Cubism in Western modern art briefly describes the meaning of cubism in 20th century art.

Answer]: Cubism is an Aussene movement and school in the history of Western modern art, which arose in France in 1908. Cubism rejects the fixed-point perspective in traditional painting and tries to observe and represent objects in multiple directions from the perspective of moving points, decomposing an object into geometric cavity cuts from multiple perspectives, and then subjectively juxtaposing, overlapping, and combining, thus completely abandoning the natural image of objects.

Les Demoiselles d'Avignon is the pioneering work of Cubism, which is divided into two stages: analytical Cubism and comprehensive Cubism.

It is generally considered to be Picasso's "Les Demoiselles d'Avignon".

The emergence of Western three-dimensional cherry art is an important milestone in the development of modern art. Three-dimensional art refers to the expression of an artist's creativity and ideas by creating a work of art with a three-dimensional form and sense of space. It is distinctly different from traditional graphic art forms such as painting and drawing.

The sculpture art of the Renaissance played an important role in promoting the development of three-dimensional art. During the Renaissance, artists began to pursue more authentic and realistic artistic expressions. This led them to experiment with the use of three-dimensional forms to create works of art that show the realism of people and objects.

The 19th-century sculptor Auguste Rodin's The Thinker is considered one of the milestones of Western three-dimensional art. This work demonstrates the power and expressiveness of three-dimensional art. Rodin expressed the power and depth of the human mind through the form of sculpture, which had a profound impact on the art world of the time.

The rise of modernist art in the 20th century also provided opportunities for the development of three-dimensional art. Modernist artists began to challenge traditional art forms and notions, and they tried to express their creativity and unique perspective by creating unique three-dimensional works of art. For example, Picasso's Cubist Constructivist works and Dalí's surrealist sculptures are representative works of this period.

Dear, I'm glad to answer for you, the traditional requirements of hollowing out and grinding realism in Western art history: 1Depicting the real world:

The realist tradition requires artists to depict the real world, including characters, scenes, objects, etc., and to restore the details and emotions of real life as much as possible. 2.Against Romanticism:

The realist tradition opposes romanticism, arguing that artists should move away from fiction and imagination and instead focus on real situations in real life. 3.Emphasizing social significance:

The realist tradition believes that artists should pay attention to social issues, reveal social reality, reflect social life, and emphasize the social significance of art. Judgment 4Pursuit of objectivity:

The realist tradition pursues objectivity, believing that artists should depict real life as objectively as possible, avoiding subjective assumptions and exaggerations. 5.Advocating naturalism:

The realist tradition advocates naturalism, believing that artists should restore the true appearance of the natural world as much as possible, and avoid artificial intervention and change.