How does a simple notation count a measure, and how does a stave represent a measure?

<> sheet music, in front of the downbeat, the vertical line used to divide the beat unit is called a bar line.

The two bar lines used to indicate the end of the whole piece, the right one is slightly thicker than the left one, which is called the ending line.

When there is only one downbeat between two downbeats, it is called a "two-beat", and 2 4 beats are of this type; When there are two downbeats between two downbeats, it is called a "three-beat", like ; and 3 8;There are three downbeats between two downbeats called "four-beats", and the common one is 4 4.

A bar of a simple staff (including staffs): Simply put, a bar is between one bar line and another.

Bar line: It is a vertical line drawn before each beat fortis to indicate the position of the beat fortiss, and these vertical lines are called bar lines.

The section between every two bar lines is a bar.

It should be noted that when notation, the beginning of each line is a downbeat, and bar lines are generally not drawn. At the end of each line, a bar line is drawn to indicate the completeness of the bar.

Draw bars on staff with the same length as the staff width.

There are also beats in the sheet music, according to the composition characteristics of the beats, such as 2 4 beats, that is, with quarter notes as a beat, each bar has two beats, and 3 8 beats, that is, with eighth notes as a beat, each bar has three beats. The beatmap is straight**, and the part between the bar line and the bar line is a measure, or the part between a downbeat and the next downbeat is considered a measure.

Look at the time signature, e.g. 4 4 means that there are 4 beats per measure.

3 4 means that there are 3 beats per measure.

2 4 is 2 beats per measure.

6 8 means 8 beats per measure,,, and so on.

To put it simply, the middle of every two vertical bars is considered a subsection.

A vertical bar and a bar, if it is bold, with two points, it is a repetition.

A vertical bar represents a bar!

JK: Let's read more sheet music! The hit songs collected before, Jay Chou also has a collection of classical piano scores, and you have all of them.

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A measure is a unit of beat. In the process of **, the downbeat and downbeat always appear in a regular cycle, and the part between one downbeat and the next downbeat is called a measure.

In sheet music, bars are separated from each other by short vertical lines (bar lines). Underbeat measures, also known as incomplete measures, often appear at the beginning and end of a phrase (or piece), and the first and last two incomplete measures are combined into one perfect measure. Bars that begin with a weak beat (or weak position) are also called weak bars.

The structure of the bars is indicated by time signatures.

The short vertical line that runs through the two rows of staff in the image above is the bar line, and the two circles you draw have 4 bars each, for a total of 8 bars.

On the issue of ascending (descending) markings. In the middle of the music, the temporary rise and fall (heavy rise, heavy fall, reset) marks in front of the notes are called temporary diacritical marks. Its effect is limited to the pitch of the same pitch after the diacritical mark, within one measure.

An exception is made if the first note of the next measure is homophonic with the last note of the previous measure with a tie line.

There are 4 bars in the red circle you draw.

A bar line is a vertical line on a single or double line of staff. Each line is 4 bars, and each bar has 4 quarter notes.

In addition, the subsections are not elevated. Bars and bar lines only divide the length of the beat, and they have nothing to do with the rise and fall of the notes.

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A sentence and a few bars in a short score are written as follows: Take the common 4 4 4 beats as an example, a bar contains 4 beats (i.e. 16th notes), and each measure can be represented by the following symbol: |1---2---3---4--- where the number indicates the time signature, and the horizontal line indicates the length of a beat.

For example, if a sentence is divided into two bars, each with 8 beats (i.e. 8 16th notes), it can be expressed as: |1---2---1---2--- It should be noted that the length of each bar should be equal to ensure the rhythm and rhythm of the song. Dear, the above questions have also been answered for you, if you have other questions, please continue to ask, if not, please give a thumbs up!

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The meaning of the subsection bai: ** always ups and downs, alternating strength and weakness, this kind of alternating dao appears

It can't be chaotic and random, but must be organized into a smallest, regular organization according to the structure of the melody, and on this basis. The most basic foundation of this is the subsection.

How to divide: Set the rhythm first, such as a few notes as a beat, and a few beats per measure. Then write the score and divide it by the number of beats you set.

Rule: The rule is this, the downbeat and the downbeat alternately, whenever a downbeat comes out, whether it is followed by a downbeat or not (1 4 has no downbeat followed by a downbeat) or several downbeats, before the second downbeat appears, this constitutes a bar, and when the second downbeat appears, a second bar is formed, and so on. For example, if a downbeat is followed by a downbeat, this is a "second beat", a downbeat is followed by two downbeats, then this is a "three-beat", and three downbeats after a downbeat are "four-beat", and so on.

Unless on the downbeat, it is specially marked with a fortiss.

Check the number of shots, it's enough to shoot what you want, just draw a long vertical line at the back. It's the bar line.

The vertical line on the sheet music is the bar line. Each bar has a fixed beat.

FG Let's take a look at more excellent scores! The hit songs collected before, Jay Chou also has a collection of classical piano scores, which you are talking about.

Genus faces. Note: @用. instead).

1. Subsections ** are always ups and downs, alternating between strength and weakness, and this alternation cannot be chaotic and arbitrary, but must be organized into a smallest, regular organization according to the structure of the melody, and it can be carried out on this basis. The most basic foundation of this is the subsection. The rule is this, the downbeat and the downbeat alternately, whenever a downbeat comes out, whether it is followed by a downbeat or not (there is no downbeat followed by 1 4) or there are several downbeats, this constitutes a measure before the second downbeat appears, and when the second downbeat appears, a second bar is formed, and so on.

For example, if a downbeat is followed by a downbeat, this is a "second beat", a downbeat is followed by two downbeats, then this is a "three-beat", and three downbeats after a downbeat are "four-beat", and so on. Unless on the downbeat, it is specially marked with a fortiss.

Second, the bar line.

Each bar is divided by a bar line, which is a solid line perpendicular to the staff, with the top to the fifth line and the bottom to the first line. Such longitudinal lines are called "bar lines", and bar lines divide the staff into sections and thus form bars.

That's why it's important to say barlines. Unless you already know the full sheet music by heart.

ab Take a look at the excellent sheet music! Sorted out classical**, Jay Chou's piano score, you said it is all inside.

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Start from the first line and draw a vertical line to the fifth line.

1. In the same song, if there is no change in the beat, the length of each bar is the same;

2. Some songs also use some loose beats at the beginning or end for emotional needs, which is different;

3. For the expression of the emotion of the song, add an extension mark to a certain note, so that the sustain bar is not the same;