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This poem was written by Huang Chao after he fell off the list, and he was ostensibly describing a sentence, but in fact he was motivating himself. "The incense array penetrates Chang'an, and the city is full of ** armor" From these two poems, we can see Huang Chao's ambition, he is not only unwilling to be subordinate, but also intends to change the day.
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The moral of this poem lies in the dissatisfaction with the materials taken from the decadent Tang Dynasty and the resentment that Huang Chao did not follow, which in turn inspired the heart of the uprising. Turn this poem into a manifesto of the Yellow Nest Uprising.
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One of the sentences is: The city is full of ** armor, which he means that one day he will lead the warriors in armor to wander around Chang'an City and occupy the capital, which is an anti-poem.
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Huang Chao, the leader of the Tang Dynasty peasant uprising, loved chrysanthemums since he was a child. In the Tang Dynasty, on the day of the Double Ninth Festival, relatives and friends met to climb the heights, drink and enjoy chrysanthemums. Huang Chao's grandfather set up a family banquet in the garden because his house was full of chrysanthemums, and invited his sons and nephews to enjoy the chrysanthemums together.
After three rounds of drinking, the old man proposed to use chrysanthemums as the theme, and everyone wrote poems in couplets. Who knew that when it was his turn to couple, he couldn't think of a good sentence for a while. Huang Chao, who was sitting next to his grandfather, was impatient to wait, so he blurted out first:
It can be the head of a hundred flowers, and it is natural to give him yellow clothes. ”
The crisp children's voice just fell, and immediately won the applause of the audience. But only Huang Chao's father looked frightened, shook his head again and again, and said: "This He Huangyi was given to the emperor by God, how dare you talk nonsense, I really don't know how thick the sky is!"
Saying that, he had to teach Huang Chao a lesson. The old man saw that it was not good, so he hurriedly blocked it and said: "Forgive him for being young, don't beat him, just punish him for redoing it!"
Without waiting for his father to express his position, Huang Chao immediately responded: "Obey the order!" I saw him think about it a little and set up an article: "The sassy west wind is full of gardens, and it is difficult for the cold fragrance and cold butterflies to come." If I am the Green Emperor in his year, I will open with peach and plum. ”
The gist of the poem is to say: In the autumn wind with high lead and high lead, the chrysanthemums in the garden bloom together, but because the autumn is gradually cold, the bees and butterflies do not come. In the future, if I become the god of spring, I will let chrysanthemums, peach blossoms, and plum blossoms bloom in the spring.
The poem was full of romanticism, and everyone in the audience was amazed by his poetic talent.
Later, Huang Chao went to Beijing to take the exam. Although he was ambitious and talented, due to the darkness of the scientific field and the corruption of the imperial court, he ended up in the name of Sun Shan. At this time, he felt that he was like a chrysanthemum blooming at an untimely time, and made a chrysanthemum poem:
When autumn comes on September 8, I will kill a hundred flowers after the flowers bloom, and the incense array will penetrate Chang'an, and the city will wear ** armor. This sonorous and powerful poem expresses his lofty ambition to smash the old world and rebuild the new.
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Chrysanthemum is a poem written by Huang Chao, the leader of the peasant uprising in the last years of the Tang Dynasty, which is recorded in the "All Tang Poems". The poem uses the technique of supporting things and words, and the author expresses his great ambition to dominate society through the description of chrysanthemums. Let's take a closer look at this poem.
Portrait of the Yellow Nest. The first line of the poem is about chrysanthemums blooming in the autumn breeze, but they become crumbling again. The west wind illuminates the solar terms, which leads to the following poem.
Saying that chrysanthemums are planted instead of saying that chrysanthemums are blooming, in order to avoid overlapping with the last sentence of the poem, there is a feeling of standing proudly when planting. The first sentence describes chrysanthemums blooming in the cold wind against the wind and frost, which can be seen in the poems of many poets Yongdai. However, Manyuan is different from other poets, and many sentences describing the arrogant character of chrysanthemums are basically inseparable from the word lonely, but the author uses Manyuan, because in the author's eyes, chrysanthemums are the image of the toiling public.
The second sentence is written that the chrysanthemums are blooming, but there are no butterflies coming, which is a pity. Chrysanthemums bloom in the cold season, and although they have a floral fragrance, because of the climate, they are not like the flowers that bloom in spring, so it is difficult for butterflies to come. This sentence shows that he feels pity and injustice because the blooming season of chrysanthemums is not suitable.
The third and fourth sentences are the sublimation of the previous feelings, revealing the injustice of fate, and the author imagines that one day he will become the emperor of spring, so that chrysanthemums will bloom in spring like peach blossoms. These two sentences fully express the author's romantic thoughts, and at the same time express his grand ambitions.
Yongdai is a poem written by Huang Chao, the leader of the peasant uprising in the last years of the Tang Dynasty, after he was disappointed in the imperial examination, and it is also his most widely circulated poem now. In this poem, the author uses metaphors and uses the noble character of chrysanthemums to set off the great personality of the peasant rebels.
Portrait of the Yellow Nest. In the first sentence, September 8 refers to the day before the Chung Yeung Festival, but before the time came, the poet wrote a poem looking forward to its arrival. These two words have a radical, bursting feeling.
The poet does not write September 9 in the poem, but writes September 8, which is not just for the sake of simple rhyme, but reveals the poet's impatience and calls for the uprising to come quickly. On the one hand, it reveals that the proud standing of chrysanthemums forms a strong contrast with the withering of flowers, highlighting the tenacious vitality of chrysanthemums. On the other hand, it also implies that when the peasant rebel army arrives, the Tang Dynasty will definitely wither like a hundred flowers.
The third and fourth lines embody the poet's beautiful vision of the revolution. The cupola in the third sentence reflects the extraordinary momentum of chrysanthemums, and the incense array reflects that the fragrance of chrysanthemums is not only one with fragrance, but the fragrance of all chrysanthemums, highlighting the power of the masses. The full character and the end of the word in the fourth sentence reflect the scene of the chrysanthemum winning the appreciation of the people of the world, the chrysanthemum blooms in Chang'an City, and the whole Chang'an City is filled with chrysanthemums, which also means that the peasant revolution overthrew the old rule and became the new master's good wishes.
Chrysanthemums have always been a kind of plant that poets like to describe, and Huang Chao sets off his heroic image of the angry man through the description of the tenacious tenacity and vigorous personality of the chrysanthemum.
The meaning of these two poems is: Last night, the autumn wind blew through the garden, blowing the chrysanthemums all over the ground as if paved with **. >>>More
After the end of the Tang Dynasty, China's economic and cultural center of gravity shifted to the south, because China's economic Silk Road was in the south, and the south was more materially rich.
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