylistic theories, each of which is divided into one or two or three genres, and the main genres are made to "the original to the end of the table, the interpretation of the name to the meaning of the chapter, the selection of the text to the final, and the perfunctory to the system"; 19 articles on creation, which discuss the creative process, the writer's personality style, the relationship between literary quality, writing skills, and the rhythm of words. 5 reviews were criticized, criticizing the literary style and writers' achievements of the past era from different angles, and making special comments on the methods of criticism; The last "Preface" explains the purpose of his creation and the intention of the whole book. Although the work is divided into four areas, its theoretical views are consistent from beginning to end, and each part corresponds to each other.

As the author said in the "Supplementary Chapter": "Although the principles are complicated, there is no inversion; Although there are many words, there is no chaos of silk. "His size and thoughtfulness are unprecedented in ancient literary criticism. Reference.