What is the Yuan song It s best to bring a few more songs to appreciate

Yuanqu is a wonderful flower in the splendid cultural treasure house of the Chinese nation, which embodies its unique characteristics in terms of ideological content and artistic achievements, and has become three important milestones in the history of Chinese literature. Yuanqu originally came from the so-called "Fan Qu" and "Hu Yue", which was first circulated among the people and was called "Market Xiaoling" or "Village Fang Minor". With the Yuan and Song dynasties taking control of the Central Plains, it spread successively in the vast areas of the north and south centered on Dadu (present-day Beijing) and Lin'an (present-day Hangzhou).

Yuanqu has a strict grid formula, and each song card has fixed format requirements for sentence structure, word count, level, etc. However, although there is a freeze frame, it is not rigid, and it is allowed to add lining words in the freeze frame, and some music cards can also add sentences. Therefore, the reader can find that the two songs of the same "song card" sometimes have different word counts, which is the reason (the one with the lowest number of words in the same song card is the standard frame).

Compared with the quatrains of the poems and the Song poems, there is greater flexibility. Yuanqu blends traditional poems, folk songs and dialect colloquialisms into one, forming a witty, free and honest artistic style, which has an extremely important impact on the innovation and development of the word style. Following the poems of the Tang Dynasty and the Song Dynasty, Yuanqu, which became a flourishing literary force, has its unique charm:

On the one hand, Yuanqu inherited the beauty and tactfulness of the poems; On the one hand, the society of the Yuan Dynasty put the scholars in the position of "eight prostitutes, nine Confucians, and ten beggars", with political dictatorship and social darkness, so that the Yuan Qu radiated an extremely dazzling brilliance of battle and revealed the mood of resistance; The sharp edge directly pointed to the social evils, directly denounced the society of "not reading the highest, not being illiterate is the best, and some people praise if they don't know things", and directly pointing to the world style of "everyone is embarrassed, and no one can see the money". The works depicting love in Yuanqu are also more pungent and bold than the poems of the past dynasties. These are enough to make Yuanqu maintain its artistic charm forever.

However, in contrast, the circulation of Yuan Qu is by no means as wide as that of Tang and Song poems, which is the reason why people are unfamiliar with the style of Yuan Qu, and we will briefly introduce it here. Yuan songs are divided into miscellaneous dramas and scattered songs. There are several sets of loose songs, and small orders are different from songs.

In ancient China, the regulator style was called the palace tune. The palace tune of the song comes from the Sui and Tang Yan music, and the four strings of the pipa are set as the four tones of the palace, Shang, horn and feather, each string constitutes seven tones, and the seven tones of the palace sound are called "palace", and the others are all tunes, and a total of twenty-eight palace tunes are obtained. However, there are only 12 kinds of Xianlu Palace, Nanlu Palace, Huangzhong Palace, Zhenggong, Dashi Tune, Small Stone Tune, General Involved Tune, Shang Tune, Shang Angle Tune, Double Tune, and Yue Tune.

Each palace tune has its own rhythmic style, so there are often certain habits for the choice of tune. For example, Wang Jide said in "Melody": "The joys and sorrows of things must be called with palace tunes, and the joys and sorrows of things must be used for pleasure, such as Xianlu, double tones and so on; There are types of grievances, such as business adjustment and over-adjustment.

In order to reconcile the feelings, it is easy to touch. Each house has a different tune. The set is composed of two different pieces of music in the tune of the above Monday Palace.

The Four Masters of Chinese Yuan Qu and their representative works.

The four masters of Yuanqu in Chinese history are Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu. They are also recognized in history as the four masters of Yuan Qu. The following is a compilation of the four masters of Chinese Yuan Qu and their representative works, I hope it will help.

Guan Hanqing has written 67 miscellaneous plays, of which 18 are extant. Among them, "Dou E's Injustice", "Save the Wind and Dust", "Wangjiang Pavilion", "Moon Worship Pavilion", "Lu Zhailang", "Single Knife Meeting", "Adjusting the Wind and Moon", etc., are his representative works.

Guan Hanqing's image of "I am a copper pea that cannot be flattened, fried, smashed, or boiled thoroughly is also widely known. There is a crater on Mercury named after him.

Bai Pu has written 15 kinds of scripts, these 15 kinds are: "Tang Ming Emperor's Autumn Night Wutong Rain", "Dong Xiuying's Flower Moon East Wall Story", "Tang Ming Emperor's Moon Palace", "Han Cui's Imperial Water Flow Red Leaves", "Xue Qiong's Silver Zheng Resentment on a Moonlit Night", "Han Gaozu Cutting the White Snake", "Su Xiaoxiao's Dream of Qiantang on a Night Moon", "Zhu Yingtai's Death to Marry Liang Shanbo", "King Chuzhuang's Night Banquet".

Cui Hu Pulp", "Gaozu Returns to the Village", "Mandarin Duck on the Wall", "Autumn River Wind and Moon Phoenix Boat", "Xiao Yizhi Earns Lanting Records", "Yan Shidao Catches the River" plus "Li Ke Shoots Double Eagles with Arrows" recorded in "Shengshi Xinsheng", a total of 16 copies.