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The first is cross-wired. This technique is often used in pencil drawings, but also in pen, charcoal, and pastel drawings. This technique is characterized by the use of parallel lines to intersect in various forms, and the result of intersecting each other produces different degrees of chiaroscuro and the depth and shade of the overall tone, forming a rich fluttering effect.
The second type is parallel lines. This technique is characterized by the same direction of the brush, with different lengths, parallel to each other in diagonal, horizontal or vertical lines, this method is sometimes used to represent the object and its edges, which can omit the outline of the general line, so that the picture is rich in a special effect.
The third is the integrated arrangement. A wide variety of parallel lines are used to intersperse a variety of other different lines. That is, the lines can be curved or straight, long or short, regardless of type, as long as the surface and space of the shape or shape can be best expressed on the picture.
The variety of variations of this technique is conducive to the expression of form, space and texture.
When using pencil and sketch paper that is neither rough nor smooth, the above three techniques work best.
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The gradient of the line is actually a reflection of the weight of the force you draw the line. As long as you don't use even force when drawing a line, a gradient of the line will appear. The arrangement of the lines is simple! Whether the arrangement looks good or not depends on whether you are careful or not!
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According to the shape of the object, the direction of the row is needed, and then according to the black, white and gray of the object, the density of the line is arranged. The darkest places are the densest, and they become sparse in turn.
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Use the weight of the pen and the different types of pens.
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There are different ways to draw different things, and this kind of thing is mainly based on experience, and if you draw more, you will understand it.
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Sketch arrangement standard lines, light at the ends and heavy in the middle.
1. Parallel arrangement: Lines can be drawn from the direction of the hand. The lines should be in order.
2. Overlapping and parallel arrangement After arranging the lines once, overlap the lines two or three times. At this point, the lines are almost invisible, and the shouting cluster becomes a complete color block.
3. Staggered line arrangement After the first line is arranged, change the direction of the line and arrange the second line. When applying the tone, it is better to use the diamond shape in the direction of the second line and the first line, so that the lines are not messy.
4. Combination of wipe and line After arranging a Zheng cherry all over the line, you can wipe it to make it integrate. Lines in different directions can be arranged on top of this. This method is often used to draw the dark side of plaster geometry.
5. Shallow and deep sparse lines:
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1. Lines are the main means of shaping objects in sketch training.
For beginners, it is extremely important to grasp the straightness of the lines.
In the process of practicing lines, you should pay attention to the way you use the pen, and when you put down the pen, you should experience the influence of the movement of your hands, wrists, and elbows on the lines.
Draw the relationship between the lightness, lightness, and density of the lines, so that the lines can be easily displayed in a stable, natural, orderly and smooth manner.
The correct line is light at both ends and heavy in the middle, the direction is consistent, dense and symmetrical, and the direction of the line can be changed, deepened layer by layer, and must not be scribbled (not graffiti).
2. Draw light and shade with oblique lines, horizontal lines, and vertical lines.
Note: When arranging the line, the direction should be consistent, and the stroke of the stroke should be sparse and appropriate.
It should be light, so that the lines are light at both ends and heavy in the middle, and do not connect the pen.
The direction of the arrangement should give due consideration to the block surface structure of the object.
For the dark part, change the direction of the line, deepen it layer by layer, and do not scribble it together.
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2. Diagonal: Hold the pencil with the conventional grip and move the whole arm back and forth at a 360-degree angle, with the little finger gently pressing against the drawing board. Straight, affirmative, uniform depth, strength, and slowly weakening at both ends.
3. Line extension: generally drawn diagonally from top to bottom. The pen should be empty, the middle should be solid, and the lines should not be rigid to avoid "hard mouth".
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In sketching, lines are the most basic thing. When drawing lines, pay attention to the lines in the sketch that are not allowed to appear thick at one end and thin at the other.
Lines can be two cases.
Same thickness. Thin at both ends, thick in the middle (emphasized).
The pencil should make an arc in the air, so that the force is lighter the moment it hits the paper, and then the force in the middle of the line increases, and the power disappears when the pencil leaves the paper.
Draw a line quickly! That's just 1 second. The brush fell from the sky and passed through the paper in a flash. Don't move your wrist, it's your entire elbow that moves. That is, when drawing a long straight line, the entire forearm moves, while the wrist remains still.
The key point is not to apply force as soon as the brush touches the paper, but to apply force when the brush has been drawn a little bit.
The long line is drawn according to the initial pen holding posture, and the wrist is moved, not the elbow, when drawing the ** line. When you slowly move to the right as you draw a line, your little finger also moves to the right. But.
The little finger does not move up and down in a line from top to bottom. Note: The little finger is not pressed the drawing board, the little finger is just very lightly placed on the screen. It doesn't feel like it's pressing the paper too hard.
When the little finger moves, there is a feeling of floating. Instead of holding a paintbrush underneath, use your little thumb to gently slide it across the paper from left to right. This feeling is the feeling of moving your little finger when you draw.
**The requirements for strips and long lines are the same, they are thin at both ends and thick in the middle.
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Before painting, it is necessary to look at whether the group of objects should be horizontal or vertical. When drawing, it is necessary to look at the relationship between objects and objects, position, gap between objects, tall, short, fat and thin, when drawing sketches, it is best to leave more below than the upper position, so that the painting looks like a rising feeling, do not draw the lines too solid when playing the shape, do not pursue too clean, do not use the eraser too much, and draw the whole when shaping, not one by one object painting, so that there is no contrast, easy to make mistakes, one wrong are all wrong. If you are a beginner, it is recommended that LZ buy a better sketch book, preferably with a tutorial disc, go and see it, and then copy it to see how people observe objects.
Don't be too anxious to finish the work when you are working on the light and dark, but draw carefully. The line between the faces of the object can not be a dead line, it feels like filling in the color on the object, the surface should be slowly passed over, and the five major tones should be paid attention to, not one object by one object painting, the whole, and the same as the shape. I hope LZ draws well!
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Lines don't play a big role, and it's good to draw more.
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The combination of virtual and real is the key here, the virtual position of the line can be thick and arbitrary, but it is still neat, and the real place should be arranged thin and dense.
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How to draw a gradient:
1. If it is a sketch, cover more when the pencil is filmed, but there must be rules to follow, not random coverage, find a direction, trace evenly, and stack the cover neatly.
2. If it is a color, first play a light color, and then gradually deepen, try to bring a few strokes, do not repeat too much, repeat too much paper may blister, and the color will be uneven. If you are not proficient, try twice on scratch paper when grading. Of course, it can also be naturalized or diversified by blending with water.
3. If it is a small area of discoloration, such as a few square centimeters, you can use a row of pens to paint with different colors on both sides of the pen, but it is required to be done in one go.
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When you first start drawing, you need to master the posture and lines of the pencil and draw simple objects.
A line in a sketch may be a combination of many lines, and all the lines are just to find the position more accurately (note: the lines should be straightened, which requires more observation and more practice!). )
You have to look at the object a lot and find out the relationship between each line and each line so that you can make sure that the object is accurate (which is very important).
Also, keep in mind that all curved lines should be replaced by straight lines, such as spheres, which can be drawn in squares.
Then I divide it little by little with a straight line, and finally it slowly approaches the circle, and finally I draw it with a curve.
In the sketching stage, pay attention to the alternation of copying and sketching.
As Hjhai said, start with a geometric plaster image, copy first, and then sketch.
This will allow you to better understand the relationship between objects and objects.
Learn to combine objects and avatars, then you have to lay a good foundation for yourself.
You can ask me any questions, but I recommend that you ask a professional teacher.
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Apply the black, white, and gray shades in turn with the lines that you think are suitable for expression.
Then if you feel gray, add black, if you think it's too dark, use an eraser to grind slowly, or switch to a different lighter pencil.
In fact, it is necessary to rely on the accumulation of ordinary people to paint.
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Practice straight lines first, then line arrangement, and then draw from heavy to light. You'd better go and learn, and so do I.
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Sketching is mainly based on lines, you can find a template to copy first.
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Take your time and calm down. Slow run-in.
Normally no, but if you have the same mesh throughout the painting you can, because of the unity. >>>More
This depends on the individual's pen strength.
Now to grasp the big relationship, start from the composition, separate the front, middle, and back, and then draw small things, add your own subjective meaning, and make appropriate adjustments. Then the color is on, now draw a large color block, and at the same time pay attention to the distant things to paint gray, near things to be brighter, the color difference is pulled apart, the middle color should be connected with the front and ,,。 It's pretty much the same,Pay attention to yourself to extract the beautiful scenery,,Cut out the bad scenery It's important to pay attention to the environmental color when painting outside,,Make the color richer,,The color is more beautiful
If you want to learn systematically, you can consider signing up for a live online class, and recommend CGWANG's online class. The teacher speaks carefully, you can watch it back after the class, and there are also the same type of recorded classes that you can learn for free (give away lifelong VIP). >>>More
In sketching, the most basic requirement for a line is "two ends of the void, the middle of the solid", that is to say, when the pen should be light, the middle should be heavier depending on the situation, and then light, although there is light and heavy, but we must strive to achieve the effect in one go, do not hesitate, such a pen is convenient for the lines to connect with each other, there is room for modification, and the overall picture effect is better. >>>More