Do you know who wrote Wenxin Carving Dragon ? 5

Liu Xian, a native of Ju, Shandong, is a native of Ju County, Rizhao. He lived in the Qi Liang period of the Southern Dynasty and was the most famous literary theorist in ancient China. He wrote "Wenxin Carving Dragon", which is the first systematic monograph on literary criticism theory in China.

He was proficient in Confucianism and Buddhism, and had excellent insights in literature. It not only surpasses its predecessors, but also provides methods and arguments that can be used for reference in later literature, especially critical literature. When he wrote the masterpiece "Wenxin Carving Dragon", he was only in his thirties.

Wenxin Carving the Dragon has laid the theoretical foundation for classical literary criticism in China, and has had a great impact on the development of literature in later generations, and is known as the "secret treasure of the art garden" in ancient China. School Building" is Guo Moruo's 1962 question; According to the "Southern History", "Dinglin Temple is a collection of scriptures, and it is also a place". Liu Xian was here, in the morning bell and dusk drums, buried himself in the scriptures, until he passed away.

Ancient and modern literati and writers who came to the mountain to pay homage to this world-class literary master were all in awe. Touching the scene, reminiscing about the past, and writing poems to praise the people from generation to generation.

The text is also virtuous, what is the one who lives with heaven and earth? Fu Xuan yellow miscellaneous, square and round body, the sun and the moon are stacked, with the image of the beautiful sky; Mountains and rivers are radiant, in the shape of paving the ground: this covers the text of the road.

Looking up at Tuyao, looking down at Hanzhang, high and humble positioning, so the two instruments are born. However, ginseng, which is the spirit of nature, is called the three talents. For the show of the five elements, the real sky.

The heart of the earth is born to stand, the word is standing and civilized, and the way of nature is also.

Near and thousands of products, animals and plants are all textual: dragons and phoenixes are painted with algae, and tigers and leopards are condensed with Bingwei; The clouds are carved and colored, and there are more than that.

The wonder of painting; The grass and trees are blooming, and there is no wonder of the craftsman. The husband is decorated with exterior decorations and covers natural ears. As for Lin Lai's knot, tune.

Such as Zhu Se; Spring stone rhyme, and if the ball is a ball: so the shape of the chapter is complete, and the sound is literary. The husband is an ignorant thing, depressed, and has a heart, but it has no literature?

The element of humanity, originated from Tai Chi, praises the gods, and "Yi" is like the first. The beginning of the painting is the beginning, and the wing is the end.

and "Qian" and "Kun" are the two independent "Wenyan". In other words, the heart of heaven and earth! If it is "River Map".

Pregnant gossip, "Luo Shu" is like nine domains, the jade version of the gold carving, the flower of Danwen green, who is the corpse? Also theological.

Nothing more. Since the bird traces on behalf of the rope, the text has begun, and the Yan Hao legacy has been recorded in the "Three Graves", and the years are small, and the voice is glorious.

Tang Yu's article is full of prosperity. The Führer sings, and the ambition of chanting; Yiji Chen Mo also hangs the wind of playing.

Xia Hou's Xing, Ye Jun's achievements, nine prefaces are only songs, and Xun De is lingering. Catch Shang Zhou, the text is better than its quality, "Ya",

Ode" was written, and Yinghua said that it was new. King Wen is worried, his words are bingyao, Fu Cai is hidden, and the essence is profound. Heavy to Gongdan.

Multi-material, vibrating its emblem martyrdom, scribbling poems, axe algae group words. To the master and son to follow the saint, the solitary former philosopher, the six classics of the melting, will be golden and jade; Carving the emotion, organizing the rhetoric, the wooden duo rises and responds for thousands of miles, Xi Zhen flows and the eternal sounds, and writes the sky.

The glow of the earth, the ears and eyes of the people.

The surname of the wind is from the wind, and it is in the Kong's family, the Xuansheng Creation Classic, and the Suwang Sutra, all of which are not the original Taoist heart to apply the chapter, and study the divine reason.

Set up teaching, take the image of "River" and "Luo", ask the number of yarrow turtles, observe astronomy to change extremely, and observe humanities to become a transformation; Correct.

Later, he can warp and weft Ouyu, Milun Yixian, develop a brilliant career, and be brilliant in rhetoric. Therefore we know that along the text of St. Ere, and the text of St. E.

Bright road, bypass and no lag, daily use without scarcity. "Yi" said: "Those who drum the world are in words." "The place of resignation.

Those who can drum up the world are the text of the Tao.

Praise said: The heart of the Tao is subtle, and the gods teach. Brilliant Xuansheng, Bingyao benevolence and filial piety.

The dragon figure is dedicated, and the turtle book is presented. Astronomical view, the people to follow.

Wenxin Carving the Dragon is the first systematic monograph on literary criticism theory in China, and its author is Liu Xian, a famous literary theorist in the Southern Dynasties.

The author of "Wenxin Carving Dragon" is Liu Xian (xié).

Liu Xian (c. 465-520 AD), also known as Yanhe, lived in the Liang Dynasty during the Northern and Southern Dynasties, and was a literary theorist and literary critic in Chinese history. Although Liu Xian held a variety of official positions, his name was not an official position, but a literary appearance, and a "Wenxin Carving Dragon" established Yuan Qihuai's position in the history of Chinese literature and literary criticism.

Introduction. The book consists of 10 volumes and 50 articles (originally divided into the upper and lower parts, 25 articles each), based on Confucius's aesthetic thoughts, and adopts Taoism, believing that the Tao is the source of literature, the sage is the model of literati learning, and the "scriptures" are the model of articles. The formation of a writer's creative personality is summarized into four aspects: "talent", "qi", "learning" and "learning".

In the process of exploring and researching the conception of literary creation, it emphasizes the basic characteristics of the specific imagery of artistic thinking activities, and preliminarily puts forward the problem of image thinking in artistic creation.

"Wenxin Carving Dragon" is a literary theorist of the Southern Chinese Dynasty Liu XianHe wrote a theoretical, rigorous, and meticulous monograph on literary theory, which was written in 501 502 A.D. (the second year of the reign of Emperor Xingyuan of Qi and Emperor of the Southern Dynasty).

It is the first literary theory monograph in the history of Chinese literary theory and criticism that has a rigorous system and is "big and thoughtful" (Zhang Xuecheng's "Literature and History: Poetry and Discourse"). Liu Xian's name for "Wenxin Carving Dragon" comes from Huan Yuan's book "Qin". Its interpretation of the "Preface" cloud:

The words of the husband and the heart of the text are also the intentions of the text, the former Juanzi (Huanyuan) "Qin Heart", Wang Sun Qiaoxin, the heart is beautiful, so it is used. ”

Appreciation: The book consists of 10 volumes, 50 articles (originally divided into the upper and lower parts, 25 articles each), based on Confucius's aesthetic thoughts, that the Tao is the source of literature, the sage is a model for literati to learn, and the "scriptures" are the model of Mengshi Hu's articles. The formation of a writer's creative personality is boiled down to four aspects: "talent", "qi", "learning returns", and "learning".

In the process of exploring and researching the conception of literary creation, it emphasizes the basic characteristics of the specific imagery of artistic thinking activities, and preliminarily puts forward the problem of image thinking in artistic creation.

He has a more conscious understanding of the artistic nature and characteristics of literature, and has pioneered the study of literary image thinking. This paper comprehensively summarizes the aesthetic achievements before the Qi Liang era, and carefully explores and discusses the aesthetic nature of language and literature, as well as the aesthetic laws of creation and appreciation.