Appreciation of Wang Anshi s Cinnamon Sticks , Wang Anshi s Cinnamon Sticks full text pinyin?

guì zhī xiāng

桂枝香 》sòng wáng ān shí

Song Wang Anshi.

dēng lín sòng mù 。

Ascend to see it. zhèng gù guó wǎn qiū ，tiān qì chū sù 。

It is late autumn in the old country, and the weather is beginning to be clear.

qiān lǐ chéng jiāng sì liàn ， cuì fēng rú cù 。

Thousands of miles of Chengjiang are like practice, and the green peaks are like clusters.

zhēng fān qù zhào cán yáng lǐ ，bèi xī fēng jiǔ qí xié chù 。

Zhengfan went to the remnant sun, carrying the west wind wine flag obliquely.

cǎi zhōu yún dàn ， xīng hé lù qǐ ，huà tú nán zú 。

The colorful boats are faint, the stars are rising, and it is difficult to draw.

niàn wǎng xī ，fán huá jìng zhú ，tàn mén wài lóu tóu ， bēi hèn xiāng xù 。

Thinking of the past, the prosperous return to the shed socks rock competition, sighing outside the building, grief and hatred continued.

qiān gǔ píng gāo duì cǐ ，mán jiē róng rǔ 。

Through the ages, he has relied on this and insulted honor and disgrace.

liù zhāo jiù shì suí liú shuǐ ，dàn hán yān shuāi cǎo níng lǜ 。

The old things of the Six Dynasties flow with the water, but the cold smoke fades and the grass is green.

zhì jīn shāng nǚ ，shí shí yóu chàng ， hòu tíng yí qū 。

So far, the merchant girl still sings all the time, and after the leakage is good, the court will leave the song.

The mood is outstanding. The artistic conception here mainly refers to the writing of the scene, and the spirit is very grand.

But when it comes to the ideological conception, it is very ordinary, and it does not surpass Du Mu's "Bo Qinhuai".

It is said that as a later work, it should be a little higher than the previous work in terms of thinking, especially for Wang Anshi.

Such a thinker (many of Lao Wang's views are profound and innovative).

But even so, inNorthern Song DynastyAmong the lyrics of the literati in the early middle and early periods, this one"Cinnamon Sticks".The idea is already outstanding. Another point that should not be overlooked is the large number of words.

Don't underestimate the role of the word count, Song Ci is in Liuyong.

Before opening the slow word, it was mainly Yan Shu Ouyang Xiu.

Although there is no shortage of famous sentences and high artistic skills written by these people, they seem to be very "vulgar" in concept, and they are nothing more than six sentences, eight sentences, and ten sentences within the length of the piece, or a small song that writes scenes or loves.

Until Liu Yong raised the number of wordsSu ShiAfter expanding the scene of the word, the word really reaches a status comparable to Tang poetry (of course, strictly speaking, it is actually quite a lot). Otherwise, it only depends on what "helpless flowers fall, déjà vu swallow returns", "clouds break through the moon to flowers and shadows", "red apricot branches spring trouble" This is a dry sentence, at most it is a small song that is more elegant than Yuan Song.

I have always said that the most outstanding lyricists in the early and middle Song Dynasty were not Yan Shu and Ouyang Xiu, but Li Yu.

Li Yu not only has the extremely high artistic skills of Yan Shu and Ouyang Xiu and other literati in small words, but also has the number of words of Liu Yong's slow words (although it is still not as long as Liu Ci), and in terms of concept, he also surpasses the slightly contrived personal sadness of Yan Shu and others, and has a sense of pain or intoxication. At the same time, Li Yu's diction is all in the vernacular, but his style is elegant, which is also what distinguishes him from high-level literati and surpasses Liu Yong, who is also in the same vernacular.

One of the most important points you remember about me is that if Song poetry does not have a breakthrough in concept and number of words, but only wanders in a small circle of seven or eight sentences and personal feelings, it is impossible to compare with Tang poetry。The key turning points and breakthroughs in this are mainly completed by Liu Yongsu Shi, and Wang Anshi, who was earlier than Su Shi, is the explorer in front, and "Gui Zhixiang" is such a masterpiece.

The reasons are as follows, the first is that this poem is written in a magnificent and magnificent scene, the weather is open, the lyricist will be the kind of ascending magnificent, open-minded feelings to the fullest, the scene shown, there are real and virtual, there are thick and light, and the distance is vigorous, not "small garden falling red" and the like, can be called a wonderful Jinling scenery picture. The second is that the whole poem is in an orderly manner, with the beginning and end, and the beauty of the article, which is hearty to read; The third is to use allusions to be appropriate and natural, without the slightest sense of stagnation, to turn allusions into the invisible, for one's own use, so that the connotation of the whole word is richer. The fourth is the "petty bourgeois sentiment" that only shows personal interest and sorrow in the words when sweeping the five generations in terms of ideology and feelings, but Chunfeng is based on the future of the country and the nation in the air, and expresses a scholar who takes the world as his own responsibility, with a strong sense of responsibility and feelings, and has the great responsibility of a reformer and the enthusiasm of a patriot.

It is because of the author's reluctance to express his reluctance through the lyricism of the scene, and he wants to drink and have fun with Li Bai again and travel the world together.

Because this poem not only describes the scenery, but also expresses its own exclamation through metaphor.

Ascend to see it. It is late autumn in the old country, and the weather is beginning to be clear.

Thousands of miles of Chengjiang seem to be practiced. Green peaks are clustered.

Return to the sail to go to the remnant sun, with the west wind on his back and the wine flag oblique.

The colorful boats are faint, the stars are rising, and it is difficult to draw.

Thinking of the past, prosperous competition. Sighing outside the door, grief and hatred continued.

Through the ages, he has relied on this and insulted honor and disgrace.

The old things of the Six Dynasties flow with the water, but the cold smoke and the grass are green.

To this day, the merchant girl still sings all the time, * Last song. The hall stared blindly.

Wang Anshi (1021-1086), the name Jiefu, was a native of Linchuan, Fuzhou (now Linchuan, Jiangxi). Wang Anshi is not only a great politician, but also a great writer. Lenin once called him "the reformer of China in the 11th century".

He works prose and is one of the "Eight Masters of the Tang and Song Dynasties". He is also a god of poetry, and his pretense and achievements are more than prose. The style of its words is unique, washing away the five generations of lead, and opening the precursor of the bold school.

There is a compilation of "Mr. Linchuan Songs".

Author or source: Wang Anshi The original text of the ancient text "Guizhixiang": Coming to the eyes, it is late autumn in the old country, and the weather is at the beginning of the year.

Thousands of miles of Chengjiang are like practice, and the green peaks are like clusters. Zhengfan went to the remnant sun, carrying the west wind wine flag obliquely. The colorful boats are faint, the stars are rising, and it is difficult to draw.

Thinking of the past, prosperous competition, sighing outside the building, grief and hatred continue. Through the ages, he has relied on this and insulted honor and disgrace. The old things of the Six Dynasties flow with the water, but the cold smoke fades and the grass is green.

To this day, the merchant girl still sings all the time, * Last song.

Translation of the full text of Guizhixiang in modern text: Climbing the high-rise building and leaning on the railing, the scene of Jinling is definitely a late autumn, and the weather has just begun to be suosu. The Yangtze River, which flows for thousands of miles, is clear like a white line, and the verdant peaks are handsome and steep like bundles of arrows.

The boats on the river sailed quickly into the sunset, and the fluttering wine flags fluttered on the shore in the west wind. The colorful painting boats haunt the clouds and smoke, and the egrets on the river continent sometimes stop and sometimes fly, and this beautiful scenery is difficult to paint even with the most beautiful pictures. Looking back on the past, the luxury yin (all rights reserved:

Ancient Chinese Translation Library) endlessly competed with each other, lamenting that Han captured the tiger outside the door, and Zhang Lihua's grief and hatred for the death of the country continued one after another. For thousands of years, looking at it from afar by the railing, the scenery that catches your eye is like a dull coincidence, but don't feel the gains and losses in history. The changes of the six dynasties have all disappeared, and with the flowing water, only the cold smoke and withered weeds in the suburbs are still condensed into a piece of green.

Until today's merchant girl, she still doesn't know the grief of the country, and sings "* Last Song" from time to time.

Cinnamon sticks Wang Anshi.

Ascending to send the eyes, the late autumn of the old country, the weather is at the beginning of the year, the Chengjiang River is like a practice, the green peaks are like clusters, and the sails are like clusters, and the west wind is back, and the wine flag is oblique. The colorful boats are faint, the stars are rising, and it is difficult to draw.

Thinking of the past, prosperous competition, sighing outside the building, grief and hatred continue. Through the ages, he has been proud and disgraced about this. The old things of the Six Dynasties are like flowing water, but the cold smoke and decayed grass are green. To this day, the merchant girl still sings all the time, * Last song.

Notes] Ancient country: refers to Jinling, the old capital of the Six Dynasties, now Nanjing, Jiangsu. Su: Kill, refresh, and clean. Cluster: Same as arrowhead, arrowhead.

I climbed the city tower and looked into the distance, so the capital Jinling is late autumn, and the weather has become cool and refreshing. The thousands of miles of Chengjiang River are like a silver train, and the emerald green peaks are like arrows towering ahead. Sailboats shuttle back and forth in the setting sun, and where the west wind rises, the wine flags flutter diagonally in the side streets.

Painting a boat like a boat floating in a light cloud, an egret seems to be flying in the Milky Way, and it is difficult to describe this magnificent scenery.

Thinking back then, the old capital Jinling was so prosperous. It is a pity that the attic outside the Suzaku Gate was knotted, and the monarchs of the six dynasties were defeated one after another. Since ancient times, how many people have climbed here to nostalgia, and they all sighed and felt sad about the honor and disgrace of the past dynasties.

The old things of the Six Dynasties have disappeared with the flowing water, and all that remains is the cold smoke and the green grass faded and yellow. To this day, the merchant girls still sing the "* Last Song" from time to time.

Comments] This article is also "Jinling Nostalgia", which is the author's work in Jinling nostalgia for the past and the present. The film depicts the picturesque scenery of the autumn evening twilight, with a wide field of vision and spectacular weather. In the next film, when the ancient wounds are made, the rulers of the Liurang Feng Dynasty built the capital of Jingling, competed for prosperity, and fell one after another.

The artistic conception of the whole word is broad and the connotation is profound and eternal. The predecessors spoke very highly, and Zhang Yan's "Etymology" praised this word: "Wang Jinggong Jinling's "Guizhixiang" words are interesting in the clear air, and those who have no pen power are not easy to reach.

Ancient and Modern Words" praised this word as "the most swan song".