What is the face of the harlequin in ancient opera

The "three-flower face" or "small flower face" is characterized by a white "tofu block" smeared in the center of the nose bridge, which uses comic techniques to express the comedic characteristics of the characters. Block white. Harlequin Pink Face:

Harlequin mostly uses face wiping methods, mainly including waist powder face, tofu powder face, jujube core powder face and other basic spectrum formulas, hook and knead methods can also be used for harlequin face, and harlequin also has a broken face mask.

The face of the harlequin in ancient opera is a three-flower face or a small flower face.

Harlequin face: No ugliness is not a play, harlequin is one of the main trades of Peking Opera, including Wen Chou and Wu Chou, also known as Sanhua Face or Little Flower Face, Wu Chou is also known as opening jump. Wen Chou is divided into Guanwen Chou, Fang Scarf Chou, Tea Clothes Chou, Scarf Chou and Cai Dan, which is characterized by smearing a white tofu block in the center of the nose bridge, using comic techniques to express the comedy characteristics of the characters.

Harlequin's face: In the long-term history of the development of opera, the harlequin's makeup has gradually formed a complete and systematic set of facial makeup according to the different and different identities, ages, personalities, and behaviors of the characters.

Such as kidney-shaped powder face, round powder face, jujube core powder face, zheng-shaped powder face, ingot-shaped powder face, ugly old face, ugly broken face, broken face, broken face, rubbed face and pictogram face, etc. Among them, the most typical is the ugly square scarf, and the face is outlined with white powder - a white powder face in the shape of a tofu block. Therefore, when the audience sees this piece of tofu, they know that this actor is a harlequin.

Harlequin is roughly divided into the following types:

1. Wenchou is mainly based on workmanship.

2. Wuchou is mainly martial arts, and the difference between the three tiles in the net angle is not obvious.

3. Cai Dan plays the role of female harlequin, generally such as matchmakers and servants.

The above content reference: Encyclopedia - Facebook.

1. The face mask represents the main personality of the characters in the play.

2. Face painting is a painting on the face of a traditional Chinese opera actor, which is used for makeup and modeling art during stage performances. Facebook has different situations for different industries. "Sheng" and "Dan" facial makeup are simple, with a little fat powder, called "handsome dress", "plain face", and "clean".

The "Pure Line" and "Ugly Line" facial paintings are more complicated, especially the Jing, Du Zao Sui is a heavy application of Jianyan slow oil paint, the pattern is complex, so it is called a flower face. The face painting in opera mainly refers to the pure face painting. And "ugly", because it plays a dramatic role, so a small piece of white powder is smeared on the bridge of the nose, commonly known as a small flower face.

3. From the perspective of drama, face is personalized; From an artistic point of view, it is patterned. Over the long years, the opera mask has been gradually formed with the gestation and maturity of opera, and has been relatively fixed in the form of notation. Chinese opera masks match the characters, and it is also a kind of makeup effect, which has a unique charming charm, high appreciation value and aesthetic significance.

1. Red face.

It symbolizes loyalty, uprightness, and blood, such as: Guan Yu in "Three Kingdoms Opera" and Wu Han in "Chopping Hall".

Other: Ironic, indicating a fake good person.

2. Black face.

It not only shows a serious personality, but also does not smile, is neutral, and represents fierce wisdom. such as Bao Zheng in "Bao Gong Opera"; It also symbolizes mighty and powerful, rude and bold, such as: Zhang Fei in "Three Kingdoms Opera", Li Kui in "Water Margin Opera", and Jiao Zan in "Yang Paifeng".

3. White face.

The performance is treacherous and suspicious, with a derogatory meaning, representing ferocity, such as: Cao Shanqin Hongcao in "Three Kingdoms Opera", Yan Hao in "Fighting Yan Song", and Qin Hui.