The most suitable lighting method for white yarn

In fact, it is very simple, and it is not so complicated to shoot a wedding dress. People with photography knowledge know how to set up lights, and professionally speaking, every photographer has his own unique use of light. You'll also have to practice a lot (not that you have your own way of using light) and make sure the background is in harmony with the model's outfit.

Directly speaking, the white background and white gauze cannot be photographed.

What effect do you want to hit out.

What kind of light do you want: triangular light, butterfly light.

Lu Vicelight. Yin and yang.

Diagonal light

Every light is not reflected in every back.

Photography is playing with light, and a single light also has an effect, two can also be used three are more commonly used, four can be used as you like, five lights... There's no way to take portraits, it's even more important to highlight the characteristics of each person, and you have to tailor the light.

In fact, there is no specific way to turn on the light! The key is what kind of effect you want to present in the end! It is recommended to practice more on your own, so that you can also increase your lighting experience!

Black Background: A backlight is placed behind a person and hits the background. The hair light is one notch stronger than the main light and the background light.

For a white background, two or more background lights should be played opposite each other from both sides of the background. One to one and a half gears stronger than the main light, contour light and hair light (measure it yourself.) Because different lights come out with different effects.

But be careful not to eat it all. That's ugly. It also affects the **picture quality) In addition, it is still possible to shoot wedding dresses with a white background.

It's just that the light is better than being tightly controlled. And it's best to take a few photos on the computer first to see the effect before taking the official shot. And before taking pictures, you should consider the post-production design. And you can't just pursue an extremely white background effect.

The pink background is about the same as the white background. But the intensity of the background light should not be too high. It can be stronger than the main light.

The gray background is a neutral color. It depends on what kind of effect you want. There are also many ways. The simple point is white plus black minus.

One last point. People should be more than one meter away from the background. Otherwise, it will affect the color performance. It's seeping out.

Your teacher didn't teach, or you didn't go to class, haha

It's okay to play three points outdoors and a little indoors, and you don't need so many lights.

Lights are a broad concept. Basically, it can be divided into two types, one is a continuous light source, and the other is an instantaneous light source. Nowadays, more and more instantaneous light sources, that is, flashes, are used, and there are many benefits, such as power saving, low temperature when shooting beer and ice cream, no roasting, and so on.

The use of lights is more complicated, basically when you find that the natural light source is insufficient or not ideal, you can choose to use artificial light source. The type of flash you can use can vary greatly depending on people, objects, indoors, outdoors, and even the size of the object. So as long as you can achieve the effect, you can play as much as you want, but you have to understand the difference between lights and natural light.

First of all, the lamp is an electric light source, which is characterized by a very short diffusion distance, that is, at intervals, the brightness is greatly reduced, and it will leave a huge shadow far behind the figure. (if there is a wall behind it).

In addition, the light is direct light, and the shadows are hard and deep.

So when shooting people, it usually takes three to five lights to remove these shadows.

However, the brightness of the characters should not be too even, there is no change in light and shade at all, and the objects have no three-dimensional sense.

So you can try the left one, the right one, the bottom one, and then adjust the shadow behind, in short, try back and forth to find the effect you are satisfied with.

It is better for men not to use flat light. Women try not to use splint light (otherwise they will definitely be in a hurry with you), fat people are the most taboo big flat light.

Thin people are most afraid of three-dimensional light, and the wedding dress sheet is generally flat and crocodile light is more. But keep the above points in mind. The rim light is generally based on the mood you want to express.

In addition, it is best to shoot from the back when shooting thin people. Shooting fat people can be overhead shooting + three-dimensional contour light. It generally doesn't matter if a man is fat.

Hehe. And try to shoot as many sides as possible when shooting portraits. Be less afraid of the front.

Thin people try to shoot as many half-bodies and doppelgangers as possible. The fat man tries to pat his whole body as much as possible. The face shape is not bad, you can take more close-ups.

Too much. Your master will tell you. Hehe.

The light ratio of the natural light in the room should not be so strong, and there is a noticeable shadow on the left side of the clothes and hats. This picture is a single light with off-camera flashing on the right side of the clothes, and there is no soft light equipment (the right side of the clothes is **excessive). Due to the reflection on the left wall (invisible), the shadow on the left side of the subject is finally reduced.

A softbox on the side, don't add a light on the left, just use a white board to reflect the light, otherwise the shadow will be darker.

Generally, the light in the room is self-lit, there may be two lights, one on the left and one on the left, and the main light source on the right.

You can use natural light, you can also use indoor flash, you can do this! The key depends on which method is more convenient, and which method to choose!

Use the light to engrave the object you want to photograph!

Warm light, white cold light is very good, white will be better, or it depends on your overall atmosphere, white cold light will make the white wedding dress whiter, warm color slightly yellow, but also very beautiful, personal preference white cold light, so the wedding dress is more grade!

(1) 1 soft light.

This is the simplest and most commonly used, and only requires a soft light. You can choose to place it to the left or right of the model, and the soft light should be placed a little higher than the model, at an angle of 45 degrees.

a - Soft light.

2) Brighten.

If you feel that using only one soft light is too dark, you can put a reflector on the opposite side of the main light. Refracts some of the light, making the details that need to stand out clearer and brightening the entire subject.

a Diffuser b Reflector.

3) Enhance contrast.

The purpose of using a reflector is to add brightness, while the use of a black reflector is the opposite, and it is not used as a reflection in the branch, so it can also be called a "light absorber" or "light absorber". The reason for using a black reflector is to reduce the luminosity of one side of the subject and make the contrast stronger.

A Soft Orange B - Black reflector.

4) Backlit.

If you want to add a little different effect to **, you can use a backlight to highlight the layers of the model's hair, and at the same time you can make a highlight at the edge of the model's body.

A-Soft Orange B-Backlight.

5) Side lighting.

Soft orange should be stronger than the side light, which can fill in the front of the model and reduce the contrast between light and dark.

A-Soft Light B-Side Light.

6) Three lights.

Adding two different colors of lights behind the model can make a special effect, which is perfect for fashion shoots.

A Soft Orange B-Color Sidelight C-Color Sidelight.

It's up to you to see what effect you make! Check out more books on photographic lighting **.

The main factor in the use of a single light in portrait photography.

In portrait photography, we often see that some professional photographers can shoot very well with only one light, and many commercial portrait photographers also use a single light to shoot with a single light, but the results are different.

This is mainly caused by the fact that some photographers do not have a good understanding of the art of using light due to their poor basic skills in using light, and cannot use light in a targeted and reasonable manner. In what situations can we take pictures with a single light? Figure 01: A single light can be used in shaping a girl's figure:

To reproduce the curves of the body of the girl, lighting is a major one.

Buy 2 reflectors, the foam is the best.

Put 2 lights on the back of the character at 45 degrees on this reflector Shoot absolutely transparent, D80 shoots that effect is the best White balance with 4500K mode with vivid mode!

Beat your hair with a bare lamp, as high as possible behind the side of the figure.

Two soft lit ones are placed in front for the main light, and one is used as a floor lamp.

That is, the parameters of the main light do not match the camera settings, open the aperture wider, or increase the parameters of the same, as long as you don't eat up, try to get as high as possible, and use a light meter to measure it.

Then it depends on the light, from different angles, and the strength must be appropriate.