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Xiao Shenyang is roaring, don't learn from him, the treble is made by the falsetto, first find the breath support feeling, and then find the vocal cord feeling, and you can't pull your throat.
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Lay the foundation for opening your voice:
1) Start by opening your voice.
Exhale all the breath in the lungs, exhale cleanly, and then, breathe, press your hand on the lower abdomen, which is often said to be a single field to make a single field bulge, the hand should react on the single field, to exert force, when the bulging should gradually force, do not bulge up at once, from the beginning of the force to the limit of force, about five seconds, and then to the strongest time, last five seconds, finally, gradually relax, do not relax at once, the whole process, pay attention not to breathe.
2) Then open the cavity.
The so-called opening of the mouth is to shout, or to hang the voice like learning vocal music, that is, from the bass to the treble ......Raise and lower ......Only after opening the cavity can the voice reach a better state, otherwise sometimes there will be a feeling that you can't sing;
3) Use your voice wisely. The voice is cleverly used, and it can even imitate the voices of n people, just like Wu Kequn. But to be honest, maybe the live version is not so special, because how many restrictions each person's voice will have, and it can't reach the same tone as others;
4) Exercise lung capacity.
Swim more, run more! Watch more ** videos, see the lip shapes of other singers when they sing, and imitate more! Sing more, practice more, it is best to find a professional teacher, guidance, so as not to go astray, will not damage the vocal cords, pay attention to singing do not use your own vocal cords more, to let your voice spread far and steady, pay attention to the use of breath, otherwise it will make the vocal cords calloused.
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There is only one way to sing high notes, and that is to use dantian.
1. Everyone has a different vocal range, I have heard that people with shorter and fatter necks are mostly male and female sopranos, and people with longer and thinner necks are mostly male and female bass. This is because of the relationship between the Adam's apple, and why can some people who sing bass can sing high notes? Acquired practice can also be trained.
Family genetics seems to have something to do with it, your parents are tenors, and you are destined to sing sopranos, which I heard when I went to a lecture. So you can look into it.
2. Not enough gas, not enough strength. It is not to ask you to exert your whole body, but to easily use the dantian and the sound cavity on your body, there are four, the chest cavity, the nasal cavity, the laryngeal cavity and the head cavity. If it's too tight, you won't be able to sing the high notes because you're locked in your throat.
True and false tone transformations take a long time to practice. Why are some people's falsetto very quiet, because your voice has not been turned on yet, and it takes a long time to work hard before the sound will be turned on, and the dantian strength is also controlled. Low.
A person with a low pitch can sing a high pitch in a true tone, but not a higher pitch in a falsetto. On the contrary, a person with a high pitch cannot sing a high note in a true tone, but he can use a falsetto pitch higher.
In addition to bel canto singing, using dantian to sing pop songs, the voice must be sandy after a long time. The most important thing in singing is to use the dantian, not to shout and scream with the throat, only singing with the dantian is the best way to protect the throat.
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My voice is high enough to sing dolphins, but it has to be falsetto.
Ways to practice treble:
Early morning natural vocal exercises (mid-bass).
The three auxiliary exercises are indispensable (soft, falsetto, humming) Start with the bass, and it is best not to start with the "woo" vowel to practice the high tone.
After the natural vocal range is practiced, then the unnatural vocal range is practiced.
Don't shout too hard.
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Sing more, don't shout, consciously control your breathing, sink your breath, and experience the feeling of sighing.
The treble should resonate with the nasopharyngeal cavity by closing the vocal cords. Breathe deeply, relax . Make the voice "loose", "through" and "bright".
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Touch it on the stomach, that is, the dantian, and then work the dantian, and sing it, you will feel that the dantian is drumming and hot.
However, it is better to study with a professional teacher.
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Step 1: Throw the high notes.
Imitate the sound of the motorcycle when it starts - "du", there is a conversion of true and false sounds, and practice for one minute.
Step 2: Move your ears.
Pull your facial muscles up diagonally and upward, and then look for the sudden frightened feeling of Junshi. , in fact, it is the bent scalp moving, pulling the ears to move. Do a group of ten in a group of four.
Step 3: Resonance exercises.
Stick out your tongue, curl your tongue slightly, and there is a small groove between the two sides of your tongue and your upper and lower lips, and then make a "woo... Feel the resonance all over your body. It feels like the phone vibrates, and you have to use the sound of your chest to make it, and practice for a minute.
Step 4: Dantian exerts force.
Practice the control of the dantian breath, every time you pronounce a sound, the dantian will move, hei comparison: pronounce the sound "3". Compare it with breath and make a fuss without breath. The etude is.
12345 "Hey Hey Hey".
22345 "Hey Hey Hey".
The number of times is omitted. All the way up to 102345 "hey, hey, hey".
Step 5: Raise your voice.
Maintain the feeling of the "wu" sound and pronounce the "mu" sound. Wu wu wu mu mu mu wu mu mu mu
Step 6: Dantian bites the word.
hei hei hei (dantian force) is dead to love hei hei hei (dantian force) to love when dead.
hei hei hei (dantian force) has to love when he dies.
hei hei hei (dantian force) is dead to love Practice reading a lyric.
Practice for a minute, practice like this, let go of your voice, practice articulation with the right breath feeling, give your abdomen a muscular response, and have the right breath support when singing is very helpful to break through the high notes.
Step 7: Falsetto.
Speaking in falsetto, similar to Zeng Zhiwei's voice. Combined with the lyrics read aloud, it can make the sound more magnetic and textured!
Step 8: Snoring exercises.
Plug one nostril to imitate the sound of a pig Block both nostrils to imitate the sound of a pig and practice for one minute.
This exercise can help us open up the sound channel and, more importantly, open our high position.
Step 9: Intensity exercises.
The tongue relaxes like black and white, hands are flat on the chin, and lips are closed. Then pronounce the "um" sound, which is short, explosive, and very crisp, and bursts out for a minute.
Step 10: Wolf howl.
Pronounce "wu" from bass to treble and then from treble to bass, relax your throat with a consistent vocal range, and practice for a minute.
This is the end of the efficient vocal practice, or the words that you don't want to hear, persistence is the most important, and you can see obvious results in fifteen days, of course, vocal practice requires long-term persistence, not that you don't need to practice after fifteen days of practice, I hope you also understand.
I can't guess what many people think, and to be honest, most people don't seem to value this skill, and they are often improvised.
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1. Learn to control your breath. It is to learn the combined chest and abdomen breathing method, which is a breathing method that relies on the chest cavity, diaphragm and abdominal muscles to control breathing. Inhale quickly and exhale slowly, with your chest up and your shoulders broad.
The abdomen is slightly bulging during inhalation, and the chest cavity is consciously wide; Exhale with your abdomen relaxed but not forcefully contracted, and keep your ribcage wide. Focus on the diaphragm and feel the breath on the diaphragm as you exhale.
2. Correct pronunciation. When singing high notes, the breath must be based on the lower abdomen and dantian, and the Beijing accent pays attention to the "dantian qi" which also refers to this vocal position. The treble does not have to be loud, but rather loud and strong.
3. Open your mouth vigorously every day, open your throat, and train the elasticity of your throat muscles. Easy to use the dantian and the sound cavity of the body, there are four of them, the chest cavity, the nasal cavity, the laryngeal cavity and the head cavity. The belly button is 3 centimeters below the dantian, take a deep breath, and inhale the breath under the belly button.
Don't exhale all at once, control the exhalation and suck up this part of the exercise.
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How to practice high notes: Fulcrum formulation.
1. Fulcrum formulation.
When singing, it seems that the vocal cords do not grow in the throat, but in the chest, and sing every word without leaving this fulcrum, and sing with the mouth relaxed, so that when you think about it, the voice is balanced all of a sudden.
This method can solve several problems: if the throat is easy to raise when singing a high note, you don't want to use the larynx when you think of the chest, and when the fulcrum is lowered, the larynx will naturally relax and lower, and when the larynx is lowered, the throat will naturally open. There are also vocal cords that grow on the chest, and of course the breath cannot exceed the vocal cords, so it must be under the chest, and the breath will sink down and stabilize.
It's basically finding the right way to make a sound.
2. Reverse formulation, "change words under the throat".
The method of changing words under the throat is to say that the larynx is easy to be high when singing high notes, so change it an inch or two inches below the throat, or "change it close to the shoulder, change it at the base of the neck." When singing like this, the throat is most likely to open, and the voice is more likely to be vertical, easy to enter the head voice, and easy to find the focal position of the treble.
Introduction:
Treble, the term used here to refer to a method of singing with a true voice; The high pitch is always the core issue in singing, and it represents to a certain extent whether a singer has the strength or not.
Generally, the male vocal range ranges from large groups C1-C5, the lowest male tone is C1, only a handful of males in the world can reach the C1 sound, and can even reach the second lowest lowC negative value, the male true voice treble does not exceed C5, and the most gifted male will not exceed C5, such as Adamlambert.
Due to the short vocal cords, women can sing higher by nature, with a vocal range of C2-B5, which refers to the high-pitched voice is the true voice, and the vocal cords are fully vibrated singing; Males are one octave lower than females physiologically, and similarly, females are also one octave higher than males, and here is the concept of equivalence; Singing is an art, not just looking at the high notes, to measure whether a singer meets the standard, but also to see the overall ability to control the work. The treble, midrange, and bass are collectively referred to as the pitch range.
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