The paragraph meaning of the Ansai waist drum is 20, and the paragraph meaning of the Ansai waist dr

I am a 6th grade teacher, and I am a reference book.

Paragraph 1 (1 to 4 natural paragraphs): Write about what the future generations look like before the drum sounds.

The second section (5-17 natural sections) writes about the performance of the Ansai waist drum, showing the roughness, heroism and fiery nature of the Ansai waist drum.

The third section (18-20) gives the impression after the drumming stops.

Section 1: 1 4 Section: Before the drum sounds, the calmness and silence of the afterlife. (Static).

The second section: 5 17 sections: When the waist drum is performed, the drum sound is shocking and the afterlife is full of vitality. (Noise).

Section 3: 18 20: The drums cease and the world returns to calm

Section 1: 1 4: Before the drum sounds, the afterlife is calm and quiet.

Section 2: 5 17: When the waist drum is performed, the drum sound is shocking and the afterlife is full of vitality.

Section 3: 18-20: The drums cease and the world returns to peace.

Ansai waist drumThe sub-paragraph summary is 1 to 4 paragraphs to write about the modality before the Ansai waist is inspired. Paragraphs 5 to 27 of the second part write that the dance posture and drum sound of the Ansai waist drum are hymns of laughter and the hymn of strength, and paragraphs 28 to 30 of the third part write about the silence after the abrupt end of the Ansai waist drum, which is in northern Shaanxi.

Han folk dance.

Ansai waist drum segmented summary features

The central idea of the text describes for us the unique folk stage art of the Ansai waist drum, and praises the Loess Plateau by writing about the strong dance posture of the Ansai waist drum and the powerful power of the heavy sound that shocks people's hearts.

The rugged and heroic and open character of the people, the performance can be carried out by several or thousands of people together, and the superb expressiveness is intoxicating and is known as the first drum in the world.

In 1996 Ansai County was accepted by the Ministry of Culture.

Named the hometown of China's waist drum, on May 20, 2006, the Ansai waist drum was approved by the first batch of national intangible cultural heritage list, in ancient times, the Yellow River basin tribes of the male often used a hollow trunk wrapped in sheepskin, carried on the waist to drive away the wild beast.

Ansai waist drum appreciation:

1. The lyrical beauty of the combination of fiction and reality.

Ansai Waist Drum is an example of the coexistence of fiction and reality. It gives people the most powerful and intuitive audio-visual impact with a realistic description, and brings the reader into a virtual realm: writing about the on-site feelings, and writing about the powerful shock of Ansai's waist drum.

Second, the subtle beauty of the combination of hidden and explicit.

Through the unique charm of traditional music and dance performances, "Ansai Waist Drum" celebrates the life force of people, and is written roughly, cautiously, vigorously, heartily, straightforwardly, and without subtlety, which is its obvious side. However, the author also implicitly some content related to the background of the times.

3. The beauty of the perspective of the combination of large and small Liangyu.

The perspective of Ansai Waist Drum is unique, and the selectivity of perception and artistic creativity are perfectly combined. In the choice of viewing angle, choose either the large or the small. Looking at its big is integrated, and looking at its small is nuanced.

On the one hand, in order to adapt to the grandeur of the waist drum performance, the author adopts a panoramic or even overlooking perspective, so that the broad scene and far-reaching background can be seen, and we cannot see the individuals of relatively independent people and the individual of the scenery.

Fourth, the harmonious beauty of the combination of complex and simple.

The expression of "Ansai Waist Drum" is generally very concise, and all the cumbersome explanations have been omitted, only the rough line outline is seen, and only a few bright spots in the rough line outline of Jingxiao Rock are seen. But in such an overall style, in a short space, there is a surprising amount of complicated writing.

Fifth, the combination of movement and stillness sets off the beauty.

In Ansai Waist Drum", in order to increase the sense of ups and downs of the text and mobilize all means to reflect the performance of Ansai waist drum, the author deliberately arranged two transitions between movement and stillness, separating the beginning and end of the prose.